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Of all the public buildings in Bordeaux, the Grand-Théâtre is unquestionably the most well-known and appreciated. It stands on the site of a former temple (Les Piliers de Tutelle) that was once in the middle of a Gallo-Roman forum.
The Grand Théâtre's construction was made necessary by the destruction of a performance hall in 1755. The latter was located in the outbuildings of the former town hall, near the Grosse Cloche.
Architect François Lhote, assisted by Soufflot, initially proposed a project that was not accepted by the city aldermen. Eventually, Marshal de Richelieu, governor of the province of Guyenne, imposed the Parisian architect Victor Louis (1731-1800). In order to pay for the construction, the land located on the southern glacis of the Château Trompette was sold.
It took more than five years to build the Grand Théâtre and, after many vicissitudes, it was inaugurated in 1780 with a performance of Athalie, a play by Jean Racine.
The rectangular-shaped structure opens up onto Place de la Comédie to the west with a peristyle featuring 12 Corinthian columns supporting an entablature and a balustrade decorated with 12 statues (the nine muses and three goddesses). At the beginning, this peristyle was on the same level as Place de la Comédie. However, in the mid-19th century, it was decided to lower the level to make it easier for horse-drawn carriages to cross.
The Grand Théâtre was nevertheless innovative, and Victor Louis imagined a clever oblique arrangement of stones maintained by a metal tie beam at the angles of the peristyle in order to support them. This ingenious combination became known as "Victor Louis's nail". https://www.bordeaux-tourism.co.uk/Discover-Bordeaux/Must-See/Opera-House
The musée du quai Branly - Jacques Chirac is the heir to 200 years of history, enrichment, study and conservation of public collections. It conserves almost 370,000 works originating in Africa, the Near East, Asia, Oceania and the Americas which illustrate the richness and cultural diversity of the non-European civilisations from the Neolithic period (+/-10,000 B.C.) to the 20th century. http://www.quaibranly.fr/en/
The city’s original site, the Castle Hill (Parc De La Colline Du Chateau) once boasted a reputedly impregnable citadel that was entirely dismantled by the soldiers of the French King Louis XIV in 1706.
Truly a maze of greenery that has become popular for its cool undergrowth and surprising waterfall, this wonderful place for strolling offers a wonderful viewpoint over Baie des Anges, Old Nice and the Port (orientation table). Spectacular lighting at night. http://en.nicetourisme.com/nice/92-parc-de-la-colline-du-chateau
Every trip to the capital deserves a visit to the Louvre to discover the wealth of treasures it contains. The museum houses western works of art dating from the Middle Ages to 1848, in addition to collections of ancient oriental, Egyptian, Greek, Etruscan and Roman civilizations, as well as graphic and Islamic arts. From room to room, the former royal palace reveals its masterpieces to the public: the Mona Lisa, The Raft of the Medusa, the Venus de Milo, and The Winged Victory of Samothrace. In total, there are 35,000 works to be discovered or re-discovered! With its eight hundred year old history, the Louvre has been influenced by numerous architectural trends, from the medieval fortress of the 12th century to the glass pyramid by Pei (1989). The latest addition, housing the Islamic arts section, was designed by architects Mario Bellini and Rudy Ricciotti. The undulating glass canopy covers the Visconti courtyard, flooding the 2,800 m² new wing with light. A visit to the museum is particularly pleasant at night: the Louvre is less crowded and visitors can enjoy stunning night-time views of Pei’s glass pyramid, the Cour Carrée and the Seine. https://en.parisinfo.com/paris-museum-monument/71065/Musee-du-Louvre
This defensive tower (beginning of the 14th century) was one of the ancient prisons of Riquewihr, the seat of feudal justice in the era when the town belonged to the Dukes of Wurtemberg. The ‘Thieves’ Tower” interconnects with the ‘Winemaker’s House”, which dates from the 16th century http://www.ribeauville-riquewihr.com/en/visit/museums.htm
An area devoted to exhibiting the work of amateur artists, particularly from Chambéry, of new exhibitors and Chambéry associations. The sale of works on the premises is prohibited. http://www.chambery-tourisme.com/noesit/!/fiche/vaugelas-chapel-104915
The Museum of Modern Art was born from the donation made to the State in 1976 by Pierre and Denise Lévy, Trojan industrialists and great art lovers. http://www.tourisme-troyes.com/decouvrir/les-musees/musee-d-art-moderne-ancien-palais-episcopal-425997
Created in 1897 following the meeting of the collections of the city and the Société dunoise of history and archeology, this museum of France houses eclectic collections: https://www.tourisme-chateaudun.fr/le-musee-p12.html
The Village of Hansi and his Museum is located in front of the famous "Maison des Têtes". Come in and discover the city of Colmar in the lifetime of the famous artist Jean-Jacques Waltz, so called "Hansi". Find out about the fascinating World of Hansi in our Museum on the first floor. Nowadays as a part of the alsatian cultural heritage, his original artworks will allow you to dive into the romantic and fascinating Alsace that he experienced. https://www.tourisme-colmar.com/en/visit/presentation/museums/F235014585_the-hansi-village-and-its-museum-colmar
Imagined by Bernard Tschumi, this building made of Limousin Douglas pine wood and wrapped in polycarbonate fits perfectly, thanks to its transparency, into the surrounding forest. With a welcoming capacity of 6,000 seats, it is dedicated to the great artistic and cultural events of the city. http://www.limoges-tourisme.com/en/What-to-see/Monuments/(fiche)/zenith-191003273-01bec22
Created in 1798, the Grenoble Museum of Art lets you travel through eight uninterrupted centuries of Western art, and includes world-class works for each period. https://www.grenoble-tourisme.com/en/discover/essentials/grenoble-museum-art/
Situated on La Croisette, La Malmaison now hosts three major exhibitions annually. It regularly pays tribute to renowned painters such as Matisse, Ozenfant and Picasso, for whom the French Riviera was an infinite source of inspiration, in addition to internationally renowned 20th- and 21st-century artists such as Miró and César. http://www.cannes-destination.com/Cannes/PCUPACA06V500386/Centre-d%27art-la-Malmaison
The Bobbin Lace Education Centre was set up in 1974. Its two main missions are to pass on the tradition and practice of bobbin lace-making and to preserve the lace heritage.
The earliest records of lace-making in Velay date from the 16th century. The art briefly declined in the 17th century, after the Toulouse Parliament prohibited it. The Jesuit Jean-François Régis helped to revive lace-making and today is the patron saint of lacemakers.
Over time, the Centre has acquired an international reputation. Its correspondence courses are followed all over the world, making it a reference in the field.
A themed exhibition is organised in the exhibition rooms each year. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/centre-denseignement-de-la-dentelle-aux-fuseaux/
The Puy-en-Velay Cathedral, listed as a UNESCO World Heritage Site since 1998, ranks as the 2nd favorite monument of the French in the show presented on France 2 by Stéphane Bern in 2015.
After a first church built in the fifth century, the cathedral was built on Mount Anis. In the twelfth century, the influx of pilgrims led to sit four spans above a vaulted porch, to compensate for the slope of Mount Anis. The entrance was made by a staircase which opened in the middle of the central nave.
In the nineteenth century, the building was considerably transformed, but the six cupolas and beautiful painted decorations were preserved. From 1994 to 1999, an overall restoration allowed the restoration of the central staircase closed in the eighteenth century, the repair of interior facing and the winding of the organ with its double-sided buffet of the seventeenth century.
A new altar was placed at the crossing of the transept, while the altar of the "pilgrims", against the wall, carries the "Black Virgin" who replaced the primitive statue, burned to the Revolution. https://www.lepuyenvelay-tourisme.fr/monuments-puy-en-velay/cathedrale-notre-dame/
Raised over command of Napoleon Ier, the Arch of Triumph dominates the Avenue of the Champs-Elysées. Its construction began in 1806 and ended in 1836, 15 years after the Napoleon's death. It is possible to reach the roof of the monument. The perspective of The Louvre - Concorde Square - Grand Arch of Defense is superb. It's one of the most beautifull panorama of Paris.
The site on which the monument stands is called the Place de l'étoile, because of the multicolored star built into the pavement of the roundabout.
The arch is 50 meters high, 45 meters wide, and 22 meters thick and is decorated with low relieves which evoke the battles of the French first Republic and Empire periods (1789-1815). http://www.paris-paris-paris.com/paris_landmarks/monuments/arc_de_triomphe