Southern Africa

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is a public not-for-profit contemporary art museum that collects, preserves, researches and exhibits 21st-century art from Africa and its diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes; encourages intercultural understanding, and guarantees access for all. The galleries, spread over several floors, are dedicated to a large cutting-edge collection gallery; exhibition galleries; and Centres for Art Education, Curatorial Training, Performative Practice, Photography, and the Moving Image. http://zeitzmocaa.museum/

AFRONOVA GALLERY, based in Africa’s powerhouse, Johannesburg, is the brainchild of the dynamic duo Emilie Demon and Henri Vergon who are developing and consolidating an innovative model of gallery together with some of the most progressive and influential artists in South Africa and the Southern Hemisphere. In recent years, AFRONOVA GALLERY showcased artists from the continent in prestigious international platforms like The Armory Show, Art Paris, 1:54 Contemporary African Art Fair in New York and London. The gallery enjoys collaborations with important institutions like the PAC Milan, Iziko South African National Gallery, The Studio Museum, The Smithsonian Institution, Mass Mocca, as well as foundations like Fondation Louis Vuitton in Paris, Prada Fondazione in Milan, Fondation des Galeries Lafayette in Paris, JP Morgan Chase in New York, La Maison Rouge in Paris. http://www.afronova.com/

Housed in one of the country’s finest monuments, the National Gallery in Bulawayo is a unique facility, which holds invigorating and challenging exhibitions. Douslin House where the Gallery is housed in more than 100 years today. Its architectural splendor makes evident the gallery’s own goal of aesthetic appreciation and artistic aim. As custodians of a growing Zimbabwean heritage, Art Gallery is tasked with the creative and intellectual discipline to select, to nurture and commend outstanding works of visual art, to select and display pivotal works, to generate and improve upon existing talent, to train and develop artistic skills, to educate, to empower, to mediate, and mostly to celebrate. Freed from some of the influences and concerns, which dominate other provinces in Zimbabwe, the unique thrust of the National Gallery in Bulawayo is its desire to dissolve barriers between art and its audience, to establish a consistent dialogue and intimacy. The personality of this gallery is embodied in its transparent windows in the Lower Gallery, which allow passers-by to view current exhibitions while going on about their daily business. http://www.nationalgallerybyo.com/