The Church of St. Sofia in Ohrid stands out as one of the largest medieval churches in the region, a true gem of historical architecture. For centuries, it served as the cathedral church, also known as the "Great Church," of the Ohrid Archiepiscopate. This religious authority stretched its influence from the Danube River in the north to the Albanian coast in the west, and all the way to the Bay of Thessalonica in the east. It's fascinating to think about how this magnificent structure might have been used as a cathedral long ago, during the time of Car Samuel in the late 10th century. Samuel, a notable figure, moved his throne from Prespa to Ohrid around this period, adding to the church's historical significance. There's also an intriguing theory that another church once occupied the same site during the reign of Macedonian Czar Samuel. This earlier church was eventually destroyed for reasons lost to history. The exact date of the current church's construction remains a mystery, as no inscriptions have been found to unlock its timeline. However, it's believed that today's church was either built or restored under the guidance of Archbishop Leo, who led the church between 1035 and 1056. He generously contributed to the church's artistic embellishments, commissioning stunning frescoes that still captivate visitors today. Originally, the church boasted a single main dome. In the 14th century, an impressive external narthex was added. The church's original form featured a three-naval basilica with a transept, a dome, and side nave galleries. By the 11th century, it also included a parvis and separate chapels above the northern and southern altar sections. Fast forward nearly three centuries, and under Archbishop Gregorius, a new parvis was added. This addition marked the pinnacle of 14th-century Macedonian culture. The extended parvis had a horizontal layout with a portico on the ground level and galleries above. Towers flanked the Gregorius Gallery on the northern and southern sides, adding to the church's grandeur. The arrival of the Turks brought significant changes to the Church of St. Sofia. It was transformed into a mosque, and the church underwent considerable alterations to accommodate Muslim worship. Frescoes were whitewashed, the ornate plates from the iconostasis were repurposed for an internal staircase, and a minaret was erected above the northwest dome. These changes significantly altered the church's original structure. Between 1950 and 1957, extensive restoration and conservation efforts took place. The frescoes were meticulously cleaned and preserved, and reconstruction work helped restore some of the church's former glory. The frescoes inside are among the finest examples of medieval painting in Macedonia and beyond. During that era, Ohrid fell under the direct authority of the Constantinople Patriarchate, making these frescoes some of the most important preserved works of Byzantine monumental art. Archbishop Leo, a highly learned man of his time, played a crucial role in choosing the compositions painted in the 11th century. Visiting the Church of St. Sofia is like stepping back in time. The blend of architectural styles and historical layers tells a story of resilience and transformation. The church doesn't just whisper its history; it shouts it from the frescoed walls and the stones of its foundations. It's a must-see for anyone traveling through Macedonia, offering a unique glimpse into the country's rich cultural tapestry.