Architecture, Opatija

Rijeka is reflected in Korzo, at Korzo you can read Rijeka. Anyone who, at least once, had a coffee at one of the terraces of numerous and picturesque café bars lined along this unusual promenade, would agree. http://www.visitrijeka.eu/What_To_See/Korzo

The museum is headquartered in the former Governor's Palace, a historicist edifice and protected cultural monument. The Governor's Palace was constructed in 1896 and designed by Alajos Hauszmann, one of the foremost Hungarian architects during the time when Rijeka was under Hungarian rule. Today, the palace houses the Maritime and History Museum of the Croatian Littoral, which was established in 1961 and comprises maritime, historical and cultural, ethnographic and archaeological departments. Some of the original items from the Governor's Palace, such as furniture and artisan craft-work, have been preserved and exhibited in salons on the first floor. The permanent exhibition of the museum provides an interactive and modern platform for showcasing the long, rich and tumultuous history and culture of living in the area of what is today Primorje-Gorski Kotar County from prehistoric times to the present day. The Lipa Pamti Memorial Centre (Lipa Remembers), which is dedicated to the victims of the Lipa massacre that took place on 30 April 1944, is also a part of the museum. In addition to its memorial heritage, the Memorial Centre interprets the entire cultural, historical and ethnographical heritage of the Liburnian Karst region (Rupa, Pasjak, Šapjane and Brce) from prehistoric times to the present day. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/The_Maritime_and_History_Museum_of_the_Croatian_Littoral_Rijeka

City Tower, a symbol of Rijeka and a good example of a typical round tower access-point, which lead into the fortified town. Today it dominates the central part of Korzo, although during its lifetime it was overtopped by more recently constructed buildings. It was built in the Middle Ages, probably on the foundations of the Late Antique littoral town gates. Some baroque phases of its construction can be seen on the lower part of the front of the Tower, which are characterised by a richly decorated portal, an imperial coat of arms carved out of stone and relief of the Austrian emperors Leopold and Charles VI. Rijeka paid them special respect due to the maritime orientation they introduced into the state policies of the Austrian court. The Tower’s superstructure, on which a city clock has been situated since the 17th century, has been remodelled several times; most significantly at the turn of the 18th century under the guidance of municipal engineer A. Gnamb, the last time was at the end of the 19th century, based on a design by F. Bazarig. http://www.visitrijeka.eu/What_To_See/Monuments/City_Tower

Passing under the round City Tower, the former main medieval town entrance that gave access to the coast, you enter the centre of Rijeka’s Old Town. Located in the modern-day Ivan Kobler Square, there was once a more compact municipal centre called Placa, which served the significantly smaller fortified medieval town. The most knowledgeable historical interpretations of Rijeka Town present it as vertically elongated, framed to the north and south by the City Tower and the Town Hall, and to the east and west by chains of houses. The northern part of Rijeka was dominated by the lord's castle, the eastern part featured the main commoners’ church with a cemetery, to the west there was a spacious cloistered enclosure, and here, in the south quarter, near the embankment and the beach market under the town walls, there was the vibrant heart of the Town. There, the citizens of Rijeka would meet to listen to the proclamations of the Town Crier, seal contracts and buy and sell on the open market or in stores situated in the ground floors of houses. Only traces of those houses remain now, with several old walls integrated into more modern buildings, a baroque lintel with the former owner’s coat of arms and an arched underground corn house. In the near past was the former town “Greenmarket” where fruit and vegetables were sold. http://www.visitrijeka.eu/What_To_See/Architecture/Ivan_Kobler_Square

St. Vitus’ Cathedral is the only Baroque rotunda of monumental proportions built on Croatian soil. The construction of this church, designed by the Jesuit architect G. Briano, began in 1638. It was made on the model of the famous Venetian church of Santa Maria della Salute. http://www.visitrijeka.eu/What_To_See/Monuments/St._Vitus_Cathedral

Those who peek into Rijeka’s computer museum and poke through its past will be amazed by the speed at which our technological future has become our past. Under the name Peek&Poke, it is the first Croatian museum of computers and computer equipment. Its founders call it the Retro Computer Club. Opened in 2007, it welcomes its visitors with exhibits that date back to the 1960s. Some of the oldest exhibits include the pioneers of computer technology, such as Minivac (1961), the first big series personal computer (Apple II), the first affordable home computer (Sinclair ZX80), the first palmtop (Newton), the computer on which Andy Warhol made his art (Amiga 1000) and the great-grandfather of all modern personal computers - the original IBM PC. The museum holds a proof that Croatia was once a leader in one sector of this technology - the first European calculator, manufactured in 1971 in Buje in the Digitron factory, is exhibited here. The museum has over 2000 exhibits of international and Croatian computer, audio, video and photo technology. Located in the premises of 300 square meters in the city centre, it is one of the first 5 world museums on this subject and is also the largest exhibition of its kind in this part of Europe. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/Peek_and_Poke_Computer_Museum

The Trsat Castle represents a strategically embossed lookout on a hill 138 meters above sea level dominating Rijeka. It was mentioned as a parochial centre for the first time in 1288. At this same site there was a Liburnian observation post from prehistoric times, used for monitoring the roads leading from the hinterland to the coast. http://www.visitrijeka.eu/What_To_See/Attractions/Trsat_Castle

The Shrine of Our Lady of Trsat is the largest pilgrimage centre of Western Croatia. Its foundation is reported to be, according to tradition, related to the miraculous transport of the Nazareth Barn, and its stay on Trsat (1291 – 1294). Shortly after the relocation of the Mother of God’s house to Loreto, Prince Nikola I of Krk built the first small church on the place where the barn stood on Trsat. Marija`s Trsat became a pilgrimage point of convergence, the reputation of which was strengthened by the astounding painting of the Lady of Trsat, which was a gift given to the inconsolable Croats in 1367 by Pope Urban V for the loss of the Holy Barn. In the XV century, the Sanctuary was taken over by Franciscans, who have remained its guardians to the present day. On 8 June 2003, Pope John Paul II attended a long pilgrimage procession. http://www.visitrijeka.eu/What_To_See/Attractions/Shrine_of_Our_Lady_of_Trsat

St. Thomas church is situated 4 kilometres north of Rovinj, next to the old railway line that led from Rovinj to a small place Kanfanar. This edifice has a cross ground plan lately completed by a church tower placed on its north side. There is a six metres high apse, semicircular on the inside part and polygonal on the outside part. Lateral windows are enriched by semi-circular apses as well, although being constructed of smaller size. These apses are connected with the central nave by a high semi-circular passage. In the north part of the church, the original paving was discovered along with the preserved stand of shrine partition with several niches for pilasters. Above the central part, the remains of arches that upheld the retracted construction high above the roofing are still visible. A radical constructional intervention was undertaken on the church in the 16th century, changing completely its original form. Since the lateral arches were walled in the whole edifice got one nave. The west part of the edifice was significantly shortened and altered by a new forepart with two square windows. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-tome.asp

Rovinj represented an exception among the cities on the west coast by the lack of a Franciscan monastery during the first period of the existence of the order. Only at the end of the fifteenth century, the Diocese of San Geronimo decided to build one on the island of St. Andrew (Red Island) near Rovinj, upon the site of the Benedictine hospice and the church from the sixth century. According to tradition, the monastery was founded by St. John of Capistrano, a famous missionary engaged in the fight against the Turks. His body is kept in the Franciscan monastery of Ilok, in eastern Croatia. In 1807, after nearly four centuries after its foundation, the monastery of Saint Andrew was closed by Napoleonic authorities. In the early eighteenth century, the St. Anthony's Franciscan reformers built a new monastery in the north, in the continental part of the city, which was not yet connected to the mainland. In 1696 the City Council invited the Franciscans to come to Rovinj to erect a new hospice. The approval of the Doge Alvise Mocenigo arrived in 1700 and two years later, in 1702 the construction of the church and hospice began. On that occasion, for the first time explosive was used in Rovinj to derive rock tanks for rainwater. https://www.inforovinj.com/eng/rovinj/znamenje/franjevacki-samostan.asp

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

A small church of St. George used to be situated where the Church of St. Euphemia is located today. When St. Euphemia's sarcophagus was brought to Rovinj, the Church of St. George became too small for all the pilgrims. In the 10th century, the people of Rovinj started building a new, bigger church. It was a three-nave church with three projected apses and wooden statues of St. George and St. Euphemia. At the beginning of the 17th century, a new gold-plated stone statue was erected which until this day remains on the altar of the Saint. The church itself required with time more and more reparations, and the town population grew so that the people of Rovinj decided to build an even bigger church. The building process started in 1725 and lasted until 1736. Three main altars were built in 1741, and the organ was installed in 1754. The façade was designed and built in the second half of the 19th century. Many altars and paintings enrich and embellish the church from within. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-eufemija.asp

The most famous and important monument, the starting and ending point of every sightseeing tour is the Amphitheater, popularly called the Arena of Pula, which was once the site of gladiator fights. It was built in the 1st century AD during the reign of Emperor Vespasian, at the same time as the magnificent Colosseum in Rome. The ground plan is elliptical, the longer axis measuring about 130 m and the shorter one about 100 m. Gladiator fights took place in the central flat area called the arena, while the spectators could sit on the stone tiers or stand in the gallery. It is believed that the Amphitheater could seat about 20,000 spectators. Local limestone was used for its construction. In the Middle Ages, it was the site of knights tournaments and fairs. Today, it is the venue for many different events – Pula Film Festival, various concerts, opera, ballet, sports competitions… since its capacity is about 5000 spectators. http://www.pulainfo.hr/where/arena-amphitheater-2

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

It stands between two, most probably medieval towers, of simple construction built of uncarved stone blocks. At the top of the damaged arch, although hardly recognizable, is a carving of the head of Hercules and his club. Close to the club is a damaged inscription, most interesting in the historical context since it contains the names of two Roman officials, Lucius Calpurnius Piso and Gaius Cassius Longinus to whom the Roman Senate had entrusted the duty to found a Roman colony at the site of today’s Pula. Thus, between 47 and 44 BC Pula was founded as a settlement with urban features. Since the upper circular street passed though this gate, the axis of communication was obliquely placed with respect to the direction of the city walls. https://www.pulainfo.hr/where/gate-of-hercules

The “Golden Gate” was erected between the years 29 and 27 BC by the Sergi family, in honor of three members of the family who held important positions in Pula at that time. This triumphal arch leaned against the city gate Porta Aurea thus called because of its richly ornamented arch or gilded elements. The gate and wall were pulled down in the beginning of the 19th century as a result of the city expansion outside the city walls. The Arch was constructed in Corinthian style with strong Hellenistic and Asia Minor influences both in the method and ornaments. As the eastern side was not visible it has remained for the most part uncarved, while the western, town side is richly decorated. Today numerous cultural performances, theatrical and musical, are held on the square next to the Arch. The adjacent street is a shopping area. https://www.pulainfo.hr/where/triumphal-arch-sergi-golden-gate

The Temple, situated in the Forum, is dedicated to goddess Roma and Emperor Augustus. It was constructed between the year 2 BC and AD 14 when the Emperor died. According to its shape, it follows the typical pattern of temples. The function of the Temple changed through the years: with the ending of the pagan ancient era its original pagan function ceased and the temple was afterwards used as a church, granary, and at the beginning of the 19th century it was a museum for stone monuments. In 1944 it was hit by a bomb and completely destroyed. It was reconstructed between the years 1945 and 1947 and nowadays it houses a collection of ancient stone and bronze sculptures. The other twin temple, of which only the back wall is preserved, is believed to have been constructed at the same time and in the same style and was called the Temple of Diana. http://www.pulainfo.hr/where/temple-of-augustus

It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time. https://www.pulainfo.hr/where/chapel-st-maria-formosa

In a very modern, architecturally-designed building (which opened in 2009), the Museum of Contemporary Art is home to both its permanent Collection in Motion exhibit and a great selection of temporary exhibits throughout the year http://www.visit-croatia.co.uk/index.php/croatia-destinations/zagreb/museums-zagreb/

The repertoire is very rich including the world classics, national tradition and contemporary works. As a matter of fact, countless world-famous artists, from ballet dancers to opera singers, have performed on its stage. The opera has an exciting new season. They continue their best works of domestic opera production. It presents contemporary works that will, consequently, position Zagreb as an unavoidable place on the European opera charts. Croatian National Theatre is one of Zagreb’s most elegant and spectacular buildings! It was designed by the renowned Viennese architects Ferdinand Fellner and Herman Helmer. In front of the theatre, you will find The Well of Life, designed by Ivan Meštrović in 1905. Experts claim the statue is among Mestrovic’s finest pieces of art. The Croatian National Theater in Zagreb is one of those things you have to feel and see. https://www.visitzagreb.hr/zagreb/croatian-national-theatre/

Lotrščak Tower is Zagreb’s fortified tower. It was a part of the southern gate and town defences against the Turks, built in 1266. Today, it is one of the last remaining fortifications and one of Zagreb monuments. But wait – there’s more, inside the Grič cannon fires every day exactly at noon. It has been doing that for the last hundred years, as a commemoration of Zagreb’s victory over the Turks. It has become somewhat a tradition, as locals set their watches according to the shot. The tower was overlooking Zagreb defences for years in the past. As a matter of fact, it got its name by the bell, lat. campana latrunculorum (thief’s bell), which rang every night before the gates closed. Today, it is overlooking Zagreb and offers spectacular views from its top. We highly recommend it to all who can climb its narrow steps. https://www.visitzagreb.hr/zagreb/lotrscak-tower-gric-cannon/

Saint Mark’s Church is Zagreb’s iconic building due to its signature colourful tiled roof. It is one of the oldest buildings in Zagreb dating from the 13th century. You will notice the Southern portal. It is equally important as it is the richest looking gothic portal in Croatia. The portal consists of 15 sculptures (11 stone gothic sculptures and 4 wooden baroque sculptures) in 11 niches. Sculptures present Virgin Mary with the Child, Christ, St. Mark and the apostles. Saint Mark’s uniquely colourful tiled roof was constructed in 1880 by Friedrich Schmidt and Herman Bollé. On it, you will see the medieval coat of arms of Croatia, Dalmatia and Slavonia on the left side, and the emblem of Zagreb on the right. On the other hand, inside, you will see sculptures by Ivan Meštrović and art by Jozo Kljaković and Ljubo Babić. Eventually, the frescos were renovated, the ceiling was gilded with 22-carat gold leaflets and a new organ has been recently installed. https://www.visitzagreb.hr/zagreb/saint-marks-church/

Zagreb Cathedral was formerly known as St. Stephen’s Cathedral. Today, the Cathedral of the Assumption of the Blessed Virgin Mary is dedicated to the Assumption of Mary and to kings Saint Stephen and Saint Ladislaus. Once you get to Kaptol Square you will see it is dominated by Zagreb cathedral which has been there since the 11th century. The Archbishop’s Palace encloses it from three sides, and because of its twin 108 meters (354 ft) high spires, it is the tallest building in Croatia. It literally soars over the city. The Zagreb Cathedral must be seen and its sacristy is of great architectural value. What you will see today does not represent the original construction. The first Cathedral was damaged during the Tartar attack and a great fire in the 13th century. Finally, it was severely damaged by the 1880 earthquake and was restored in the Neo-Gothic style by Hermann Bollé, the cathedral you see today. https://www.visitzagreb.hr/zagreb/zagreb-cathedral/

From the Pyramidenkogel visitors can enjoy impressive wide-ranging views of the proud summits of the Hohe Tauern to the north as far as the Karawanken, and towards Italy and Slovenia beyond the borders of the province of Carinthia. The ride to the top of the tower in the transparent panoramic lift offers picturesque views of the surrounding lake valleys, and active visitors can also climb the stairs to the top. Three viewing platforms guarantee a breathtaking view. The highest platform is a proud 71 metres high and houses the “Sky Box”, a room which is flooded with light and protected against the weather. This will be used as events venue in future. The unique tower design consists of 16 stilts made of laminated timber, stabilised by means of ten steel rings and with 80 diagonal struts which tower impressively upwards. https://www.visitcarinthia.at/attractions/quality-seal/pyramidenkogel-observation-tower/

The dragon depicted on the fountain is the symbol of the city. There is a lovely square around it where you can sit and relax. In the 13th century a dragon was wreaking havoc in Klagenfurt, causing floods that destroyed crossings and threatened travelers along the River Glen. A duke offered a reward for anyone who could capture it, and a brave young man tied a bull to a chain and caught the dragon like a fish. In 1335 the dragon’s skull was found in a nearby quarry aptly known as Dragon’s Grave. The capital city of Carinthia proudly displayed it in the city’s town hall, and in 1590 Ulrich Vogelsang used it to make what is often cited as the earliest known reconstruction of an extinct animal—it’s attributed to Vogelsang, but it’s more likely an anonymous artist made the sculpture, carved from a single block of chlorite slate. Legend claims 300 men, dressed in all white, carried the six-ton beast to the center of town. https://www.atlasobscura.com/places/lindwurmbrunnen

In 1965 an observatory was built atop the old stone lookout tower amid the broad woodlands of the Kreuzbergl in Klagenfurt. From its viewing platform, the observatory offers unforgettable panoramic views of Klagenfurt and the surrounding mountains. With the help of a giant telescope and a modern astronomic navigation system, you will be able to gaze on live images of the moon, planets, binary stars and other unique features of the heavens. Parking is available at the Schweizer Haus or the Botanical Garden, with a clearly marked footpath (also lit up after dark) leading to the observatory. https://www.visitklagenfurt.at/en/discover-and-experience/worth-seeing/292-sternwarte-klagenfurt.html

Burano is amongst the main islands of the Venetian lagoon. At the moment about 3000 people live there and it is part of the municipality of Venice. It is linked to the smaller island of Mazzorbo by a small bridge. Just like Venice, it is divided into “Sestieri” (districts): San Martino Sinistro, San Martino Destro, San Mauro, Terranova and Giudecca (not to be confused with the homonymous island). The isle of Burano is famous for the lace working art, (a tradition since the XVI century), its bright multicoloured houses and for the culinary traditions. http://venice-tourism.com/en/places/island-lagoon/burano-island

Commissioned by the territorial estates as a Protestant church in 1578, it was designed by architect Christoph Windisch. Klagenfurt Cathedral is the oldest pilaster church in Austria. The 23 paintings on the walls and ceilings were painted over several times in the course of the years. The Catholic Reformation Commission closed the cathedral in the year 1600. Four years later it was handed over to the Jesuits who managed the Jesuit school next door until the order was closed in 1773. A fire destroyed major parts of the church in the year 1723. Reconstruction did not begin until 1725. The Carinthian Baroque painter Josef Ferdinand Fromiller created the John of Nepomuk apotheosis. The church was raised to Cathedral status in 1787. The Cathedral was renovated in the 1890s and shines today in the lustrous Baroque colourfulness of the 18th century. https://www.visitklagenfurt.at/en/discover-and-experience/worth-seeing/285-klagenfurter-dom-domplatz.html

It's probably the most famous island of the venetian Lagoon, it's composed by seven minor islands. It is well known worldwide for the art of blowing glass. All glass factories were moved to the island of Murano in 1295 to preserve the city from fires that often were caused by factories themselves. Murano was at first inhabited by refugees coming from Altino right after the barbarian invasion. Today it is completely urbanized and counts on 5500 inhabitant. Until 1171, when it was annexed to the Santa Croce district, the island was autonomous. In the year 1275 part of the autonomy was returned to the island's government, so they could promulgate laws and even coin their own money (the Osella). The autonomy of Murano was maintained also during the Austrian domination, that made of it a municipality. During the Austrian occupancy many churches and monasteries were sacked and destroyed so that only three now are left. The Murano municipality (that includes San’t Erasmo and Vignole islands) was suppressed in 1923 and the territory unified with the Municipality of Venice. http://venice-tourism.com/en/luoghi/island-lagoon/murano-island

Zadar has a unique combination of architecture and music, the wordly known Sea Organ. It is located next to the installation Greeting to the Sun, and it represents an organ whose sound is produced under the influence of the energy of the sea, rather waves and tides. The Sea Organ has been gently formed out of stone and returned to the sea. It stretches out on a surface of seventy meters of Zadar's coast, under which on the level of the lowest seated 35 pipes of different lengths, diameters and descent are installed. When the most beautiful sunset illuminates the waterfront, the play of light of the Greeting to the Sun accompanies the rhythm of waves and the sounds of the Sea Organ. https://zadar.travel/attractions/attractions/sea-organ

The forum in Zadar has been built by the first Roman emperor Gaius Julius Caesar Octavian of what the inscriptions in stone dating back to the 3rd century give evidence when the construction came to an end. It was once closed by a portico with galleries on the first floor, and under the portico there were shops. Since the first century B.C. the forum has been the main gathering place for Roman soldiers, religious people, bureaucrats of the Republic and later of the Empire, as also for traders and all Zadar citizens in ancient times. In the time of its full glory, the forum was surrounded from three sides by a magnificent portico. It is indispensable for a walk and also one of the symbols of the city. https://zadar.travel/attractions/attractions/forum

On the glass face of the Archeological Museum in Zadar, you can see the reflection of the Forum and Saint Donatus, with which the Museum is unbreakably connected. Since 1880 works of protection and restoration have been done in Saint-Donat with the idea to place the Archeological Museum in it. The Archeological Museum is the oldest museum in Zadar and the second oldest in Croatia. It was founded in 1832., and today it keeps more than 100.000 archaeological objects from all the cultural and historical periods from the Paleolithic to the end of 11th century. The museum has its journal and for almost 60 years in a preparatory workshop, it has been producing hand-made souvenirs- amphoras, recipients, fibulas (brooches), jewellery and other valuable museum material. https://zadar.travel/attractions/museums/archeological-museum