Mushroom Museum has up to 1250 species of real mushrooms from around the world. Including dozens of newly discovered species. As a matter of fact, the mushrooms are freeze-dried. Which means they are alive, in their original form, size and colour. Making the Mushroom Museum unique in the world. You have a chance to see the infamous and deadly Amanita phalloides, also known as death cap. They are preserved in their original state so to educate visitors about mushrooms and mycology. In addition, it is about developing ecological awareness. Preserving forests from devastation and overcrowding. It is led by agronomist and greatest authority on mushrooms in Croatia, Professor Romano Bozac, D.Sc. In fact, he can take you around the exhibit, if he has the time. https://www.visitzagreb.hr/zagreb/mushroom-museum/

The Trogir Museum was opened in 1966 within a unique complex of several palaces and houses owned by the Garagnin-Fonfogna family since the 18th century. The first small room accommodates a late Greek relief "Woman at Work" (2nd- 1 st century BC), and the replica of Kairos (4th-3rd century BC), as well as the prehistorical finds from the Trogir surroundings and the fragments of ceramics and glass from the Greek period. The Roman period is represented by the finds from the graves (fragments of a helmet, money, amphoras, urns) and stone reliefs and fragments discovered during archaeological excavations near Trogir. The second, large hall with a three-light window presents the medieval Trogir through the documentation on the development of the autonomous commune. The first printed city Statute from 1708, which actually governed the city public life already in the 14th century, and the city seal rings are on display in this hall. The original minutes of the City Council sessions from 1316 are displayed, along with major documents on parchment, and the Venetian money used in the provinces of Dalmatia and Albania. Ivan Lucic's "De Regno Dalmatiae et Croatiae", the major medieval Croatian work published in Amsterdam in 1666 is here, along with the matricula of the All Saints brotherhood from 1573, and the testimony on Venetian-Turkish war contained in the memoirs of Koriolan Cipiko (1477). http://www.portal-trogir.com/things-to-do-en/heritage/museums/trogir-town-museum/

As the oldest museum institution in Croatia, the Split Archaeological Museum was founded in 1820 by the decree of the Dalmatian government in Zadar. The incentive for the establishment of the Museum was provided by the visit of Emperor Francis I to Dalmatia in 1818, which also included visits to Split and Solin. The original museum building was erected in 1821 next to the eastern walls of Diocletian's Palace but soon became too small to house the growing number of monuments. A new era in the development of archaeology in Croatia is associated with the work and activity of Father Frano Bulic, director of the Split Museum since 1884. Father Frano Bulic (Vranjic, 1846 - Zagreb, 1934), a catholic priest, archaeologist, historian, and conservator, had for more than 50 years been working as a field researcher, conservator and writer. He is known as the founder of the Croatian archaeological society "Bihac" that was established in Split in 1894. https://www.mdc.hr/split-arheoloski/eng/index.html

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

Visit the Villa Angiolina, a former summer residence and today the seat of the Croatian Museum of Tourism. The museum hosts various exhibitions, workshops and projects that will explain to you why Opatija was a favourite destination for many historical figures. This is the building that certainly marked the beginning of the tourist epoch in the history of Opatija. Pending its building in 1844. (actually a reconstruction of an older building owned by baron Haller von Hallerxtein); Opatija was a relatively large settlement with about 120 houses, clustered mainly around plots further away from the sea coast and chiefly oriented towards fishing and seafaring. With the arrival of Iginio Scarpa, a patrician from Rijeka, and building of his summer house Angiolina (named after Scarpa’s then already deceased wife, originating from the Sartori family), Opatija opened her doors to a whole line of guests and passengers, among whom it is noteworthy to mention the Austrian empress Mary Ann, the botanist Heinrich Noë, the croatian ban Josip Jelačić and others who in their enthusiasm for the local vegetation and climate spread the fame about Opatija and thus prepared the ground for the future health resort. https://www.visitopatija.com/en/villa-angiolina-learn-about-the-role-of-tourism-in-the-history-of-opatija-p471

In the 19th century during the period of sailboats Stari Grad marked the development of the shipping industry and naval construction. There is a rich naval collection preserved in Palace Biankini in Stari Grad. The collection was founded by the Centre for the Preservation of Cultural Heritage of the island of Hvar in 1966 and besides documentation on naval construction; it also displays various nautical instruments, paintings of Hvar captains, old nautical charts and literature on navigation. https://www.visit-hvar.com/tours/palace-biankini-and-naval-collection/HV-TR-38

The Rector’s Palace (Croatian: Knežev dvor) is a palace in the city of Dubrovnik that used to serve as the seat of the Rector of the Republic of Ragusa between the 14th century and 1808. It was also the seat of the Minor Council and the state administration. Furthermore, it housed an armoury, the powder magazine, the watch house and a prison. The rector’s palace was built in the Gothic style, but it also has Renaissance and Baroque elements, harmoniously combining these elements. Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master-builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans went too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat (by Pietro Giacometti of Recanati), a rich shipowner from Lopud, who had bequeathed his wealth to Dubrovnik. https://www.godubrovnik.guide/dubrovnikthingstodo/rectors-palace/

The Ethnographic Museum has its origins in the collection of traditional culture that began to be formed in the first decades of the twentieth century. Its holdings were very much enlarged with specimens of traditional attire and lace donated several times by that great benefactor of the museum, Jelka Miš (1875 -1956). In the course of time, the collection grew into the ethnological department of Dubrovnik Museum, and in 1950 opened its first display of original ethnographic folk handicrafts from the local area on the second floor of Fort St John. At the end of the eighties, the ethnographic department was relocated to the building of the Dubrovnik Republic’s granary, popularly known as Rupe/The Holes, which derives from the name for the underground grain storage areas carved out of bedrock or tufa. https://www.godubrovnik.guide/dubrovnikthingstodo/ethnographic-museum/

The Museum of St. Francis is a museum in the monastery of St. Francis in Šibenik, monks of Franciscan Conventuals, who prove their presence for several centuries in the city of Šibenik through a rich collection of valuable works of art. This modern interactive show is of educational and informative nature, and visitors are guided through the contents of the monastery library, one of the five most valuable heritage libraries in Croatia. It keeps a large number of incunabula and codices, parchments and other valuable and rare books, among which the „Šibenik prayer“, one of the oldest Croatian language and literary tributes were written in Latin script around 1375. https://www.sibenik-tourism.hr/lokacije/the-museum-of-st-francis/25/en.html

Zadar City Museum was founded in 1960 and in 1962 it was integrated into the National Museum Zadar under the name the Cultural-Historical Department. Zadar City Museum is located in the building which up to the time of Napoleon was the monastery of St. Krševan. http://nmz.hr/en