Architecture, Suceava

Neamt Monastery was first mentioned in the XIV century and it’s the oldest religious settlement in this area – it’s also known as “The Jerusalem of the Romanian Orthodoxy”. We don’t know for sure who was the main founder of Neamt monastery and at what date but among the rulers that contributed to the rising of this church there are Petru Musat (1375-1391), Alexandru cel Bun (1400-1432) and Stefan cel Mare (1457-1504). http://www.visitneamt.com/2009/09/monastery-neamt-neamt-county/

This remarkable construction (1906-1925), built in flamboyant neogothic style, stands partly on the ruins of a medieval royal court mentioned in documents dating from 1434. Today, the 365-room palace houses the Gheorghe Asachi Library and four of the city's museums: the Moldavian History Museum, the Ethnographic Museum, the Museum of Art and the Museum of Science and Technology http://romaniatourism.com/iasi.html#museums

Situated not far from Ivano-Frankivsk, the ancient town Kolomyya is notable for its vivid history and inimitable colour. However, it is mostly associated with the unique Pysanka Museum – the only museum in the world, whose exposition is devoted to the art of painting Easter eggs. Ukraine has an age-old tradition of decorating eggs with the plot or ornamental patterns using wax and special dyes, however, it is the Hutsul region where this tradition is especially honoured. The locals even create legends about this ancient art. One of them states that a terrible beast is chained to a high rock in the Carpathian Mountains. Each year it carefully watches that people don’t forget the custom of painting Easter eggs. If there are just a few pysanka (painted Easter eggs), the beast spreads evil on the earth, but, if there are enough painted eggs, love and good defeat evil, and the chains squeeze the evil monster with deadly force. https://discover-ukraine.info/places/western-ukraine/ivano-frankivsk/1089

Borzesti is the village (currently, is a neighbourhood of the city Onesti) from Bacau, where Stephen the Great was born and raised. He founded together with his eldest son Alexandru (1464-1496), the church "Assumption". It was built between July 9, 1493, of October 12, 1494. Legend says that the church was dedicated to a child killed during the invasions of the Tatars. The church is designed in a Moldavian style, just like the Razboieni Church and the Piatra Neamt Church (1497–1498). http://www.uvisitromania.com/tourist-attractions/bacau/borzesti-church-id575

Customary for most European towns Market (Rynok) Square is definitely the most popular tourist place in Ivano-Frankivsk. This is not only due to its being town's historical heart, where business and cultural life is in full swing but also due to the whole constellation of the most interesting historical and architectural monuments that are concentrated at the town's main square. Being originally planned and surrounded by ancient cathedrals and fairy-tale houses with miniature statues and fanciful bas-reliefs, the Square is a vivid embodiment of the Renaissance idea of an ideal town. Due to its unique architectural ensemble, whose every building is a true artwork, Ivano-Frankivsk Market Square is frequently compared to its Lviv's namesake, and the town itself is called 'Little Lviv'. Square's main adornment is the elegant Town Hall, the only one in Ukraine built in art nouveau style. Rising high into the air for almost 50 meters, it is the Ivano-Frankivsk's tallest building and, according to the architects' idea, acts as town's main landmark. https://discover-ukraine.info/places/western-ukraine/ivano-frankivsk/787

The majestic Greek Catholic Cathedral of the Holy Resurrection, whose slender silhouette adorns town's main square (Rynok), reckons among the most beautiful and famous architectural monuments of Ivano-Frankivsk. Strolling through town, it's impossible to oversee its luxurious light building that absorbed the brightest baroque and classicism traits! The temple owes its origin to Jesuit monks. They came to Ivano-Frankivsk in the early 18th century and founded a catholic church on the place of the older church, burnt during Turks' siege of the town. From the very beginning, it was clear that the cathedral's destiny would be unusual: when constructors were digging the trench for future temple's foundation, they found a real treasure - 14 thousand zlotys. Their greater part was spent on the church's building. https://discover-ukraine.info/places/western-ukraine/ivano-frankivsk/785

The Assumption Cathedral in Baia Mare is a place of worship built by the Greek Catholic faithful in Baia Mare between 1905-1911. The building is declared a historical monument (code LMI MM-II-mB-04471), next to the episcopal palace of the Greek Catholic Episcopate of Maramureș and the former confessional school (currently Șc. Gen. no. 2), all located on Vasile Lucaciu Street from the municipality of Baia Mare. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Catedrala-Adormirea-Maicii-Domnului/

The Holy Trinity - the roman-catholic cathedral was built in 1766 by Jesuits on the place of former St. Martin church. The cathedral holds an organ with three registers, built between 1940-1944. The cathedral, which is the perspective head of the Unirii Boulevard in Baia Mare, is an impressive building, representative for the construction of churches in Transylvania, built in the tradition of Orthodox churches, with dimensions of 85 m long, 50 m wide and 85 m high. The cathedral capacity is about 3000 people. From the first level, being plated with brick from Oradea, paved on the floor with porcelain stoneware from Spain and iconostasis made of brick with icons in Murano mosaic. Spacious altar, sf. brick table with a marble plate 2 / 1,50m, gr. 5cm., Oak furniture, wrought iron chandeliers. Twelve columns supporting the central dome and main nave. In the back of the church there is a large Byzantine Hall, where there are exhibitions of icons, two offices and four warehouses. Considering the large influx of believers who frequent this cathedral, the access and exit is made on two doors and two monumental stairs, and at the exit there are two places to light candles. http://www.catedralabaiamare.ro/

Iancu de Hunedoara House was built in 1446, it is part of the old medieval castle built by Iancu for his wife Elisabeta. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Casa-Iancu-de-Hunedoara/

The Stefan Tower is the bell tower of the former church dedicated to "Saint King Stephen of Baia Mare. The tower is located between Crișan and 1 Mai streets, in the immediate vicinity of Liberty Square - Central Square (Circulus fori) - of the old city. It was built The first documentary attestation of the "Sfântul Ștefan" church dates from 1347, but the construction was officially inaugurated only in 1387. The tower, built of solid stone, was built at the initiative of Prince Ioan de Hunedoara, to mark the victory. from Ialomita (1442) against the Ottomans. The construction of the tower begins after 1446 but is completed only in 1468, under the reign of Matthias Corvinus. In 1619, the upper part was rebuilt, having the shape of a pyramid with a square base, with four turrets and is endowed with bells. Nine years later, a moon clock is set. Repeatedly affected by lightning and fire, the two buildings underwent several major repairs, but in 1763 only the tower was rebuilt. On this occasion, the porch at the top is built. https://www.baiamare.ro/ro/Descopera-Baia-Mare/Obiective-turistice-si-atractii/Atractii-turistice/Turnul-Stefan/

On the western part of the old city walls, guarded by three bastions and gates, this square was initially a marketplace, which was going to be moved to the central square. Eventually, the marketplace was moved closer to the railroad, in the current location of Mihai Viteazul square. Thus, at the end of the 19th century and the beginning of the 20th century the walls and gates of the city were demolished, and a small park was arranged in this square. Later, new buildings were erected here, such as the National Theater, the Orthodox Cathedral, the building of the Chamber of Commerce and Industry, in the Art Nouveau style (today, the office of the Cluj Prefecture); the building of the old “Unió” Masonic Lodge (no. 7 Avram Iancu Sq.); the building of the old military garrison (today, the building of the County School Inspectorate, also known in the oral tradition of the city as the “red building”, a name earned by the red brick walls of the building); the Palace of Justice, where the Court of Appeal and the Tribunal are housed; the EMKE Palace (Hungarian Cultural Association of Transylvania), later purchased by MÁV (Magyar Államvasútak, Hungarian State Railroads), currently the headquarters of the CFR Regional Office; the building of the Archbishopric of Vad, Feleac and Cluj, which houses the Faculty of Orthodox Theology and the building of the Protestant Theology, on the old site of the Reformed Church’s Prayer House. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/avram-iancu-square.html

The Orthodox Metropolitan Cathedral (Avram Iancu Square) – Romanian Orthodox Mitropoly of Cluj, Alba, Crisana, Maramures. Archiepiscopate of Vad, Feleac and Cluj (18 Avram Iancu Square). It was built between 1923-1933, according to the plans of the architects Constantin Pompoiu and George Cristinel, representing the Romanian stylistic current. It is one of the most important religious buildings from Cluj Napoca municipality. The church is dedicated to the Assumption – the date in which the Romanian Army entered Transylvania (15th of August 1916). In 1973, when the Diocesan See of Cluj was made Archiepiscopate, the church became an archepiscopal cathedral. Since 1996, the cathedral had been in a great process of outside restoration, a process which came to an end in 1999. Inside, a new Byzantine painting was made, in the famous mosaic of Murano. Since 2006, the building has served as the cathedral of the Archiepiscopate of Vad, Feleac and Cluj, which is also metropolitan of Cluj, Alba, Crisana and Maramures. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-orthodox-metropolitan-cathedral.html

The two cultural institutions were founded in 18th September 1919, as an expression of spiritual rebirth after the Great Union in 1918. The building which houses the „Lucian Blaga” National Theatre and the Romanian Opera was built between 1904 and 1906, as a seat for the Hungarian National Theatre, by the famous Viennese firm „ Fellner und Helmer”, combining stylistic elements of new-baroque and Secession. The hall has 928 setas and it is built in New-Baroque style. For decorating the lobby were used stylistic modulations inspired by Secession. The National Theatre and the Romanian Opera have been functioning there since 1919. The opening show of the National Theatre of Cluj took place on 1st and 2nd December 1919, with the plays „Se face ziua” by Zaharia Barsan and „Ovidiu” by Vasile Alecsandri. The „Eupharion” Studio of the National Theatre is specially designed for the young artists and their creative experiments. The Romanian National Opera from Cluj Napoca is the first lyrical dramatic state institution from Romania. The inaugural show took place on 25 May 1820, with the play “Aida” by G.Verdi. More than 200 titles of operas, operettas and ballets from the world repertoire have been put on scene at the Romanian Opera so far. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-lucian-blaga-national-theatre-and-romanian-opera.html

The Tailors' Tower (Baba Novac Street / Stefan cel Mare Square) is part of the second fortified precinct of the walls system and of the fortifications of the city, built in the first half of 15th century and continued until the 17th century. It was built on the South-Eastern corner of the city defence wall, after 1405, following the privileges keyed by King Sigismund of Luxemburg. The first confirmed documents date 1457, from the time of King Matia Corvin. The administration of the Tower was entrusted to the most powerful guilds of the town – the tailors' guild. Over time, the Tower was devastated several times (1551-1553, 1601, 1627, and 1707). The actual shape is given by the last big reconstruction from 1709-1711, made by the Austrians, out of over 150 stone wagons. The Tower has renewed again in 1956-1957 when they attempted the opening of a history museum of the city of Cluj, a project forbidden by the communist authorities in 1959. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/page/4/the-tailors-tower.html

The Art Museum of Cluj-Napoca is a public institution of a culture whose mission is to preserve, research and put forward the real and virtual patrimony of Romanian and universal art. With a collection of over 12,000 paintings, sculptures, graphic arts and decorative pieces, it is considered one of the most important museums in Romania. Founded as an institution in 1951, the museum has been operating since 1956 in the Banffy Palace – a baroque building which was built based on the plans of the architect J.E. Blaumann during the years 1774-1785, its destination being that of residence for the governor of Transylvania. It is the most important baroque edifice in Cluj-Napoca and one of reference for the 18th-century Romanian architecture. A series of sculptures with remarkable artistic value made by Anton Schuchbauer were added to the building in order to complete its stone architectural decorations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-art-museum-of-clujnapoca.html

The Roman Catholic "Saint Michael" Church (Unirii Square), a great historical and religious architecture monument are one of the most imposing gothic edifices from our country. It was built approximately between 1350 and 1480, being the first hall church from Transylvania. The main portal, carved in 1444 in gothic style, ends with a high accolade, showing in the central part the carved image of archangel Michael. The tower from the north facade was built between 1834 and 1863 in neo-gothic style and it is 80 meter high, including the cross. The inside and outside decorations and the baroque carved pulpit are also remarkable. An extraordinary execution is the portal of the sacristy, from the Renaissance (1528) with Italian motifs and a strong south-German influence. The body of the pulpit, in baroque style, was carved by Johannes Nachtigall and Anton Schuhbauer. The mural picture, fragmentary kept, shows stylistic influences from northern Italy and reveals the first signs of the Renaissance in the painting from Cluj-Napoca. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/page/2/the-roman-catholic-saint-michael-church.html

The Matthias Corvinus House (or Mehffy House) is a stylish building in gothic style from the 15th century (today, Art and Design University of Cluj Napoca). In this house, which was the city’s inn in past, was born on 23rd of February 1443 Matia Corvin, the son of the vaivode of Transylvania, John Hunyadi (Ioan de Hunedoara). Matia Corvin was the greatest king of Hungary (1458-1490), he was learned, patron of arts, wise and just, being mentioned in songs and legends even today. In 1467, he acquited the owners of the house in which he was born from paying taxes and fees to the city. This privilege was enforced by the next kings and princes. The house served as different institutions. It was a college but was also home for the ethnographic collections of the Transylvanian Carpathian Society. Over time, the building has suffered various changes, adapted to the new architectural styles. The basement and some platband of windows and doors that have lintels in the oblique section are characteristic of the gothic style. During the first half of the 16th century appeared the first elements of the Renaissance: some platbands from Renaissance on the facade, with denticles, together with gothic elements, as well as the portal in a broken arch. The original arches were chiefly replaced. During the 18th century, the building was made a hospital and the yard had suffered a few baroque changes. At the end of the 19th century, the building was in an advanced state of degradation and it was restored. Many elements of Art Nouveau, Secession were introduced, being in fashion at that time. In the ’50s of the last century, the modifications of Art Nouveau were removed, being incompatible with the architecture of the building, which gained the present appearance. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-matthias-corvinus-house.html

Founded in 1922 by professor Romulus Voia, the Ethnographic Museum of Transylvania entered the elite of the Romanian ethnographic museums, due to the exceptional quality of its patrimony. It is currently composed of over 41.000 traditional peasant objects from 17th-20th centuries and a documentary fund of over 80.000 items. The museum has two sections: the Pavilion Section and „Romulus Vuia” ethnographic Park (the open-air section). The Pavilion Section functions in „Reduta” Palace – a historical monument that dates since the 16th century. The current pavilion exhibition, vernished on 16th of December and called „Traditional folk culture from Transylvania in the 18th-20th centuries”, rebuilds, with talent, the way in which the Transylvanian peasantry lived two centuries ago. As testimonies remained simple tools or ingenious equipment used in domestic activities, culminating with rich folk suits, which showed not only the stage of the life but also the social position of the one who wore them. There are also presented traditional costumes of the life cycle, the calendar ones and the peasant costumes, with an essential role in highlighting the regional and ethnic identity. Curiosities: With a history of more than 80 years, the museum is the greatest of this kind in Romania and among the most prestigious in Europe (the sixth). The museum functions in „Reduta” building, which housed during 1848-1865 the Transylvanian Diet. The famous trial of the authors of the Transylvanian Memorandum took place in this building in 1894-1895. It has 50.000 photos, 5.000 diapositives, 12.000 specialised magazines. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-ethnographic-museum-of-transylvania.html

The building was constructed at the end of 19th century, according to the plans of the architect Alpár Ignác, having a baroque facade of Viennese style and a corner tower with a clock that impresses by strength and sobriety. On the tower was applied the Prefecture's coat of arms (Cluj County) because the initial destination of the building was that of a County headquarter. The building was included in the systematization plan of the city in 1798 which stated that any new construction had to have the city council’s approval. The initial destination of the building as the headquarter of the County was multiple – political, administrative, fiscal headquarter etc., where the County officials were deciding the wellbeing of the area; in the big chambers, besides the usual meetings, exhibitions of famous and of young artists as well as the city balls from the beginning of the 20th century took place. Nowadays it is the headquarter of the Cluj-Napoca City Hall, an institution that follows the principles of local administrative and financial autonomy, decentralization of public services, lawfulness and eligibility of the local public administration authorities, the consultation of the citizens on community issues. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/clujnapoca-city-hall.html

The National Ethnographic Vuia, established in 1929, bears the name of its founder and first museum manager, Professor Romulus Vuia. The exhibited pieces are in fact old traditional buildings, grouped according to their regional establishments, folk architecture monuments, folk installations, craftsman workshops, wells, gateways, big wooden crosses and indoor textiles. Interesting facts: •The Ethnographic Museum is the oldest from Romania; •The oldest exhibit pieces date back from 1678; •The church from Cizer-Salaj, at the construction of which contributed Nicola Ursu (Horea), just before the 1784 uprising, is one of the most beautiful wooden churches in Transylvania; weddings are still being officiated in this architectural monument; •It hosts annual fairs and traditional cultural manifestations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-romulus-vuia-national-ethnographic-park.html

The National Nikolai Pirogov Estate Museum, situated in the picturesque park in the outskirts of Vinnytsia, is not just the most interesting town sight, but an important object of the cultural heritage of Ukraine. Nikolai Pirogov is a prominent scientist, talented physician, inventor of anaesthesia and field martial surgery, founder of the Red Cross Society and notable public figure. It's hard to overvalue his contribution to the development of medicine, and in particular - of surgery. In 1847 Pirogov invented ether narcosis and applied it for the first time during the war on the Caucasus. Later the prominent surgeon conducted hundreds of successful operations on the battlefield with its help. One more invention of Pirogov, without which it's impossible to imagine modern medicine, is gypsum bandage to fixate fractures. The doctor widely applied it during the Crimean War: back then it allowed reducing the number of amputations among injured in dozens of times. Very few people know that the white disinfected doctor's robe is also Pirogov's invention, for which, by the way, he was considered to be a madman and was even put in the psychiatric clinic for several days. Moreover, the scientist introduced a number of new medical techniques and methods of surgical operations. The structure of the museum is unique. The house, where Nikolai Pirogov lived, is in the center of the museum's complex: vast exposition, which has 12 sections telling about certain periods of his life and work, is located here. Special attention is paid to the scientist's genius inventions that helped to save thousands of human lives. In the manor you may see the study, where Nikolai Pirogov worked, his personal things, books, surgical instruments, pictures. https://discover-ukraine.info/places/central-ukraine/vinnytsia/340

It is one of the most famous monuments of Sibiu. It bears this name because it used to defend the entrance gate into the second precinct, situated in the immediate vicinity of the building which once hosted the City Hall of Sibiu, mentioned in the documents for the first time in 1324 (no. 31, Small Square, recently rehabilitated). http://www.turism.sibiu.ro/index.php/en/fortificatie/164

The museum of the sacral baroque sculpture is reckoned among the Lviv’s most interesting and impressive museums. It keeps the unique heritage of Johann Georg Pinsel – one of the most talented and mysterious sculptors of the 18th century. He is nicknamed Ukrainian Michelangelo for extraordinary mastery. The museum is situated in the building of the age-old Catholic Church, which formerly belonged to the Franciscan monks. It is a valuable monument of Lviv’s architecture. The cathedral is notable for the fact that its interior has preserved the skillfully made frescos of the 18th century, illustrating plots from the Old and New Testament. The Lviv Museum of sacral baroque sculpture keeps the largest collection of Johann Pinsel’s works. His creative work is recognized as an outstanding phenomenon in Ukrainian and world cultures’ history. The original Ukrainian master with European education created inimitable religious sculptures, which had no analogues in the Old World of the second half of the 18th century. It was Pinsel who founded the new artistic center, which later was named the Lviv School of Sacral Sculpture. In the 1750s, he actively created original figures for the St. Jura Cathedral, one of the most beautiful Lviv temples, St. Martin Church and many other West Ukrainian churches. https://discover-ukraine.info/places/western-ukraine/lviv/2331

An elegant building of the former Carmelite Church is situated outside the Old Town, in which Lviv’s main architectural gems are located, but is not inferior to them in its beauty and historical value. The imposing cathedral, standing at the foot of the High Castle, draws attention with its refined towers, crowned with pointed spires, and elegant decoration, as well as with breathtaking views of the Lviv historical center that open from the observation area in front of the catholic church. The monumental stone stairs lead there. Carmelite monks came to Lviv in the 16th century and chose the marshy area in the Krakiv suburb of the medieval city. A hundred years later, they managed to get a plot of land from the city council, which was closer to the city walls and where they planned to build a monastery and to lay out a garden. It is considered that the construction of the Carmelite cloister started in 1634. First, the Catholic Church was raised, and later, monastic cells and courtyard were added to it. The monastery, built outside Lviv’s eastern fortification line and surrounded with powerful defensive walls, was supposed to become a fortress, providing additional protection to the city. However, ironically it turned out the other way around. https://discover-ukraine.info/places/western-ukraine/lviv/1357

Wherever you go in Lviv, you are inevitably astonished by its inimitable and varied architecture. However, the Potocki Palace, hiding behind the open-worked forged fence on one of the streets that radiate from the main city artery, Svobody Avenue, stands out against the background of majestic ancient buildings, huddling in the downtown. It's an elegant building, whose luxurious forms are reminiscent of French Renaissance castles, is rightly considered to be one of the most interesting and beautiful monuments of architecture in Lviv. In the middle of the 19th century, a park with a small hunting homestead, owned by the noble Polish family Potocki, was located on the modern palace’s place. A legend states that Potocki family owned these lands since the 17th century. In 1860, Count Alfred II Potocki ordered to pull down the mansion and to build a big gala palace on its place. The palace was intended for solemn receptions and high-rank meetings. As long as the count was in fond of exquisite French architecture, he chose the project of the prominent architect from France and hired Polish architect Julian Tsibulsky to adapt and implement it. The customer wasn’t destined to see the palace; he had died before the construction was finished and his son continued to supervise the building process, afterwards. https://discover-ukraine.info/places/western-ukraine/lviv/1290

The Greek-Catholic Dormition Church can’t brag with majestic architectural shapes and luxurious decoration. Being simple and at the first sight unremarkable, it is reckoned among the Rivne key sights, though. https://discover-ukraine.info/places/western-ukraine/rivne/1056

The Dominican Church, now the Greek Catholic Church of the Holy Eucharist, is a magnificent monument of the late Baroque; it is adorned with original sculptures. http://lviv.travel/en/index/what_to_do/architecturelviv/historicalplaces/~1480/the-dominican-church

Svobody Avenue is the city main street combining functions of the business and cultural center. It is Lviv’s second most important historical spot after Rynok Square. The avenue owes its status as one of the most beautiful and elegant streets in the city to its splendid architecture, which harmonically combines traits of various historical styles. Elegant ancient houses, framing it from both sides, are Svobody Avenue’s main adornment and create its unique atmosphere. Once, the western line of Lviv fortifications, called Lower Walls, was located there. In the late 18th century, when the city was under the governance of Austria-Hungary, dilapidated fortifications were pulled down and the even side of the modern avenue was formed. The odd side was constructed on the marshy bank of the Plotva River, which was hidden under the ground, later. Svobody Avenue’s most attractive building, its symbol and highlight, is the magnificent Opera House. Other notable structures include the elegant National Museum, the former Galych Credit Fund (currently the Museum of Ethnography and Arts Crafts), the Viennese Coffee House and the Grand Hotel. One of the Svobody Avenue’s most recognizable sights is the unusual monument to Taras Shevchenko with 12-meter-high bronze stele ‘Wave of National Renaissance,’ installed in its center. https://discover-ukraine.info/places/western-ukraine/lviv/1362

The Lviv National Museum, situated in the very beautiful building on Svobody Avenue, is one of the largest museums in Ukraine that features a considerable collection of Ukrainian visual arts. It was founded by the Greek Catholic metropolitan Andrey Sheptytsky, whose name it has now. Initially, it was a Church Museum and was aimed to develop Ukrainian national culture. The core of the National Museum’s current exposition is its founder’s personal collection, numbering about 10 thousand valuable works of art. A quarter of a century later, the funds of the Lviv Museum had more than 80 thousand exhibits and now, there are almost 120 thousand works of visual arts. It houses country’s largest collections of Ukrainian icons, dated to the 14th – 18th centuries, and of medieval sacred and folk arts: sculptures, manuscripts, engravings, old printed books, pottery, bone and metal works. National Museum’s pride is pictorial canvases by eminent Ukrainian artists: Ivan Trush, Oleksa Novakivsky, Kornil Ustiyanovich, Elena Kulchytska and others. The highlight of the museum's collection is a number of original works by Taras Shevchenko. Paintings by contemporary Lviv artists are exhibited here as well. https://discover-ukraine.info/places/western-ukraine/lviv/1361

The building of the former noble casino and now the House of Scientists is one of the Lviv most amazing and perfect architectural structures and is recognized as a valuable neo-baroque monument. The construction was ordered by the studs’ owners club and was carried out by the famous Austrian company Fellner and Helmer, in 1898. They are known for designing such famous buildings like Vienna Observatory and Odessa Opera. Constructing the Lviv casino, the Austrian architects were inspired by the best samples of European palatial architecture and this influence is clearly seen in the luxurious decoration of building’s facades, which are richly adorned with sculptures and stucco work. The entrance is ‘guarded’ by two magnificent atlantes, who hold the first-floor balcony on their mighty shoulders. However, it is its fantastic interiors that make the amazing house in Lviv downtown look like royal palaces of the Old World. The ground floor is occupied by the huge lobby, whose main adornment is a unique oak staircase with carved railings. It is said that it was a wedding gift to a member of the club. The intricately meandering stairs lead to the first floor, where eight luxurious rooms are located: White Room with marble fireplace and black concert grand piano, Red Room, covered with silk and featuring crystal chandeliers, cosy Beige Room and charming Mirror Room with antique furniture, the famous library with delightful gallery and balcony, adorned with stucco work. The green strolling garden and the meeting room are situated there too. https://discover-ukraine.info/places/western-ukraine/lviv/1363

The Lviv Opera House (28 Svobody Square) is an architectural gem of Lviv, built in the Neo-Renaissance style in 1901, and one of the most beautiful theatres in Europe. http://lviv.travel/en/index/what_to_do/architecturelviv/historicalplaces/~1497/the-opera-house

The Dubno Caste stands on the steep cape near the Ikva River, in the city very center. It is one of Ukraine’s oldest fortification complexes. Impressing with its majestic beauty and huge historical value, it is a part of the Dubno historical and cultural reserve and is recognized as a true gem of Ukraine’s castle architecture. The Prince Konstantin of Ostroh built the castle on the place of the Old Russian fortifications, in the late 15th century. The defensive complex consisted of wooden constructions, surrounded by an earthen wall, which was fortified with wooden paling. However, frequent fires that regularly destroyed the majority of castle buildings forced prince’s descendants to rebuild the fortification complex in stone one and a half centuries later. Thus, a fierce castle and two powerful brick-and-stone casemate bastions with towers appeared there. The castle was erected in the Renaissance style. Fortress’s outer defence was a deep ditch. Today, one can see two palaces on the territory of the Dubno Castle – the Ostroh Palace, where the archives of the princely families were stored, and the Lubomirski Palace, which is notable for coats of arms of its former owners and elegant bas-relief frieze, made by an Italian master. It adorns the big hall, which used to serve for crowded feasts. There is a system of vaults and underground galleries under the palaces. Local residents used to hide there during numerous sieges, and supplies of water and food were stored. Nikolay Gogol described the dungeons of the Dubno Castle in his immortal work “Taras Bulba.” Nowadays, one of the vaults houses an exhibition of torture tools and hosts theatre performances. https://discover-ukraine.info/places/western-ukraine/rivne/2348

THE STATE THEATRE dominates Ferdinand Square with its imposing features. Situated in the center of a true architectural museum, this building in eclectic style imposes with exceptional craftsmanship. The construction, so avidly desired by the municipality of the age, was entrusted to renowned Viennese construction firm Fellner and Helmer. http://oradea.travel/en/?p=1873&nggpage=2