Architecture, Preveza

The imposing castle of Ioannina was built in 528 AD by the Emperor Justinian, and was an ambitious expression of the might of the Byzantine Empire. It is the oldest Byzantine fortress in Greece with significant influence over the history of the town which grew around it. http://www.visitgreece.gr/en/main_cities/ioannina

The Monastery of Zermbitsa is located in a prominent location atop a hill of Mt Taygetos. This setting gives visitors to the monastery a rare treat because from here you can behold the splendor of the magnificent Evrotas River valley. Looking westward, we see the highest peak of our proud and majestic Mt. Taygetos. http://www.exploresparta.gr/tourism/en/monastery-of-zermbitsa/

You will absolutely fall in love with the byzantine churches and the beautiful mansions, which are typical examples of Macedonian architecture. http://www.visitgreece.gr/en/main_cities/kastoria

Set amidst lush verdure where the River Crn Drim tumbles into the lake, the monastery of St. Naum is a refuge of tranquillity at the very southwestern corner of the Macedonian Republic. Situated 29 km (18 m) from the town of Ohrid and only 1 kilometre (0.6 m) from the Albanian border, the monastery brings the Macedonian experience to a dramatic culmination. As with most Byzantine churches, St. Naum was chosen primarily for its location – on a high, rocky outcropping over the lake, above deep forests and life-giving springs of the river Crn Drim. The monastic complex and church of St. Naum was built originally at the turn of the tenth century by the monk that bore the same name; Macedonians believe you can still hear the saint’s heartbeat by pressing an ear to his stone coffin inside the church. The monastery has been renewed and enlarged several times over the centuries. While most of its iconostases and frescoes date from the 16th and 17th century, earlier etchings in the Byzantine Greek vernacular also remain. But numerous orthographical mistakes indicate that they were written by Slavic-speaking local monks. Other inscriptions in the church make up some of the oldest epigraphic evidence of Slavic literacy. The icons of St. Naum are some of the best religious painting achievements in the Balkans. They date from the first half of the 18th century. The wood-carved iconostasis itself was made in 1711 by an unknown artisan. A peculiar element of St. Naum is located not on the inside of the church but on the outside: the preponderance of multi-coloured peacocks strutting around and luxuriating in the grass. http://www.exploringmacedonia.com/monastery-st-naum.nspx

Panagia Eikonistria is the most holy site of the island since the miraculous icon of Virgin Mary (Panagia) was found here around 1650. An important intellectual figure of the island and of the Church, Dionysios the Old, was a monk in this monastery. http://www.skiathos.gr/en/aboutskiathos/churches/panagia-eikonistria.html

One of the most magnificent churches in all of Macedonia stands right above a small fishing settlement, on a cliff rising up from Lake Ohrid; St. Jovan Kaneo is a combination of Byzantine and Armenian architectural styles. Built in the honour of St. John the Theologian, St. Kaneo with its sublime atmosphere and views of the placid lake below, remains an inspiring place for spiritual contemplation. The church which was consecrated at the end of the 13th century was built on a rectangular stone base. Its exterior is decorated with ceramic decorative sculptures and stone carvings. Though the fresco painters are unknown, the fragments that have been preserved are of exceptional quality; the Communion of the Apostles and the portraits of St. Clement, St. Erasmus and Constantine Kavasilas especially stand out. Being as it is - an extraordinarily unique construction - St. Kaneo is indeed one of the most beautiful churches in Macedonia as well as in the whole Balkan region. http://www.exploringmacedonia.com/church-st-jovan-kaneo.nspx

The church of St. Sofia is one of the largest medieval churches on this territory. For a long time, it was the cathedral church ("Great Church") of the Ohrid Archiepiscopate whose ecclesiastical authority covered the territories up to the river Danube to the north, the Albanian coast to the west, and the Bay of Thessalonica to the east. The church was probably used as a cathedral way back in the past, in the period of the Car Samuel who, in the late X century, moved his throne from Prespa to Ohrid. The other assumption is that there used to be another church on the same site during the reign of the Macedonian Czar Samuel and that later on this church was ruined for unknown reasons. The date of the construction of that church is uncertain because there are no inscriptions that help reveal it. It is also mentioned that today's church was either built or restored during the period of the Archbishop Leo who was on the throne of the Church in the period between 1035-1056. His esteemed ecclesiastical principle became a donor of the painting decorations in the church of St. Sofia. The original church had only one main dome. In the XIV century, an opulent external narthex was constructed. Its original shape was a three-naval basilica with a transept, a dome, and galleries on the side naves. It had a parvis and separate chapels above the northern and southern altar sections even in XI century. Almost three centuries later, during the period of the Archbishop Gregorius, a new parvis was built. It represents the climax of the Macedonian XIV-century culture. The concept of the extended parvis was horizontal, with a portico on the ground, and galleries on the first floor. Above the Gregorious Gallery, on the northern and southern sides, there were separate sections with towers. With the arrival of the Turks, the church St. Sofia was converted into a mosque. They "took care" to reshape the church almost entirely so that it could serve the Muslim religion. The frescoes were whitewashed, the ornamented plates from the iconostasis were used for constructing the internal staircase, and a minaret was built above the northwest dome. These undertakings distorted the structure of the entire church. In the period from 1950 to 1957 extensive conservatory and restoration activities were performed. The frescoes were cleaned and conserved, and also some reconstruction work was done. The fresco paintings in the church are amongst the highest achievements in medieval painting in Macedonia and even wider. At that time Ohrid was under the direct authority of the Constantinople Patriarchate, so these are the most important preserved works of Byzantine monumental painting. The donor of the fresco paintings, one of the most learned men of the time, Archbishop Leo, directly influenced the selection of the compositions painted in the XI century. http://www.exploringmacedonia.com/church-st-sophia.nspx

The builders of Ohrid’s ancient theater have estimated very precisely where to put the building - in the center of the elevated old town. The open theater holds a perfect location, as the two hills (Gorni Saraj and Deboj) keep it protected from winds that could interfere with acoustics during performances. The Ancient theatre of Ohrid of the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the country as the other three in Scupi, Stobi and Heraclea Lyncestis are from Roman times. It is unclear how many people the original theatre used to seat, as only the lower section still exists. During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theatre was abandoned and buried by the locals after the demise of the Roman Empire. Discovered accidentally and later excavated completely, this 4, 000 square meter monument to antique Greco-Roman culture is being used today during the annual Ohrid Summer Festival for performances of ancient tragedies and comedies. The Theatre offers a wonderful view of Lake Ohrid and Mt. Galichica to the southeast. http://www.exploringmacedonia.com/ancient-theater.nspx

Findings at this archaeological site were unearthed by the pioneer excavations of the British School of Archaeology starting in 1910. Excavations resumed in the early 1990s, primarily in the areas of the ancient theatre and the merchant stalls. The most significant monuments of this archaeological site include: The Temple of Athena Chalkioikos whose position has been defined by few surviving relics found at the northwest end of the Acropolis. The temple, designed by the architect Vathyklis from Magnesia, had an interior design adorned with copper sheets (dated 6th century BC onwards) to which it owes its name (chalkioikos = copper). From the inscription by Damononos (dated before 430 BC), it seems it was called Temple of Athena Poliouchos (Guardian of the City). Pausanias adds that the temple was left unfinished until Gitiada, a local craftsman, built both the statue of the goddess and completed the temple. The temple also served as a place of refuge for Lycurgus, Pausanias and Agis IV. The ancient theater of Sparta on the south side of the Acropolis is a product of the early Imperial Period. The orchestra, the retaining wall with engraved inscriptions of the rulers of Sparta in Roman times and the concave portion of the large theatre has been preserved. The concave of the theatre was dug into the southwest end of the Acropolis. The retaining wall of the concave is marble and its east side was engraved in the 2nd century AD with various inscriptions. The theatre was used primarily for public gatherings and celebrations. It had no permanent stage. For theatre performances, a wooden, mobile stage equipped with wheels was easily moved into position. Nearly all the findings of the ancient theatre that were discovered by the British School of Archaeology date back to the Roman Era. https://www.exploresparta.gr/tourism/en/the-acropolis-of-sparta/

Today, the Archaeological Museum of Sparta hosts thousands of finds from the province of Lacedaemon, but also from areas of the prefecture of Laconia that are not covered by the Archaeological Collections of Gythio and Neapoli Vion. In its rooms are exhibited findings that cover the time period from the Neolithic to the late Roman era. The most important place is occupied by the findings of the great sanctuaries of Sparta. The visitor of the museum has the opportunity to admire findings from the most important prehistoric sites of Laconia, sculpture works from the Archaic years to the Roman, coming from various areas of the prefecture, as well as findings from the rescue excavations among which have a prominent place, the sections of mosaic floors of Roman times from Sparta. Today, in the seven rooms of the museum (about 500 sq.m.) only a small part is exhibited, part of the numerous finds housed in it and which continue to come to light daily from the excavations of the Ephorate of Prehistoric and Classical Antiquities in the area. of Sparta but also in other areas of Laconia. Due to lack of space, only a small part of the findings kept in it, the most interesting for the scientific community or the ordinary visitor, have been included in its report. The Archaeological Museum of Sparta belongs to the 5th Ephorate of Prehistoric and Classical Antiquities. http://odysseus.culture.gr/h/1/gh151.jsp?obj_id=3305

One of the historical Site in the city if Thessaloniki which form the center of city and has ancient Value attach to it. http://www.visitgreece.gr/en/main_cities/thessaloniki

The Panaghia (Virgin) Chalkeon (1028), Hosios David (12th century), St Panteleemon (late 13th or the early 14th century), is of four-columned cross-in-square type, Ayioi Apostoloi (1310-1314),Taxiarches (14th century), Panagouda a three-aisled basilica with significant icons, Agios Ioannis Prodromos (Nymphaion),Vlatadon monastery a 14th century foundation of which only the katholikon and two cisterns within the precinct survive, Ayios Demetrios a splendid basilica dedicated to the patron saint and protector of the city, etc. http://www.visitgreece.gr/en/main_cities/thessaloniki

A visit to Lecce can begin with Piazza Duomo, once used as a fortress and today considered the most elegant "salon" in the city. T http://www.italia.it/en/discover-italy/apulia/lecce.html

It is absolutely an important tourist attraction. As a symbol of a notorious communism, it resisted some attempts to be destroyed by previous governments. But it is still there, unrestored, a symbol of the mixed and contradictory history of Tirana. It was inaugurated on October 14, 1988, as the mausoleum of the dictator, Enver Hoxha. The pyramid form was designed by a group of architects led by the daughter and son-in-law of the dictator. Construction began in 1986 and ended in 1988. It did indeed serve as a mausoleum for Hoxha, until 1991, after which it became a conference and fair centre. http://www.visit-tirana.com/things-to-do/attractions/21/the-pyramid

Tirana’s Resurrection of Christ Orthodox Cathedral is not just a Cathedral. It is the third-largest such structure in the Balkans and is located close to the centre of Tirana. The construction of the building, south-west of Tirana Centre Plaza, was completed in 2012. The cathedral complex comprises the cathedral itself, the chapel of the Nativity, bell tower, the residence of the Holy Synod, cultural centre, a library, two other chapels and a small museum. The cathedral's dome reaches 32.2 metres above ground, with the bell tower reaching 46 metres. Following its construction the cathedral has become a major tourism attraction in Tirana http://www.visit-tirana.com/things-to-do/attractions/22/resurrection-of-christ-orthodox-cathedral-of-tirana

One of the legendary sites that sits beneath the slopes of the Acropolis on the southwest side, is the stunning open-air theatre, Odeon of Herodes Atticus. In ancient times, Odeons were built for musical contests and this ancient stone theatre has gone on to host some of the world’s best musical performances during the last 60 years since its modern day re-opening, including Nana Mouskouri, Luciano Pavarotti and Frank Sinatra to name a few. Widely known by locals as simply “Herodeon”, it was built between 160AD – 174AD by the wealthy benefactor of Athens, Herodes Atticus as an ode to his late wife Rigilla. It was the third Odeon to be built in Athens and was distinctively Roman in contrast to the nearby Theatre of Dionysos. With its Roman arches and three story stage building, it was originally partly covered with a wood and tiled roof. The circular orchestra has now become a semi-circle, paved with black and white marble. With 35 rows, the marble auditorium extends slightly beyond a semi-circle with a diameter of 80 metres and today seats 4680 people. https://whyathens.com/odeon-of-herodes-atticus/

The Sacred Rock of the Acropolis "the province of the Gods", unoccupied by humans, is a perfect 5th century BC collection of public monuments which stands as a unique Greek testimony. http://www.thisisathens.org/explore/venues-attractions/12-attractions/sacred-rock-of-the-acropolis/

Syntagma Square is the most famous in Athens if not all of Greece. No matter where you have to go in Athens, if you can find Syntagma Square you can find your way there. Syntagma Square is back and better than ever. Well maybe not better than ever. It was probably at it's best in the early 1900's when there were not cars and buses whizzing around it and it was shaded by large trees. But with the re-routing of the traffic, the opening of the new metro and the removal of the wooden billboard covered walls that for at least an entire year, hid the construction site that was once Athens most popular platia, Syntagma looks better than it has in many years. At the top of the square are two stairways and an elevator leading to the Syntagma Metro Station, one of the most beautiful metro stations in the world, with its own museum of artifacts found at the construction site. https://www.athensguide.com/syntagma.html

In the heart of modern Athens, its streets pulsating with traffic, stands an enormous open space bordered by trees and shrubs – the Olympieion – a tranquil archaeological park where earth and sky seem to meet, linked by massive marble columns stretching upward, marking the temple of Olympian Zeus. Once inside the entrance of this age-old sanctuary, visitors are treated to a taste of nature, an extraordinary ancient ruin on a super-human scale and one of the area’s most inspiring views of the temple-topped Acropolis. Like the Acropolis, the temple of Olympian Zeus has been a distinctive Athenian landmark since time immemorial. Begun about 520 BC by the tyrant Peisistratus and his sons, it was left unfinished at the end of their rule until the 2nd century BC, when further construction was briefly undertaken (174 – 164 BC) by one of Athens’ Hellenistic benefactors, the Seleucid king Antiochus IV Epiphanes. Abandoned once again following Antiochus’ death, it was ultimately finished by the Roman emperor Hadrian and dedicated in AD 132. Hadrian, an ardent Hellenophile much respected by the people of the Greek East, gave Athens not only the completed Olympieion, but also other temples in the area; a new public forum on the north side of the Acropolis that contained a library and lecture halls; and an urban water system fed by an aqueduct from Mount Penteli that continued to supply the city until the 1930s. https://whyathens.com/temple-of-olympian-zeus/

National Garden is a marvelous park, open to the public from sunrise to sunset, located in the heart of Athens, just behind the Greek Parliament. What were once, the Old Palace and the Royal Garden, the getaway of Queen Amalia and King Otto, is now a delightful, shady refuge for Athenians and visitors during the hot summer months. http://www.thisisathens.org/explore/venues-attractions/12-attractions/national-garden-zappeion/

Symbol of the city’s millenary history, the Doric column erected on the Capocolonna promontory (at about 13 km from the centre of Crotone) carries an echo of the splendour of the Magna Grecia period. It is the only remaining column of the temple dedicated to the goddess Hera. Dating back to the 6th century B.C., it was one of the most important religious locations in Magna Gr�cia, upon which today stands Capocolonna Archaeological Park. The Park is made of roughly 30,000 square meters of terrain allocated for excavations which brought to light the foundations of different buildings and domestic locations, along with 20 hectares of Mediterranean woods in which are present pleasant natural trails that lead from the museum to the column. http://www.portofcrotone.com/index.php?id=72

This temple was constructed on a mostly artificial spur. It dates to c. 450 BC, measuring 38.15 x 16.90 m: it is in Doric style, peripteros with 6 x 13 columns, preceded by a pronaos and opisthodomos. The basement has four steps. Current remains (including anastylosis from the 18th century onwards) the front columnade with parts of the architrave and of the frieze (only fragments of the other three sides are present), with few elements of the cella. The building was damaged in the fire of 406 BC and restored in Roman times, with the substitution of the roof tiles with marble ones and the addition of a steep rise in the are where today can be seen the remains of the altar. Nearby are arcosolia and other sepultures from Byzantine times, belonging to the late 6th century AD renovation of the Temple of Concordia into a Christian church. http://www.guidaturisticaagrigento.it/hera_en.php

The Old Town Centre of Crotone is easily identified because it is situated on a hill, close to the sea, enclosed until the end of 800, from the sixteenth century city wall with a very ancient history. According to archaeologists, the acropolis of the ancient Kroton stood here. It is said to house, among other buildings, the Temple of the Muses, home of the Pythagorean school, known throughout the Mediterranean. It is a very layered urban fabric, which for the continuous destruction, reconstruction, alterations, increases in volume that are superimposed over the course of three centuries, which have no name of the type Byzantine, Medieval,Renaissance, Baroque. The city was subjected to several foreign domination over the centuries whose influence is reflected in the heterogeneous style of its old town center. The types are mostly composite, with many terraced houses, narrow winding streets, wherein the worship buildings and noble palaces are concentrated in little squares. Political power and religious power are added together in these contexts of social life, where shops of merchants and artisans overlook the, but on which lies primarily the importance of the church, the convent of the palace. While Castle Square preserves the centuries the peculiarity of Square of arms, Dome Square, the political center of the city is the seat of Royal House, the Bishop's Palace, and of course the Cathedral church. At Suriano Square Suriano (now Umberto I Square), destined for popular assemblies, dominate the convent of St. Francis of Assisi, now the Seminary, with the annexed church and mansions of Suriano (now Albani Palace),and the Marquis Berlingeri. http://www.comune.crotone.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/4732

The castle acropolis Commonly called the Castle of Charles V by the imperial coat of arms that was located there, it was created as a rudimental fortress on the ancient Greek Acropolis, to defend the country from foreign invasion. http://www.federicoitineraridellostupore.it/index.php/en/calabria/crotone/the-castle-of-carlo-v

The National Archaeological Museum of Crotone, open to the public since 1968, is amongst the most important of Calabria. The building, designed by architect Franco Minissi, is located at one of the bastions of the sixteenth century city wall, near the Castle of Charles V, in the historical heart of the town. http://crotone.itineraritaly.it/en/p455/national_archaeological_museum

Built in the same time as Parthenon, the Doric Temple of Poseidon is situated on the edge of the magnificent Cape Sounio, 70km south from Athens. 16 remaining slender columns of Doric order reveal that Greeks, indeed, knew where to "place" their temples. On the coast of Attica, Cape Sounio is a jewel overlooking the Aegean Sea. Once upon a time, the Temple of Poseidon used to serve as a sacrifice point, since the sailors tried to appease God of the Sea, Poseidon, before entering the Aegean Sea. The distinctive cape crowned with the imposing Temple of Poseidon offers impressive views of the Saronic Gulf and the Aegean Sea with the Greek islands. http://www.thisisathens.org/explore/venues-attractions/12-attractions/temple-of-poseidon/

The Millennium Cross (Macedonian: Милениумски крст, Latinic: Mileniumski krst) is a 66 metre-high cross situated on the top of the Vodno Mountain in Skopje, Republic of Macedonia. It was constructed to serve as a memorial of 2,000 years of Christianity in Macedonia and the world. The construction of the cross began in 2002 and was funded by the Macedonian Orthodox Church, the Macedonian government and donations from Macedonians from all over the world. The cross was built on the highest point of the Vodno mountain on a place known since the time of the Ottoman Empire as "Krstovar", meaning "Place of the cross", as there was a smaller cross situated there. On 8 September 2008, the independence day of the Republic of Macedonia, an elevator was installed inside the cross. In 2009, a restaurant and a souvenir shop were opened next to the cross. In 2011 the Millennium Cross ropeway was opened. The ropeway is three and a half km long. At night the cross shines down over the city. http://www.exploringmacedonia.com/millennium-cross.nspx

The desire to pay respect to one the most famous person and Nobel Prize winner from Macedonia was accomplished on the 30-th of January 2009 with the opening of the Memorial house dedicated to Mother Teresa. The Memorial house of Mother Teresa is a non-profit organization financed by the Government of the Republic of Macedonia. The Location of the museum is not randomly chosen. That is to say, on this exact place the old Catholic Church “Sacred heart of Jesus” used to stand. It is where Mother Teresa, then Gonxha Bojaxhiu was baptized just one day after her birth, on the 27th of August 1910, place where she received her first communion and where she finds her inner peace after her father’s death. This place had great importance and influence on developing the character of young Gonxha and to her desire to help the poor people. Since she was a child she sang in the Catholic Church choir and participated in charity organizations. Somehow the location itself represents a symbolic bridge that connects little Gonxha to one of the greatest humanitarian of the world, Mother Teresa. http://exploringmacedonia.com/memorial-house-of-mother-teresa.nspx

The Skopje Fortress commonly referred to as Kale Fortress, or simply Kale (from kale, the Turkish word for 'fortress'), is a historic fortress located in Skopje, the capital of the Republic of Macedonia. It is situated on the highest point in the city overlooking the Vardar River. The fortress is depicted on the coat of arms of Skopje, which in turn is incorporated in the city's flag. The first fortress, according to research and available data, is believed to have been built amidst the 6th century A.D., on land that had been inhabited during the Neolithic and Bronze ages or roughly 4000 B.C. It was constructed with yellow limestone and travertine and along with fragments of Latin inscriptions, asserts the idea that the fortress originated from the Roman city of Skupi, which was completely destroyed by an earthquake in 518. The fortress is thought to have been reconstructed during the rule of emperor Justinian I and constructed further during the 10th and 11th centuries over the remains of emperor Justinian's Byzantine fortress which may have been destroyed due to a number of wars and battles in the region, such as that of the uprising of the Bulgarian Empire against the Byzantine Empire under the rule of Peter Delyan. Not much is known about the Medieval fortress apart from a few documents which outline minor characteristics in the fortress' appearance. http://www.exploringmacedonia.com/fortress-kale.nspx

Imaret is an impressive building erected by Mehmet Ali (1769-1849) as a donation to its native town. Ali was born in Kavala and later became Ruler of Egypt. It is situated on the western side of the Old City, in Panayia, occupying an area of 3500 m2. http://www.kavalagreece.gr/en/?page_id=1181

The Old Aqueduct, the Medieval Aqueduct, is work of the Byzantine period, which held extensive repairs during the Ottoman rule, particularly during the reign of Suleiman the Magnificent and Legislator (1530 AD approx.) This double arch structure was designed to bridge the peninsula of Panagia with the foot of the mountain of Lekani. https://discoverkavala.com/listings/aqueduct-kamares/

Velyan’s House in Bansko is located near the Holy Trinity Church and the central square of the town. The house is an example of the architectural style – fortified house of the Bulgarian Revival Period. Velyan’s House was built in the 18th century and was opened to visitors in 1977. This was a modern two-story building made of stone and wood owned by a wealthy trade family with many children. After a sudden tragedy the family left the house. When the master-painter Velyan Ognev was invited come to Bansko to work on the decoration of the Holy Trinity Temple, the house was given to him by the local people as a symbol of gratitude. The master decorated its interior and exterior and transformed it into a genuine piece of art. With its hiding places, secret exits and fortified walls the Velanova kashta is a piece of legacy from the old times when Bulgaria was under Otoman rule and when people were supposed to hide and protect themselves by the numerous attacks by bandits at that time. http://bansko-guide.com/attraction/velyans-house-velyanova-kashta/

Klima is one of the striking fishing villages on the Greek island of Milos, with its little white houses built along the water. In the middle of the 19th century, these houses were owned by fishermen who used them as second homes and as boathouses. The fishermen usually lived in Plaka and left their boats here along the water. On the lower floor was storage for the boat, while on the top floor was living space and a place for the fisherman to sleep. During the 20th century, however, the function of the fishermen's cottages changed and became the second homes for the families of the fishermen. Today, these houses are rented to vacationers. Klima is accessible through Plaka and Trypiti. Unfortunately, parking can be difficult to find. You may have to park your car along the road, a hundred meters from the village, and walk by foot to the village. There are no beach bars or taverns. The only public place is the Hotel Panorama, which is slightly higher and a small distance away. https://www.justgreece.com/destinations/klima-milos.php