Museums in Europe in Italy

Known as the Flavian Amphitheatre, the Roman Colosseum is one of the capital's most remarkable monuments. Every year over 6 million people visit it. The Colosseum is the main symbol of Rome. It is an imposing construction that, with almost 2,000 years of history, will bring you back in time to discover the way of life in the Roman Empire. The construction of the Colosseum began in the year 72 under the empire of Vespasian and was finished in the year 80 during the rule of the emperor Titus. After completion, the Colosseum became the greatest Roman amphitheatre, measuring 188 meters in length, 156 meters in width and 57 meters in height. During the Roman Empire and under the motto of "Bread and Circuses" the Roman Colosseum (known then as Flavian Amphitheatre) allowed more than 50,000 people to enjoy its finest spectacles. The exhibitions of exotic animals, executions of prisoners, recreations of battles and gladiator fights kept the Roman people entertained for years. The Colosseum remained active for over 500 years. The last recorded games in history were celebrated in the 6th century. Since the 6th century the Colosseum has suffered lootings, earthquakes and even bombings during World War Two. Demonstrating a great survival instinct, the Colosseum was used for decades as a storehouse, church, cemetery and even a castle for nobility. At present the Colosseum is, along with the Vatican City, Rome's greatest tourist attraction. Each year 6 million tourists visit it. On 7 July 2007 the Colosseum became one of the Seven Wonders of the Modern World. https://www.rome.net/colosseum

The Pantheon, completed in 126 AD, was a Roman temple with a surprising oculus that is the building's main source of natural light. The Pantheon of Agrippa, also known as the Roman Pantheon, is one of the architectural masterpieces of the Italian capital. It is the best preserved building from ancient Rome. The construction of the current Pantheon was carried out during the reign of Hadrian, in the year 126 A.D. The name of Agrippa comes from the place in which the current building is built, which was previously occupied by the Pantheon of Agrippa, built in the year 27 B.C and that was destroyed in a fire in the year 80 A.D. At the beginning of the 7th century the building was donated to the Pope Boniface IV, who transformed it into a church, in which function it currently finds itself in a perfect state of preservation. In the interior of the Pantheon the tombs of numerous Italian kings and a multitude of art works are found. The best-known person who can be found buried in the Pantheon is without doubt the painter and Renaissance architect Raphael. The outskirts of the Pantheon are usually full of people at all hours, either photographing the imposing building or having a traditional supper in some of the terraces of the Piazza della Rotonda while they enjoy the shows put on by different street artists. https://www.rome.net/pantheon

The first nucleus, a collection of ancient sculptures, was constituted by Julius II (1503-13) but the idea of ​​the museum was born with Clement XIII (1758-69), who with the assistance of Winckelmann had the Museo Profano exhibiting set up Greek and Roman sculptures. With Clement XIV (1769-74) and Pius VI (1775-99) the Museo Pio Clementino was born, which brings together the most famous examples of ancient sculpture such as the Apollo del Belvedere, the Laooconte group and the Torso del Belvedere, while in 1807 -10, under Pius VII, the Chiaramonti Museum is set up by Canova, which houses Roman sculptures. In 1822 the Braccio Nuovo is opened with over 150 sculptures including statues such as the wounded Amazon, the Doryphoros, the enormous statue of the Nile, the Augustus of Prima Porta. With Gregory XVI the Gregorian Etruscan Museum was opened in 1837 , with finds coming mostly from the nineteenth-century excavations carried out in southern Etruria, and in 1839 the Egyptian Gregorian collecting a series of statues depicting deities or characters of the royal family, sarcophagi, mummies and elements of funerary furniture. In 1844 he opened the Lateran Profane Museum (today Gregoriano Profano) and later the Pio Cristiano which collected materials from excavations in the Roman catacombs including numerous sarcophagi. https://www.turismoroma.it/it/node/121

The Roman Forum was where religious and public life in ancient Rome took place. The Forum is, along with the Colosseum, the greatest sign of the splendour of the Roman Empire that can be seen today. After the fall of the Empire, the Roman Forum was forgotten and little by little it was buried under the earth. Although in the 16th century the existence and location of the Forum was already known, it was not until the 20th century that excavations were carried out. Interestingly, the place where the Forum was built was originally a marshy area. In the 6th century B.C. the area was drained by means of the Cloaca Maxima, one of the first sewer systems in the world. https://www.rome.net/roman-forum

The Catacombs of Rome are former underground burial grounds that date from the second to the fifth century and were principally used by Christians and Jews. The catacombs possess a huge number of subterranean passageways that form real labyrinths that are several kilometres long, along which rows of rectangular niches were dug out. Roman law at the time prohibited the burial of the deceased in the interior of the city, for which reason all of the catacombs were located outside of the walls. These separated and hidden places below ground constituted the perfect refuge in which the Christians could bury their own, freely using Christian symbols. The catacombs of Rome offer a very special visit in which the funeral remains of those buried many centuries ago can be seen. It is fascinating to travel through the dark and damp passageways, where you can see, in addition to the niches, some inscriptions with the names of the people that once occupied them. Due to the high infant mortality at that time, you can see a large quantity of spaces prepared for these children, alongside some larger graves in which the whole family was buried. During the visit, a guide who is specialized in the topic gives the visitors several interesting facts relating to the catacombs and the period in which they were operating. https://www.rome.net/catacombs-rome

Located 40 meters above the Roman Forum, the Palatine Hill is the most central of the seven hills of Rome and forms one of the oldest parts of the city. The Palatine Hill is considered to be the birthplace of the Italian capital and is believed to have been inhabited since the year 1000 B.C. During the Republican Period Roman citizens belonging to the upper class settled in the Palatine Hill and built sumptuous palaces, of which important traces are still preserved. n the Palatine Hill you can see hundreds of ruins of the imposing buildings that were created for high Roman society in ancient times. Although the whole scene is impressive, these are some of the points that deserve special attention: Domus Flavia, House of Livia, House of Augustus, Farnese Gardens, Hippodrome of Domitian and Palatine museum. The Palatine Hill is a very pleasant place for a quiet stroll under the shadow of the trees while passing many of the preserved corners of ancient Rome. https://www.rome.net/palatine-hill

Situated on Via dei Fori Imperiali, Trajan's Market is an archaeological complex that currently holds the Museum of Imperial Forums (Museo dei Fori Imperiali). It is considered to be Rome’s first “shopping center”. The complex, made of red brick and concrete, had six levels in which there was once up to 150 different shops and apartments. When you visit the Imperial Forum Museum, you can stroll through Mercati di Traiano's various levels, as well as admiring several exhibitions that show the Imperial Forums' different aspects. The exhibitions are comprised of models and videos that accompany the various remains that are left from the Imperial Forums to try to transport visitors to classical Roman times. Although it does not enjoy as much fame as the Colosseum, Trajan's Market maintains an important part of its original appearance and offers a really interesting visit. https://www.rome.net/trajans-market

Known as Hadrian's Tomb, the Castel Sant'Angelo is a fortress located on the right bank of the Tiber, a short distance from the Vatican City. Construction of the building began in the year 135 under the direction of the Emperor Hadrian, who intended to use it as mausoleum for himself and his family. It was finished in the year 139 and a short time later, it became a military building, which in the year 403 would be integrated to the Aurelian Walls. The Castel Sant'Angelo is split into five floors which can be reached by a spiral ramp that first reaches the chamber of ashes and subsequently the cells in which a number of historical figures were incarcerated. Advancing toward the upper part of the castle you will find different rooms that functioned as a Papal residence, decorated with perfectly preserved frescoes from the Renaissance period, besides the extensive collection of weapons. In the upper floor there is a large terrace where you can take amazing photographs of the city from above. Advancing toward the upper part of the castle you will find different rooms that functioned as a Papal residence, decorated with perfectly preserved frescoes from the Renaissance period, besides the extensive collection of weapons. In the upper floor there is a large terrace where you can take amazing photographs of the city from above. https://www.rome.net/castel-sant-angelo

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

It seems that in the first half of the 15th century the Visconti stayed "in the countryside", a step away from the current Marche metro stop in Milan, in Villa Mirabello. At the time, however, the building we are talking about was called Cascina Mirabello, and it can be found in the documents of 1468 that recognized it as the property of this Pigello Portinari. The Florentine nobleman dear to Prince Sforza, general manager of the annuities of the Milanese duchy and representative of the Florentine House of the Medici in Milan, was also the promoter of the construction of the Portinari Chapel in Sant'Eustorgio. Towards the end of the 15th century, the villa changed hands, becoming the property of the noble Landriani. Antonio Landriani, awarded by Francesco Sforza as mayor of Milan in 1456, then appointed prefect of the ducal treasury by Galeazzo Maria Sforza, later president of the Mint of Milan by the appointment of Gian Galeazzo Sforza, then became a trusted man and adviser politician of Ludovico il Moro. Ludovico himself was a guest of the Landriani in Villa Mirabello on February 4, 1500. A few years later the villa became one of the houses of the order of the Humiliati, of which Gerolamo Landriani was general. The Landriani family remained the owner of Villa Mirabello for some tens of years, enough to leave traces still visible today in the form of coats of arms that stand out on the fireplace of the main hall and on the ceilings, together with the motto "always el duty ”frescoed on the walls of the villa next to pomegranate figures and blue crosses. It seems that the villa then passed from Landriani to Marino, a rich family of Genoese origin whose member Tommaso entrusted Galeazzo Alessi with nothing less than the construction of Palazzo Marino in Piazza Della Scala. The history of the villa, in the following years, is rather confused, but it is known that it later became the property of the Serbelloni family and that, starting from the mid-1500s, it faced a sad decline: the building was reduced exclusively to uses agricultural and over the next three centuries it became increasingly dilapidated, until Luca Beltrami, in 1891, considered it by re-evaluating it as an illustrious example of Lombard architectural art. https://www.fondazionevillamirabello.it/

The Sansevero Chapel Museum in the historic heart of Naples is a jewel of the world’s artistic heritage. Here, baroque creativity, dynastic pride, beauty and mystery blend to create a unique and almost timeless atmosphere. With its masterpieces such as the famous Veiled Christ, renowned world over for the remarkable tissue-like quality of the marble, feats of virtuosity such as Disillusion, and enigmatic creations such as the Anatomical Machines, the Sansevero Chapel is one of the most impressive monuments that the human mind has ever conceived. A noble mausoleum, a temple of initiation, which admirably reflects the multi-faceted personality of its ingenious architect, Raimondo di Sangro, seventh Prince of Sansevero. https://www.museosansevero.it/the-sansevero-chapel/?lang=en

Ercolano, known to many as Herculaneum, is just a few miles from Pompeii and 150 miles south of Rome, close to Naples. In many respects Ercolano is a smaller version of Pompeii, both are buried Roman cities that have been remarkably preserved when excavated. A lot of people prefer Ercolano to Pompeii as it is a much more compact size and has significantly less visitors. Both sites are managed by the same people and it is easy to visit both in one day using a combined ticket and the local train which connects both. Both sites are managed by the same people and it is easy to visit both in one day using a combined ticket and the local train which connects both. https://www.rometoolkit.com/whattodo/pompeii_ercolano.html

In 1738 Charles of Bourbon decided to transform his hunting lodge located in the wood of “Capodimonte” in a Royal Palace – Museum in order to host the Farnese Collection received from his mother. http://www.visitnaples.eu/en/diario-di-viaggio/discover-naples/top-10-things-to-do-naples/

Originally the museum was an horse riding school, then the location of the University. The Archeological Museum was inaugurated in 1816 and nowadays it’s one of the most important museums of the world because of the quality and quantity of works exposed. http://www.visitnaples.eu/en/diario-di-viaggio/discover-naples/top-10-things-to-do-naples/

Pompeii was probably founded by the Oscans around the 8th century BC. This ancient Italic people settled on the southern slopes of Mount Vesuvius along the banks of the Sarno River, which was navigable at the time. Pompeii became an important commercial center early on, catching the interest of the invading Greeks and Etruscans. The Etruscans were conquered on the waters off Cuma, and the city came under domination by the Samnites in the 5th century BC http://pompeiisites.org/en/

Near the Gesú Nuovo church, there is the monumental complex of Santa Chiara, one of the most important buildings commissioned by the French Kingdom of Anjou for the Franciscan order. Built in 1340, it is a rare example of Medieval architecture in Napoli. The convent was to accommodate both monks and nuns in two separate buildings but at the same time depending on the same church. The church was then built in a simple Gothic style, with the typical Neapolitan yellow tufa. Unfortunately, the church has been reconstructed changing the original features into the Baroque style with marbles, polychrome stuccos and exorbitant decorative elements by Domenico Antonio Vaccaro between 1742 and 1769. Sadly, in 1943 the church was partially bombed during the second world war. It was decided that it would be rebuilt in its original Gothic style. It was reopened in 1953. Most of the antiques sculptures have returned to their original location, including the splendid tombs of the member of the Anjou family, like the monumental tomb of Robert of Anjou dated 1343, the tomb of Mary Valois, second wife of Robert, and his son's tomb. A small part of a fresco still remains from the medieval decoration attributed to Giotto (who stayed in Napoli between 1328 and 1333) and his workshop. The fine cloister outside the church is richly decorated with majolica tiles and it is a pure gem of the eighteenth century, designed by Domenico Antionio Vaccaro. He left the original medieval plan of the cloister but redesigning parts of it, adding two wide paths in the middle, the fine majolica decorations on the pillars with motif of vine shoots and wisteria twisting up, flowers, lemons while the seats are decorated with scenes of the city and country life in the eighteenth century. http://www.girlfromnaples.com/santa-chiara-church-and-cloister/

Like a very precious treasure chest, the Uffizi Gallery will grant itself to visitors just a little bit at a time: from the initial uncertainty on where to get tickets, getting through lines to get inside and at the metal detector, then taking two flights of Renaissance-era stairs before you arrive at the actual entrance to the museum. https://www.visitflorence.com/florence-museums/uffizi-gallery.html

This enormous palace is one of Florence's largest architectural monuments. The original palazzo was built for the Pitti family in 1457, designed by Filippo Brunelleschi and built by his pupil Luca Fancelli. The original construction consisted of only the middle cube of the present building. In 1549, the property was sold to the Medicis and became the primary residence of the grand ducal family. The palace was then enlarged and altered; from 1560, Bartolomeo Ammannati designed and added the grandiose courtyard and two lateral wings. Today, the Pitti Palace houses some of the most important museums in Florence: on the first floor is the Palatine Gallery, containing a broad collection 16th and 17th century paintings (including works by Raphael), and the Royal Apartments, containing furnishings from a remodeling done in the 19th century. On the ground floor and mezzanine is the Treasury of the Grand Dukes (formerly known as the the Silver Museum or Museo degli Argenti) displaying a vast collection of Medici household treasures, from table silverware to precious stone vases, rock crystals and precious jewelry. The Gallery of Modern Art is on the top floor, holding a collection of mostly Tuscan 19th and 20th century paintings. https://www.visitflorence.com/florence-museums/pitti-palace.html

Palazzo Vecchio offers Roman ruins, a Medieval fortress and amazing Renaissance chambers and paintings. A microcosm where art and history have been indissolubly bound for centuries. Palazzo Vecchio is the main symbol of civil power for the city of Florence, whose original project is attributed to Arnolfo di Cambio. Construction on the solid fortress began in 1299 above the ruins of the destroyed Uberti Ghibelline towers, testimony of the final victory of the Guelph faction. The entire construction also rests on top of the ancient theater of the Roman colony of Florentia (dating back to the first century A.D.), whose ruins can be admired in the underground level. This area can be visited with a separate ticket or a combination ticket which includes the Palazzo Vecchio Museum and the Archaeological site. The area is suggestive organized with information and an interesting film to help you understand exactly what you are looking at underground. https://www.visitflorence.com/florence-monuments/palazzo-vecchio.html

Visiting the Galleria dell’Accademia, you're most likely target are the magnificent giant marble sculptures created by Michelangelo, and above all, the glorious David. If you explore the museum with a bit more time, the Accademia will offer you much more in the less crowded halls, satisfying any curiosity for botany, music, art symbols and painting techniques. The Accademia welcomes the visitor in the Hall of the Colossus, name taken from the huge models of the Dioscuri of Montecavallo which were displayed in this large hall in the 19th century. It now hosts in the center the plaster model for the stunning marble sculpture of Giambologna’s Rape of the Sabine Women. Giambologna prepared the model as an exercise in creating a tightly-knit group of three figures from just one large block of marble. He did not actually name the sculpture, it was meant to be as a “simple” exercise of skill and it became the first example of such magnificent talent. https://www.visitflorence.com/florence-museums/accademia-gallery.html

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

The Accademia Museum (Gallerie dell'Accademia) is part of a complex including the church of Santa Maria della Carità, the homonymous Scuola Grande (the original entrance is now the main access to the museum) and the Monastery of the Canonici Lateranensi (the complex was in use until the beginning of the XIX century). The gallery take its name from the Accademia delle Belle Arti (Art Accademy) who opened the building and shared the sites until few years ago (2004). The operas preserved inside the Gallery are many and of inestimable value. Most of the painting comes from a period between the XIV and the XVIII century, the most important authors are Carpaccio, Bellini, Tintoretto, Tiziano. Also many sculptures and drawing can be admired, amongst them the vitruvian man by Leonardo da Vinci, exposed only few periods. Initially the museum was operating as didactic and restoration of art operas centre. http://venice-tourism.com/en/places/dorsoduro-district/accademia-gallery-museum

The Correr Museum offers a real opportunity to know the Art and History of Venice. In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, "Procuratie Nuove", which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. In these spacious rooms, currently there are collections that document various aspects of the city's history, such as public institutions, daily life, naval achievements and local festivals. On the second floor is the exhibition of the Art Collection covering the period from the beginning of Venetian painting to the 16th century; also here we can find other incomparable masterpieces. https://www.venice-museum.com/correr-museum-piazza-san-marco.php

As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area. https://www.discovertuscany.com/pisa/certosa-di-calci.html

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

Built in the 11th century with support from the Rufolo family, the Duomo is a combination of Baroque and Romanesque styles. Dedicated to St. Pantaleone, the church has undergone extensive modifications and restorations over the past 900 years. The Duomo’s shining white façade dates back to the last major restoration in 1931. The Duomo’s bell tower, which dates back to the 13th century, shows Moorish and Byzantine influence. Today, the Duomo is primarily remembered for five attractions: The first is the bronze door, which was temporarily removed for restoration in 2010. Constructed in 1179 by Barisano da Trani, the door is of special interest because fewer than two dozen bronze church doors are still extant in Italy, three of them by Trani. The second item of special note is the pulpit, which is supported by six spiraled columns sitting atop marble lions. Across from the pulpit, to the left, is the Ambo of the Epistles that boasts two wonderful mosaics of Jonah and the Whale. The fourth area of special interest is the Chapel of St. Pantaleone the Healer, a 3rd century physician who was beheaded, on orders of the Emperor Diocletian, after he converted to Christianity. The Chapel has a small ampoule of the saint’s blood, which is said to liquefy every year on July 27th, the anniversary of his martyrdom. The chapel also has a silver bust of the town’s venerated saint. The final attraction is the cathedral's museum, which is accessible through a side entrance on the Via Richard Wagner. https://www.ravello.com/attractions/duomo/

Among the first towns where it was discovered in the twelfth and thirteenth centuries the existence of the paper, if you want to take for granted the information contained in notarial deeds discussing of the existence of paper products, while not specifying whether these were imported from other places and traded in the above-mentioned places, there were the territories of the Maritime Republics: Amalfi, Pisa, Genoa and Venice who had warehouses both in Syria, both on the coast of Palestine, where they were precisely located the major centres for the production of paper. These republics also had intense trade relations with the East and they could learn from the Eastern art of making paper without too much difficulty, or it is possible that on board the galleys, which in medieval times shuttled between our coasts and the Holy Land to transport crusaders and merchandises, they are embarked "Magisters in art cartarum" which as skilled labour have introduced this type of work. Amalfi is the oldest of the Maritime Republics, as early as the ninth century had its warehouses in Palermo and Messina and Syracuse, where the Amalfitana is still present in local place names. Age-old remains the question on the primacy of paper in Italy and then in Europe and in contention are mainly Amalfi and Fabriano. https://www.livesalerno.com/paper-museum

The Museum of Antiquities consists of several sections: the New Channel, with the Archeology exhibition in Turin and the Marengo Treasure Halls; the Territory, dedicated to the archeology of Piedmont and the "Exhibitions on the catwalk"; the Collections, the "historical" nucleus of the Museum and location of the setting up of the Papyrus of Artemidorus. The underground floor of the Manica Nuova of Palazzo Reale has been the venue since 2013 for the renewed display of the Marengo Treasury and the Archeology exhibition in Turin which presents the city's archaeological materials, originating from the collections of the sixteenth-century scholars, increased by the antiquaries of the following centuries and merged into the royal collections, together with the new acquisitions resulting from recent archaeological excavations. The section connects with the archaeological area of ​​the Roman theater which partially contains and overlooks it. http://www.museireali.beniculturali.it/index.php/it/il-complesso/museo-archeologico

In 1563, with the transfer of the ducat's capital from Chambéry to Turin, Emanuele Filiberto of Savoy established his residence in the palace of the bishop at the Duomo; already in 1584, Carlo Emanuele I entrusted the architect Ascanio Vittozzi with the construction of a new factory. After 1643, with the regency of Maria Cristina of France, the direction of the work passed to Carlo di Castellamonte and then to Carlo Morello. http://www.museireali.beniculturali.it/index.php/it/il-complesso/palazzo-reale

On display in Palazzo Rosso, a noble residence decorated with valuable furnishings and frescoes by Liguria's greatest painters of the 17th Century, is a rich gallery of paintings, collected over more than two centuries by the noble Brignole-Sale family. http://www.visitgenoa.it/en/strada-nuova-museums-palazzo-rosso

The Parks of Nervi are an important historical/nature complex formed from the combination of several gardens that once belonged to private villas: Villa Gropallo, Villa Saluzzo Serra, and Villa Grimaldi Fassio. Today, these villas belong to the City of Genoa and have been transformed into museums. http://www.visitgenoa.it/en/parchi-di-nervi-gropallo-serra-grimaldi-and-luxoro-villas