Architecture, Padova

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The construction of the apse in the Cathedral of Vicenza had begun in 1482 to the design of Lorenzo da Bologna, but in 1531 it was still unfinished. Early, temporary, roofing was erected in 1540, as a result of the possibility that Vicenza might host the Church Council which in the end was held at Trent. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The Fenice Theatre is one of the best known not just in Venice but worldwide. It was designed in 1790 by Giannantonio Selva commissioned by a rich and famous drama company. The building was subject of criticism mainly for the positions (in saint Mark’s area, campo San Fantin) and for its Neoclassic style. During the centuries it has been stage for many world premiere of operas become part oh the history, Gioacchini, Rossini, Verdi and more Donizetti, Bellini, Stawinsky… All of them gave their best creation on the stage of this great theatre. The theatre itself has been spectator of the city life, he known the Serenissima Republic, Napoleon, the Austrian empire, the reign of Italy and the Italian Republic. Actually the theatre hosts an important Operas Season, an International Festival of Contemporary Music and the new year eve concert. http://venice-tourism.com/en/places/san-marco-district/la-fenice-theatre

The Rialto Bridge is the first one built across the Grand Canal. In the beginning it was a wooden drawbridge to permit sailing ships to sail from St. Marks Basin to Piazzale Roma area. Only in 1588 the bridge was rebuilt in a sort of white marble called istrian stone, a trademark for most of Venetian artworks (an opera by Arch. Antonio da Ponte) until 1854 the only one spanning across the Grand Canal. It’ s 22 meters wide and 48 meters long a unique arcade 7,5 meters high, crowned by several smaller arcades it’ s crossed with three parallel staircases, The one in the centre has double arcades on both sides, shops and stores are host below the archway, on the niches. The Rialto area is well known for its famous market, open every day (Sunday closed), from San Polo area to the bridge. The market Is frequented mostly by venetian citizens, a continuous passage of people, boats and carriage of fruits, vegetables and fish make of it the most alive part of the city, many tipical trattoria and osterie, serving local wines and food can be founded around, simple but delicious dishes. Venetian called it “Erbaria” and sice ever it has been the main marketplace of the city, in the past ( now the wholesale market has been moved to another part of the city) dozen and dozen of boats loaded with all kind of goodies from the islands and mainland cultivations. http://venice-tourism.com/en/places/san-polo-district/rialto-and-its-market

Saint Mark’s Square is surely a place that can’t be missed, an exhibition of rare and unique beauty appear on a 360° view in front of the visitors, the Saint Mark’s Church, the bell tower, the “procuratie” and the Napoleonic wing, the clock tower and the two blacks. The Church, a Romanic Byzantine style was born initially as a mausoleum of the Patron Saint, it has 5 domes, marbles and mosaics to embellish the façade, inside, decorations and wall of golden leaf mosaics represents tales of the Patron Saint. The bell tower is the highest point of the city, 98.6 meters tall, from the top there is a unique and breathtaking view of the isle, it was originally built as a watchtower and a lighthouse in the IX century. Finally the clock tower, also a renaissance style palace, its arcade allow to enter into the square from the “Mercerie” so called because during the Republic there where many shops selling precious merchandise coming from distant ports. Today the Mercerie are site for various commercial activities, mostly murano glass shops and most modern cloth and gift shops. http://venice-tourism.com/en/places/san-marco-district/saint-mark%E2%80%99-s-square-360%C2%B0-view

St. Mark’ s Bell Tower is certainly one of the symbols of Venice, nicknamed “El Paron de Casa” (The Master of the House) . It is the highest building of the city, from the top of its 98.50 meters is possible to enjoy a 360° view of the city, a must if you're visiting Venice!!! http://venice-tourism.com/en/places/san-marco-district/saints-mark-bell-tower

If you are in Venice you cannot miss the opportunity to visit St Mark’s Church, the famous San Marco Basilica. It is one of the most valuable treasures of history, art and faith in the world, located in St Mark's Square, the so-called ‘drawing room of Europe’. When you visit St Mark’s Cathedral you cannot avoid gazing at the vast amount of decorations, mosaics, architectonic structures, precious objects and sacred and allegorical images that adorn the church inside and outside. To face all this in the best way before delving into the details, it is important to let oneself be swept away by this abundance, which changes time after time depending on the lighting, one’s stance and many other details that all together turn San Marco Basilica into a constantly new and deep experience to live in Italy. A visit of St Mark’s Basilica means entering into an intricate world imbued with religion, art and sacred images that narrate in detail the history of Venice: the beauty of this place is nonetheless blindingly evident and one does not need to decipher it in order to appreciate it. https://www.venetoinside.com/attraction-tickets-in-veneto/tickets/skip-the-line-saint-marks-basilica/

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

It's probably the most famous island of the venetian Lagoon, it's composed by seven minor islands. It is well known worldwide for the art of blowing glass. All glass factories were moved to the island of Murano in 1295 to preserve the city from fires that often were caused by factories themselves. Murano was at first inhabited by refugees coming from Altino right after the barbarian invasion. Today it is completely urbanized and counts on 5500 inhabitant. Until 1171, when it was annexed to the Santa Croce district, the island was autonomous. In the year 1275 part of the autonomy was returned to the island's government, so they could promulgate laws and even coin their own money (the Osella). The autonomy of Murano was maintained also during the Austrian domination, that made of it a municipality. During the Austrian occupancy many churches and monasteries were sacked and destroyed so that only three now are left. The Murano municipality (that includes San’t Erasmo and Vignole islands) was suppressed in 1923 and the territory unified with the Municipality of Venice. http://venice-tourism.com/en/luoghi/island-lagoon/murano-island

Burano is amongst the main islands of the Venetian lagoon. At the moment about 3000 people live there and it is part of the municipality of Venice. It is linked to the smaller island of Mazzorbo by a small bridge. Just like Venice, it is divided into “Sestieri” (districts): San Martino Sinistro, San Martino Destro, San Mauro, Terranova and Giudecca (not to be confused with the homonymous island). The isle of Burano is famous for the lace working art, (a tradition since the XVI century), its bright multicoloured houses and for the culinary traditions. http://venice-tourism.com/en/places/island-lagoon/burano-island

Situated in Piazza Bra, the amphitheatre of Verona was built in the first half of the 1st century A.D. (between the end of Augustus‘ reign and the beginning of Claudius). http://www.tourism.verona.it/en/enjoy-verona/art-and-culture/monuments-and-sights/arena-roman-amphitheatre

A Romanesque basilica rebuilt after the earthquake in 1117 round a nucleus dating from the 4th or 5th century.Note on the outside the façade with the large rose window called the “Wheel of Fortune”, the marble bas-reliefs on either side of the porch, the famous bronze doors, the bell-tower and the Abbey Tower http://www.tourism.verona.it/en/enjoy/history-heritage/churches-holy-places/basilica-of-san-zeno

The oldest part of the villa dates back to 1353, the year in which Pietro, son of the poet Dante Alighieri, established himself in Gargagnago. http://www.tourism.verona.it/en/enjoy/history-heritage/villas-and-mansions/villa-serego-alighieri

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

The Buonconsiglio Castle is the largest and most important monumental complex of the Trentino Alto Adige region. It was the residence of the prince-bishops of Trento from the 13th century to the end of the 18th century, and is composed of a series of buildings of different eras, enclosed by walls and positioned slightly higher than the city. Castelvecchio is the oldest nucleus, dominated by an imposing cylindrical tower; the Magno Palazzo is the 16th century expansion in the Italian Renaissance-style as commissioned by the Prince-Bishop and Cardinal Bernardo Cles (1485-1539); the Baroque-style Giunta Albertiana dates from the end of the 17th century. At the extreme south of the complex is the Torre Aquila, within which is conserved the famous Cycle of the Months, one of the most fascinating secular pictorial cycles of the late Middle Ages. Also of exceptional interest are the extensive cycle of frescoes commissioned by the bishops to decorate the interior walls of the Castle, mainly in the late Middle Ages to the Renaissance period. https://www.buonconsiglio.it/index.php/en/Buonconsiglio-Castle/castle/Visit/Introduction

The town of Lonato boasts an exceptional monumental complex. Even the most demanding tourists will find it worth visiting. http://www.bresciatourism.it/en/what-to-do/rocca-and-ugo-da-como-house-museum/

Cattedrale Matropolitana di San Pietro is the cathedral of Bologna, entitled “Metropolitana” in 1582 by Pope Gregorio XIII, who also turned the diocese of Bologna into an archdiocese. In the past, there was a baptistery in front of the façade and the origins of the building may be traced back to the beginning of the Christian era (even though it is said that the church already existed during the 10th century). http://www.bolognawelcome.com/en/home/discover/places/architecture-and-monuments/religious-places/cattedrale-metropolitana-di-san-pietro

The current auditorium of Teatro Grande was designed by architect Luigi Canonica and built in 1810. Girolamo Magnani decorated it in 1862. http://www.bresciatourism.it/en/what-to-do/teatro-grande-brescia/

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

A small church of St. George used to be situated where the Church of St. Euphemia is located today. When St. Euphemia's sarcophagus was brought to Rovinj, the Church of St. George became too small for all the pilgrims. In the 10th century, the people of Rovinj started building a new, bigger church. It was a three-nave church with three projected apses and wooden statues of St. George and St. Euphemia. At the beginning of the 17th century, a new gold-plated stone statue was erected which until this day remains on the altar of the Saint. The church itself required with time more and more reparations, and the town population grew so that the people of Rovinj decided to build an even bigger church. The building process started in 1725 and lasted until 1736. Three main altars were built in 1741, and the organ was installed in 1754. The façade was designed and built in the second half of the 19th century. Many altars and paintings enrich and embellish the church from within. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-eufemija.asp

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

Rovinj represented an exception among the cities on the west coast by the lack of a Franciscan monastery during the first period of the existence of the order. Only at the end of the fifteenth century, the Diocese of San Geronimo decided to build one on the island of St. Andrew (Red Island) near Rovinj, upon the site of the Benedictine hospice and the church from the sixth century. According to tradition, the monastery was founded by St. John of Capistrano, a famous missionary engaged in the fight against the Turks. His body is kept in the Franciscan monastery of Ilok, in eastern Croatia. In 1807, after nearly four centuries after its foundation, the monastery of Saint Andrew was closed by Napoleonic authorities. In the early eighteenth century, the St. Anthony's Franciscan reformers built a new monastery in the north, in the continental part of the city, which was not yet connected to the mainland. In 1696 the City Council invited the Franciscans to come to Rovinj to erect a new hospice. The approval of the Doge Alvise Mocenigo arrived in 1700 and two years later, in 1702 the construction of the church and hospice began. On that occasion, for the first time explosive was used in Rovinj to derive rock tanks for rainwater. https://www.inforovinj.com/eng/rovinj/znamenje/franjevacki-samostan.asp

St. Thomas church is situated 4 kilometres north of Rovinj, next to the old railway line that led from Rovinj to a small place Kanfanar. This edifice has a cross ground plan lately completed by a church tower placed on its north side. There is a six metres high apse, semicircular on the inside part and polygonal on the outside part. Lateral windows are enriched by semi-circular apses as well, although being constructed of smaller size. These apses are connected with the central nave by a high semi-circular passage. In the north part of the church, the original paving was discovered along with the preserved stand of shrine partition with several niches for pilasters. Above the central part, the remains of arches that upheld the retracted construction high above the roofing are still visible. A radical constructional intervention was undertaken on the church in the 16th century, changing completely its original form. Since the lateral arches were walled in the whole edifice got one nave. The west part of the edifice was significantly shortened and altered by a new forepart with two square windows. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-tome.asp

This imposing residential castle was built between the 15th and 16th centuries by the noble Martinengo family. http://www.bresciatourism.it/en/what-to-do/padernello-castle/

il Ponte di Tiberio, was started during the reign of Augustus, as part of his extensive series of public works for Rimini, but takes its name from Tiberius, the Emporor under whose reign the bridge was finished. Built in seven years, between 14 and 21.AD. http://www.visit-rimini.com/general-sightseeing/il-ponte-di-tiberio-the-tiberius-bridge/

In the heart of the modern city of Rimini you’ll find some of the best preserved domestic mosaics from the roman world – the so-called ‘Surgeon’s House’ (Domus Del Chirurgo). http://www.visit-rimini.com/general-sightseeing/domus-del-chirurgo-the-surgeons-house/

The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved. http://www.visit-rimini.com/general-sightseeing/tempio-malatestiano/

The Temple, situated in the Forum, is dedicated to goddess Roma and Emperor Augustus. It was constructed between the year 2 BC and AD 14 when the Emperor died. According to its shape, it follows the typical pattern of temples. The function of the Temple changed through the years: with the ending of the pagan ancient era its original pagan function ceased and the temple was afterwards used as a church, granary, and at the beginning of the 19th century it was a museum for stone monuments. In 1944 it was hit by a bomb and completely destroyed. It was reconstructed between the years 1945 and 1947 and nowadays it houses a collection of ancient stone and bronze sculptures. The other twin temple, of which only the back wall is preserved, is believed to have been constructed at the same time and in the same style and was called the Temple of Diana. http://www.pulainfo.hr/where/temple-of-augustus

It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time. https://www.pulainfo.hr/where/chapel-st-maria-formosa

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

It stands between two, most probably medieval towers, of simple construction built of uncarved stone blocks. At the top of the damaged arch, although hardly recognizable, is a carving of the head of Hercules and his club. Close to the club is a damaged inscription, most interesting in the historical context since it contains the names of two Roman officials, Lucius Calpurnius Piso and Gaius Cassius Longinus to whom the Roman Senate had entrusted the duty to found a Roman colony at the site of today’s Pula. Thus, between 47 and 44 BC Pula was founded as a settlement with urban features. Since the upper circular street passed though this gate, the axis of communication was obliquely placed with respect to the direction of the city walls. https://www.pulainfo.hr/where/gate-of-hercules