Churches, Cairo

The Temple Mount, a massive masonry platform occupying the south-east corner of Jerusalem’s Old City, has hallowed connections for Jews, Christians and Muslims. All three of these Abrahamic faiths regard it as the location of Mount Moriah, where Abraham prepared to offer his son Isaac (or Ishmael in the Muslim tradition) to God. For Jews, it is where their Temple once stood, housing the Ark of the Covenant. Now, for fear of stepping on the site of the Holy of Holies, orthodox Jews do not ascend to the Temple Mount. Instead, they worship at its Western Wall while they hope for a rebuilt Temple to rise with the coming of their long-awaited Messiah. For Christians, the Temple featured prominently in the life of Jesus. Here he was presented as a baby. Here as a 12-year-old he was found among the teachers after the annual Passover pilgrimage. For Muslims, the Temple Mount is al-Haram al-Sharif (the Noble Sanctuary). It is Islam’s third holiest site, after Mecca and Medina, and the whole area is regarded as a mosque. https://www.seetheholyland.net/temple-mount/

Located in the village of Geroskipou, this interesting 9th century Byzantine church is a five-domed, three-aisled, barrel-vaulted basilica, making it one of only two such churches on the whole island, and a significant example of Byzantine architecture. The beautiful interior wall paintings date to various periods, from the 8th-15th centuries. A monochrome reddish cross, painted directly on the stone, is of an earlier type and was revealed during restoration works. This type of cross is usually dated to the Early Christian period, up until the 8th-9th century. Apart from its frescoes, the church also contains a rather significant portable, double-sided icon, dating to the 15th century. The Virgin Mary is depicted on one side, and the scene of the Crucifixion on the other. According to tradition, the name Geroskipou (‘sacred garden’ in Greek) derives from the sacred gardens of the Goddess Aphrodite, which were located to the south of the village towards the sea, at the point where the ancient pilgrims began their journey to the sanctuary of Palaipafos (old Pafos). As such, the church may stand on the ruins of an ancient temple dedicated to Aphrodite, although it could also originally have been dedicated to Timios Stavros (the Holy Cross). Today, it is dedicated to the Christian martyr Agia Paraskevi. https://www.visitcyprus.com/index.php/en/discovercyprus/rural/sites-monuments/item/700-agia-paraskevi-byzantine-church-geroskipou-village

The magnificent Lefkara Church is dedicated to the Holy Cross and dates back to the 14th century. According to the byzantinologist Athanasios Papageorgiou, the eastern part of the Church dates back to the 14th century, named after considering rescued frescoes behind the church’s iconostasis. This date is also confirmed by the metrical “Olivianos’ inscription”, which appears at the bottom of the Lefkara Golden Cross. There is written evidence that Olivianos was a Lefkara Bishop in 1307 during the occupation period by the Franks. This fact is also confirmed undeniably by the founder’s note on a manuscript dating back to the 14th century, which is kept in the Church’s safe. At the end of this manuscript, which is a precious Evangeliary it is noted that it was written in 1345/46 and that the monk Gabriel who was the abbot and the founder of the “Holy and Life-giver Revealed Cross” monastery paid all the expenses. In 1740 the church was restored and the wooden sculptured iconostasis was then made by the Rhodian sculptor Hadjikyriacos who was called in by the church-warden Lourentzos to this end. n 1867 important works were carried out in the church and it was, therefore, expanded in order to have a greater congregation capacity. In 1909 common repair works in the church were deemed necessary and then the entrance was constructed as it appears today. The south door was also built. In 1953 the dome was covered with paintings. The style of the eastern part of the church is cruciform with a cupola, while the style of its more recent part is Cypriot dating back to the 19th century. Furthermore, there are six internal pillars ranged in two rows per three pillars. http://www.lefkaravillage.com/churches.html

The Byzantine Museum at the church of Agios Lazaros (Saint Lazarus) is housed in some of the cells of the hypostyle porch that still stand to its south. The museum’s exhibits include important religious icons, artefacts and relics, including Byzantine icons, gospels, crosses and other ecclesiastical treasures from the whole district of Larnaka. http://larnakaregion.com/directory/product/ecclesiastical-museum-of-st-lazarus

This was originally a church built in 1359 with funds donated by a successful merchant called Simon Nostrano during the reign of Pierre I. http://www.cypnet.co.uk/ncyprus/city/famagusta/mq-sinanpasha.htm

Two of churches were consecrated in honour of Saint George. Оne of them was built in the 19th cеntury, whilst the other, more modern one, was built in 1965. https://www.kiprinform.com/en/villages_of_cyprus/paralimni-2/

Conservation works to the Archangelos Michael Church in Turkish occupied Lefkoniko have been completed. On the October 12, a project completion ceremony of consolidation and conservation works will take place, the Technical Committee on Cultural Heritage, the European Commission and the United Nations Development Programme (UNDP) have announced. Archangelos Michael Church was included as a conservation project among the very first priorities of the Technical Committee on Cultural Heritage in 2009 together with Arnavut Mosque in Limassol in recognition of the importance of both monuments. http://cyprus-mail.com/2017/10/11/archangelos-michael-church-project-completed/

Nestled in the lush valley of Vlamari, just about 2 kilometers from the charming town of Samos, you'll discover the serene monastery of Agia Zoni, also known as the Cincture of Virgin Mary. This historic gem was constructed in 1695, and stepping inside feels like a journey back in time. The walls are adorned with stunning frescoes that have been lovingly preserved since the 17th century, offering a glimpse into the artistry of ages past. But that’s not all: the monastery houses an extraordinary library filled with patriarchal documents and treasures that whisper stories of the past. It's a place where history feels alive, and every corner seems to tell a tale. While you're there, take a moment to soak in the peaceful atmosphere. The surrounding landscape is a treat for the senses, with rolling hills and vibrant greenery. It's a perfect spot for reflection or simply enjoying the beauty of nature. If you're lucky, you might even catch the gentle ringing of the monastery's bells, which adds an extra layer of tranquility to the experience.

St. Polycarp Church stands as the oldest structure in İzmir, nestled in the heart of the Konak District. This historical gem can be found on the Mediterranean side, bordered by Kazim Dirik Caddesi, Necatibey Boulevard, and Gazi Osman Money Boulevard. Walking through its doors is like stepping back in time, where you can almost feel the whispers of centuries gone by. The church is a serene escape from the hustle and bustle of city life, offering a quiet space for reflection and awe. Its architectural beauty is a testament to the rich history and cultural heritage of İzmir. If you're visiting, take a moment to appreciate the intricate details and craftsmanship that have withstood the test of time.

Süleymaniye Mosque built on top of the third hill of historical Istanbul is one of the biggest mosques of the city. The truly staggering size of the Süleymaniye Camii (Suleymaniye Mosque) is one of its most distinctive features – built by the legendary architect, Mimar Sinan, it is known as one of his masterpieces, and his largest design. It is not just the awe-inspiring size that is impressive (the central dome stands 47m high), but also the elegantly decorated interior. The sense of space and light is emphasized the supporting semi-domes to the northwest and southeast and the monumental arched spaces to the southwest and northeast. https://istanbultourstudio.com/things-to-do/suleymaniye-mosque

Panagia Eikonistria is the most holy site of the island since the miraculous icon of Virgin Mary (Panagia) was found here around 1650. An important intellectual figure of the island and of the Church, Dionysios the Old, was a monk in this monastery. http://www.skiathos.gr/en/aboutskiathos/churches/panagia-eikonistria.html

The Panaghia Chalkeon, a stunning church dating back to 1028, is a must-see in Thessaloniki. Stepping inside, you’ll be greeted by its intricate design, which is a classic example of the four-columned cross-in-square type. Not far away, the Hosios David, from the 12th century, offers another dive into the city's rich history, while St. Panteleemon, built in the late 13th or early 14th century, continues to captivate visitors with its timeless architecture. The Ayioi Apostoloi, constructed between 1310 and 1314, and the Taxiarches from the 14th century, are both remarkable for their historical and architectural significance. Don't miss the Panagouda, a three-aisled basilica adorned with significant icons that tell stories of faith and artistry. Another gem is Agios Ioannis Prodromos in Nymphaion, a place where you can feel the echoes of the past. The Vlatadon Monastery, a 14th-century foundation, still stands with its katholikon and two surviving cisterns. It's a serene spot where history whispers through the stones. And then there's Ayios Demetrios, a splendid basilica dedicated to the patron saint and protector of Thessaloniki. Its grandeur is truly a sight to behold, offering a spiritual and cultural experience. While exploring these historical sites, take a moment to admire the intricate details and craftsmanship that have stood the test of time. Thessaloniki is not just about its ancient past; it's a vibrant city where history and modernity coexist, offering a unique blend of experiences. Whether you're a history buff or just curious, this city has something for everyone to discover.

The Church of Agios Nikolaos stands proudly with its eye-catching belfry and intricately carved birdhouses. It's a cherished gathering spot for the locals of the town. The church isn't just a place of worship; it's a symbol of community and tradition. As you stroll through the area, you'll notice how the church's charm is woven into the daily life of the town. Plus, the architecture offers a perfect backdrop for photos that capture the essence of Kozani's rich history.

The Holy Trinity Church and especially its tall belfry have become a symbol of Bansko as one of the most attractive mountain resorts, successfully combining the charm of its rich historical past and its picturesque location at the foot of the mighty Pirin Mountain with the most modern facilities for recreation – a wide choice of reputable hotels for all tastes and budgets, one of the best ski zone in South-East Europe. The Church dedicated to the Holy Trinity was built in the period of the Bulgarian National Revival. Its inauguration was made in 1835. The architectural plan of the church is a three-nave basilica or more exactly a pseudo-basilica with 44 m length, 22 m width and 12 m height. The walls are 1.1 m thick and entirely constructed of local ashlar, welded together by mortar. Large wooden beams of centuries old white fir (typical for the region) are used in the foundation and for leveling the walls. Part of the church is sunken under the ground level in order to look smaller from the outside and Turks can not get an idea about its real size. The altar piece is set within a skillfully constructed and decorated apse in the form of the half of a 18-angle prism with a remarkable stone cornice on the exterior. The roof is hold in the interior of the church by 12 massive wooden columns of white fir, symbolizing the 12 apostles. http://bansko-guide.com/attraction/holy-trinity-church/

The cathedral in Varna stands proudly as one of the city's iconic landmarks. Nestled in the heart of Varna on St. Cyril and St. Methodius Square, this stunning architectural masterpiece offers an incredible view from its belfry. But be prepared: reaching that panoramic splendor requires conquering 133 steps of a narrow spiral staircase. It's worth the effort, though, as the sight of the city from above is simply breathtaking. The cathedral's story begins in 1880 when Prince Alexander I of Battenberg laid its first stone. In a grand gesture following the temple's consecration, he pardoned Varna's prisoners who had just three months left on their sentences. The cathedral was named "The Assumption of Holy Mother" in honor of the Russian Empress Maria Alexanrovna, a revered benefactor of Bulgaria and the prince's aunt. Architectural genius from Odessus, Maas, designed the foundations, while the building itself was crafted under the guidance of municipal architect P. Kupka. The project relied heavily on donations for funding, and a creative lottery with 150,000 tickets priced at BGN 2 each helped raise the necessary funds. Tickets were sold not only within Bulgaria but also abroad, illustrating the widespread support for this magnificent structure. If you find yourself wandering through Varna, make sure to visit this historic cathedral. It's not just a feast for the eyes; it whispers stories from the past and offers a glimpse into the city's rich cultural heritage. Plus, the surrounding area is full of charming cafes and shops, perfect for a leisurely afternoon.

The Holy Forty Martyrs church was built and decorated with murals by the will of the Bulgarian tzar Ivan Asen II, to commemorate his victory over the king of the Epirus kingdom Theodor Comnenus in 1230. In the middle of the XIII century, around the church was erected the royal monastery of the Great Laurel. The church became a centre of a series of important events and its nave comprises the most significant tokens of the Bulgarian history – the columns of khan Omurtag (815 – 831), of khan Krum (803-814) and of Ivan Asen II with inscriptions on them. During archeological researches were unearthed the tombs of significant medieval persons. The biggest interest drew the grave the Bulgarian king Kaloyan, who was assassinated during the siege of Thessaloniki in 1207. After his death his body was solemnly carried to capital, where he was buried with honours. In the church were also the graves of one of the greatest Bulgaria’s rulers – Ivan Asen II and his wife Anna – Maria. The church was the place where the relics of St. Sava of Serbia and St. Ilarion of Muglen were kept. Consequently the body of St. Sava was transferred to Serbia but his grave is still an attractive point for pilgrims. One of the most important events held in the church was the pronouncing of the Bulgarian independence on the 22nd of September, 1908. http://www.velikoturnovo.info/en/churches/i13/Holy-Forty-Martyr%E2%80%99s-church-and-the-Great-Laurel-Monastic-Complex.html

Set amidst lush verdure where the River Crn Drim tumbles into the lake, the monastery of St. Naum is a refuge of tranquillity at the very southwestern corner of the Macedonian Republic. Situated 29 km (18 m) from the town of Ohrid and only 1 kilometre (0.6 m) from the Albanian border, the monastery brings the Macedonian experience to a dramatic culmination. As with most Byzantine churches, St. Naum was chosen primarily for its location – on a high, rocky outcropping over the lake, above deep forests and life-giving springs of the river Crn Drim. The monastic complex and church of St. Naum was built originally at the turn of the tenth century by the monk that bore the same name; Macedonians believe you can still hear the saint’s heartbeat by pressing an ear to his stone coffin inside the church. The monastery has been renewed and enlarged several times over the centuries. While most of its iconostases and frescoes date from the 16th and 17th century, earlier etchings in the Byzantine Greek vernacular also remain. But numerous orthographical mistakes indicate that they were written by Slavic-speaking local monks. Other inscriptions in the church make up some of the oldest epigraphic evidence of Slavic literacy. The icons of St. Naum are some of the best religious painting achievements in the Balkans. They date from the first half of the 18th century. The wood-carved iconostasis itself was made in 1711 by an unknown artisan. A peculiar element of St. Naum is located not on the inside of the church but on the outside: the preponderance of multi-coloured peacocks strutting around and luxuriating in the grass. http://www.exploringmacedonia.com/monastery-st-naum.nspx

The church of St. Sofia is one of the largest medieval churches on this territory. For a long time, it was the cathedral church ("Great Church") of the Ohrid Archiepiscopate whose ecclesiastical authority covered the territories up to the river Danube to the north, the Albanian coast to the west, and the Bay of Thessalonica to the east. The church was probably used as a cathedral way back in the past, in the period of the Car Samuel who, in the late X century, moved his throne from Prespa to Ohrid. The other assumption is that there used to be another church on the same site during the reign of the Macedonian Czar Samuel and that later on this church was ruined for unknown reasons. The date of the construction of that church is uncertain because there are no inscriptions that help reveal it. It is also mentioned that today's church was either built or restored during the period of the Archbishop Leo who was on the throne of the Church in the period between 1035-1056. His esteemed ecclesiastical principle became a donor of the painting decorations in the church of St. Sofia. The original church had only one main dome. In the XIV century, an opulent external narthex was constructed. Its original shape was a three-naval basilica with a transept, a dome, and galleries on the side naves. It had a parvis and separate chapels above the northern and southern altar sections even in XI century. Almost three centuries later, during the period of the Archbishop Gregorius, a new parvis was built. It represents the climax of the Macedonian XIV-century culture. The concept of the extended parvis was horizontal, with a portico on the ground, and galleries on the first floor. Above the Gregorious Gallery, on the northern and southern sides, there were separate sections with towers. With the arrival of the Turks, the church St. Sofia was converted into a mosque. They "took care" to reshape the church almost entirely so that it could serve the Muslim religion. The frescoes were whitewashed, the ornamented plates from the iconostasis were used for constructing the internal staircase, and a minaret was built above the northwest dome. These undertakings distorted the structure of the entire church. In the period from 1950 to 1957 extensive conservatory and restoration activities were performed. The frescoes were cleaned and conserved, and also some reconstruction work was done. The fresco paintings in the church are amongst the highest achievements in medieval painting in Macedonia and even wider. At that time Ohrid was under the direct authority of the Constantinople Patriarchate, so these are the most important preserved works of Byzantine monumental painting. The donor of the fresco paintings, one of the most learned men of the time, Archbishop Leo, directly influenced the selection of the compositions painted in the XI century. http://www.exploringmacedonia.com/church-st-sophia.nspx

One of the most magnificent churches in all of Macedonia stands right above a small fishing settlement, on a cliff rising up from Lake Ohrid; St. Jovan Kaneo is a combination of Byzantine and Armenian architectural styles. Built in the honour of St. John the Theologian, St. Kaneo with its sublime atmosphere and views of the placid lake below, remains an inspiring place for spiritual contemplation. The church which was consecrated at the end of the 13th century was built on a rectangular stone base. Its exterior is decorated with ceramic decorative sculptures and stone carvings. Though the fresco painters are unknown, the fragments that have been preserved are of exceptional quality; the Communion of the Apostles and the portraits of St. Clement, St. Erasmus and Constantine Kavasilas especially stand out. Being as it is - an extraordinarily unique construction - St. Kaneo is indeed one of the most beautiful churches in Macedonia as well as in the whole Balkan region. http://www.exploringmacedonia.com/church-st-jovan-kaneo.nspx

Nestled in the heart of Sofia, the rotunda church of St. George stands as a timeless testament to ancient history. Built in the early 4th century AD, this remarkable structure dates back to the reign of Roman Emperor Constantine the Great. During his time, the city of Serdika, now known as Sofia, was a bustling hub of activity. St. George is believed to be the oldest building in Sofia, a living relic of the past. You'll find this architectural gem tucked away in the courtyard of the Government Office, mere steps from the remnants of the ancient fortress of Serdika. The rotunda's design is striking: a cylindrical domed structure perched on a square base. It measures about 9.5 meters in diameter and rises to a height of approximately 14 meters. The altar room is a perfect square, featuring four symmetrically placed niches, while the main entrance welcomes visitors through its western wall. Initially, the rotunda served a public purpose. However, with the recognition of Christianity in the Roman Empire, it was transformed into a baptistery. This change came in response to the surge of conversions following the newfound acceptance of Christianity. As you wander through Sofia, don't miss the chance to explore this ancient marvel. Its rich history and unique architecture provide a captivating glimpse into the city's past. The rotunda church of St. George is not just a building; it's an experience waiting to unfold.

The Armenian Church of Constanta, dedicated to "Saint Mary," is a hidden gem nestled along the seashore on Callatis Street, close to the Greek Church. This captivating spot is often overlooked by travelers, perhaps because its stunning architecture blends so seamlessly into the surrounding area. The church stands as a testament to the Armenian community's rich heritage in the Dobrogea region and holds a significant place on Constanta's multicultural map. The intricate details of its design are a feast for the eyes, offering visitors a glimpse into the historical artistry that has shaped this community. As you stroll through its serene surroundings, you can almost hear the whispers of the past, echoing stories of resilience and cultural fusion. The church is not just a place of worship—it’s a living museum of Armenian culture, inviting curiosity and admiration from those who venture off the beaten path. Whether you're an architecture enthusiast, a history buff, or simply someone who appreciates discovering unique spots, the Armenian Church of Constanta is a must-visit. Its peaceful ambiance provides a perfect escape from the hustle and bustle of city life, allowing a moment of reflection and appreciation for the diverse cultural landscape that defines Constanta.

Tirana's Resurrection of Christ Orthodox Cathedral is a true marvel, standing proudly as the third-largest cathedral in the Balkans. Nestled near the heart of Tirana, this architectural gem was completed in 2012 and has since become a cornerstone of the city's cultural landscape. Situated just southwest of Tirana Centre Plaza, its grandeur is hard to miss. The cathedral complex is a world of its own, featuring not only the main cathedral but also the Chapel of the Nativity, a towering bell tower, the residence of the Holy Synod, a bustling cultural center, a cozy library, two additional chapels, and even a small museum. The dome of this magnificent structure soars to 32.2 meters, while the bell tower reaches an impressive 46 meters into the sky. It's no wonder this cathedral has become a major tourist attraction, drawing visitors from all over to marvel at its beauty and soak in the serene atmosphere. For those interested in history and architecture, the cathedral offers a fascinating glimpse into Albania's rich religious and cultural tapestry. The site often hosts events and exhibits that provide deeper insights into the Orthodox faith and its role in Albanian society. Whether you're an architecture aficionado or simply someone who appreciates beautiful spaces, the Resurrection of Christ Orthodox Cathedral is a must-see when you're in Tirana.

The Church of Santa Maria delle Grazie is a captivating place to explore, filled with intriguing frescoes and exquisite wood sculptures. Nestled in the heart of a charming Italian town, this church offers a unique glimpse into the artistry and devotion of its creators. As you wander through its halls, you'll be mesmerized by the intricate details and vibrant colors that have stood the test of time. It's not just a feast for the eyes; it's a journey into the past where history and art seamlessly blend. Make sure to take a moment to appreciate the serene atmosphere and perhaps even catch a local service or event. The surrounding area also offers delightful cafes and shops, perfect for a leisurely afternoon.

The Cathedral of Saint Joseph holds the title of the most significant Roman Catholic Church in Bucharest. It serves as the cathedral for the Roman Catholic Archbishopric in Bucharest and also stands as the Metropolitan Cathedral of the Roman Catholic Church in Romania. Its importance to both the local and national communities of Roman Catholic believers is truly profound. Construction of the cathedral began in 1873 and concluded in 1884, with progress delayed due to the War of Independence in 1877. This architectural marvel, designed by Friedrich Schmidt, marries Roman style with subtle Gothic elements. Inside, you'll find a stunning white Carrara marble altar crafted in Rome, following Schmidt's design. The cathedral also boasts an awe-inspiring organ built in 1930, which replaced the original 1892 Parisian organ, and is celebrated as one of the finest in the country. A Parisian chandelier adds a touch of elegance, complementing the decorative artworks by Georg Roder and Fr. Elsner. The detailed plasterwork on the walls, columns, and pillars further enhances the cathedral's grandeur. While you're there, take a moment to appreciate the tranquility that fills the space, offering a serene escape from the bustle of Bucharest. The cathedral's stained glass windows are a masterpiece in themselves, casting colorful patterns that dance across the floor as the sun moves across the sky. Whether you're a history buff, an architecture enthusiast, or simply in search of a peaceful retreat, this cathedral is not to be missed.

In the centre of the Tulcea, at the intersection of Frumoasa Street, Babadag Street and Progresului Street you can find Saint Nicolas Church, the Cathedral of Tulcea. Made of stone and brick, the building is 30 metres tall, in Byzantine style with three towers: two in front and the third (the largest one) is situated in the middle. http://www.tulcea.com/

Nestled in the heart of Catania, a city brimming with history and charm, lies a UNESCO World Heritage site that's truly a testament to resilience and architectural splendor. Originally constructed in 1355, this landmark was painstakingly rebuilt following the devastating Val di Noto earthquake in the early 1700s. Strolling through its storied halls, you can almost feel the echoes of the past mingling with the vibrant energy of the present. Catania itself is a city where the ancient and the modern coexist in a seamless blend. With Mount Etna looming majestically in the background, the city offers a stunning backdrop for adventure and exploration. Whether you're wandering through bustling markets or savoring the local cuisine, Catania invites you to experience its unique Sicilian spirit.

Nestled in the heart of Craiova, Dolj County, the Cosuna – Bucovatu Vechi Monastery stands as a remarkable testament to history and spiritual devotion. As the oldest religious site in Craiova, its origins date back to 1483. The monastery's church, a significant part of its charm, was constructed between 1506 and 1512, while the current church structure was completed in 1572 by the Boyar Stephan and his son. Wandering through the serene grounds, you'll feel a sense of tranquility that only centuries-old sacred sites can offer. The architecture is a captivating blend of history and artistry, showcasing intricate details that tell stories of a bygone era. The monastery is not just a feast for the eyes; it's a place where you can reflect and connect with the past. If you're visiting Craiova, the Cosuna – Bucovatu Vechi Monastery is a must-see. It's a place where history and spirituality beautifully intertwine, offering a unique glimpse into the region's rich cultural tapestry. Make sure to take your time exploring the area; you might even find a quiet spot to sit and soak in the peaceful atmosphere.

The Church of St. John the Baptist, located at the bottom of the Lviv High Castle near the Old Market (medieval Lviv’s major trade center), is one of the oldest monuments of architecture in the city. https://discover-ukraine.info/places/western-ukraine/lviv/1293

The Cathedral of Asmara, constructed in 1922, is a stunning example of the Lombard-Romanesque style. Its soaring Gothic bell tower is a prominent feature that stands out against the city's skyline, making it a handy point of reference if you ever find yourself a bit turned around. The cathedral shares its grounds with a primary school, a monastery, and a nunnery, all of which are open for visiting. When strolling through the compound, you might feel as if you've stepped back in time, surrounded by a unique blend of architectural elegance and historical charm. The intricate designs and serene atmosphere offer a peaceful escape from the bustling city life. Don't forget to bring your camera; the photo opportunities here are endless!

Nestled in the heart of Dubrovnik's Old Town, the Old Synagogue stands as a remarkable testament to history and culture. This gem is not just any synagogue; it's the oldest Sefardic synagogue still in use today across the globe and the second oldest in Europe. Though it is believed to have been founded in 1352, it wasn't until 1408 that it received official recognition in the city. The synagogue remains under the care of the local Jewish community. While its main floor is reserved for worship during Holy days and special occasions, it primarily serves as a museum now, showcasing a treasure trove of Jewish ritual items and centuries-old artifacts. Tucked away on one of the quaint, narrow streets of Dubrovnik's Old Town, the synagogue shares a connection with a neighboring building long owned by the Tolentino family. This family has been dedicated caretakers of the synagogue for generations. The synagogue's interior layout sets it apart from other European synagogues, having undergone numerous refurbishments over the centuries. It boasts a fascinating blend of designs from different eras. Despite enduring damages from the great earthquake of 1667, the turmoil of World War II, and the Croatian War of Independence in the 1990s, the synagogue has been meticulously restored to reflect its original design. It welcomed visitors once again in 1997. The museum within is a small yet captivating space, offering glimpses into the rich history of the Jewish community in Dubrovnik. It houses a collection of artifacts that tell stories of resilience and heritage. For travelers, it's a meaningful stop that offers both a glimpse into the past and a peaceful retreat from the bustling streets outside. As you wander through, you can almost hear the echoes of centuries gone by, whispering tales of faith, perseverance, and community spirit that continue to resonate.

The Franciscan Church and Monastery is a large complex belonging to the Order of the Friars Minor. It consists of a monastery, a church, a library and a pharmacy. It is situated at the Placa, the main street of Dubrovnik, Croatia. Church and bell tower of the Franciscan church The earliest monastery was built in the 13th century outside the walls. A new monastery inside the walls and close to the Pile Gate, was built in 1317, but its construction took centuries. Parts of the complex were rebuilt several times. The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696. The decorations on the altar of St. Francis were painted in 1888 by the painter Celestin Medovic. The poet Ivan Gundulić is buried in this church. The monastery was built in 1360 in late Romanesque style by the master Mihoje Brajkov of Bar. https://www.godubrovnik.guide/dubrovnikthingstodo/franciscan-church-and-monastery/

Borzesti is the village (currently, is a neighbourhood of the city Onesti) from Bacau, where Stephen the Great was born and raised. He founded together with his eldest son Alexandru (1464-1496), the church "Assumption". It was built between July 9, 1493, of October 12, 1494. Legend says that the church was dedicated to a child killed during the invasions of the Tatars. The church is designed in a Moldavian style, just like the Razboieni Church and the Piatra Neamt Church (1497–1498). http://www.uvisitromania.com/tourist-attractions/bacau/borzesti-church-id575

The Evangelic Church is one of the most impressive buildings in Sibiu. It was raised in the 14th century on the location of an old Roman church dating from the 12th century. The building is dominated by the seven level tower with the four towers on the corners, a mark showing that the city had the right of condemnation. With a height of 73.34 meters, the tower is the tallest in Transylvania. http://www.turism.sibiu.ro/index.php/en/biserica/152