Museums, Belgrade

The Water Tower is a building in the city of Arad, which resembles a medieval fortress donjon. The Water Tower has 35 m height and was opened in 1896. At the time of construction, it was the tallest building in the city. It is a massive stone and brick building, which is characterized by the decoration of balconies and windows. On the top floor, there is a water tank with a capacity of 400 tons, which you can get using the scale. http://www.uvisitromania.com/tourist-attractions/arad/water-tower-id546

The Fortress of Arad is a solid fortification system which was built in the 18th century at the orders of, and with the funding from, the Habsburg Empress, Maria Theresa. The cost to complete and erect the fortress reached 3 million Gulden (the currency used by the Habsburg Monarchy at the time). The fortress was built as an inner fortification system to protect the outer region of the Habsburg empire from conflicts in the area. The main conflicts at the time were the ongoing wars between the Habsburgs and the Turkish Ottomans. The location for the fortress was chosen strategically to be at the crossroads of two very important trade routes of the day. It lies in the middle of the trade routes that led from the West to the Transylvania Region, and from the North, Oradea, and Satu Mare, to Timisoara, and down to the Danube waterway. http://roamingromania.com/fortress-of-arad/

The National Museum of BiH was founded on February 1, 1888 and was first housed in a building next to the Sarajevo Cathedral. Construction of the facility in Marijin Dvor, the museum’s current home, got underway in 1909 and was completed in 1913 and designed by Karl Paržik. The museum allows visitors to take “a short walk” through BiH’s past, from earliest times all the way to the ethnology exhibit, whose interior captures the atmosphere of a traditional city house during the Ottoman period. The most valuable item in the museum’s collection is the famous Sarajevo Haggadah, which the Sephardic Jews brought to Sarajevo when they left Spain. There is also the rich collection in the natural history section which covers both living and non-living worlds, including a skeleton of a bearded vulture, a bird with a giant wingspan which used to fly in the skies above BiH not that long ago. https://sarajevo.travel/en/things-to-do/national-museum-of-bih/237

The Art Museum of Craiova is located in Jean Mihail palace – built in late XIX century https://romaniadacia.wordpress.com/2013/08/13/art-museum-in-craiova-jean-mihail-palace/

THE STATE THEATRE dominates Ferdinand Square with its imposing features. Situated in the center of a true architectural museum, this building in eclectic style imposes with exceptional craftsmanship. The construction, so avidly desired by the municipality of the age, was entrusted to renowned Viennese construction firm Fellner and Helmer. http://oradea.travel/en/?p=1873&nggpage=2

The Museum of Modern Art Dubrovnik was founded in 1945. The building now occupied by the Museum of Modern Art Dubrovnik was originally conceived and built (1935 – ­1939) as the showcase residential mansion of Dubrovnik ship owner Božo Banac, and in 1948 it was converted into exhibition premises and museum. It was designed by the well­known Croatian architects Lavoslav Horvat and Harold Bilinić in the neo­Renaissance­cum­Gothic style, along the lines of masterpieces of Dubrovnik urban and villa Renaissance architecture (the Rector’s Palace, the Divona/Sponza, the Sorkočević Villa and so on). Through the conversion works, nine exhibition rooms were created, along with two storerooms and some smaller working areas. Together with the large terraces looking on to the sea and its garden, the Museum has 900 square metres of indoor and over 1100 square metres of outdoor exhibition space. https://www.godubrovnik.guide/dubrovnikthingstodo/museum-modern-art/

In 1872, the Patriotic Museum was founded in Dubrovnik; in the middle of 1873, the first museum display was made in the commune building. Among the exhibits, which were mainly from the period of the Dubrovnik Republic, the archaeological objects nevertheless stood out, for example, an Egyptian mummy, Greek vases and ancient amphorae. The donors were collectors, leading members of patrician families, sailors and Dubrovnik people living elsewhere. Foremost among them were the great benefactors and donors the Amerling brothers, who had been passionate advocates of the museum’s founding; they gave most of the Egyptian, Oriental and Japanese objects, birds, minerals and rarities of all kinds. In 1882, Arthur Evans, world-renowned archaeologist and initiator of archaeological research in the Dubrovnik area, gifted to the museum three Roman funerary inscriptions from Cavtat, the first entries into the book of donated and purchased objects. At the time the science of archaeology was being founded in Croatia in the early 20th century, lovers of antiquities gathered around the Dubrovnik branch of the Croatian Antiquarian Society in Knin and the Braće Hrvatskog Zmaja started to investigate the ruined Church of St Stephen, and after that it served as a temporary lapidarium for pre-Romanesque sculpture. https://www.godubrovnik.guide/dubrovnikthingstodo/archaeological-museum/

The Old Synagogue in Dubrovnik, Croatia is the oldest Sefardic synagogue still in use today in the world and the second oldest synagogue in Europe. It is said to have been established in 1352 but gained legal status in the city in 1408. Owned by the local Jewish community, the main floor still functions as a place of worship for Holy days and special occasions, but is now mainly a city museum which hosts numerous Jewish ritual items and centuries­old artefacts. Located in one of the many tiny streets of the Old Town of Dubrovnik, it is connected to a neighbouring building which has long been owned by the Tolentino family, who have been caretakers of the synagogue for centuries.[2] The internal layout is different from other European synagogues and has gone numerous refurbishments throughout the centuries, and has a mixture of designs from different eras. The building has sustained damage several times, with the great earthquake in 1667, World War II, and the Croatian War of Independence in the 1990s. The damage has since been repaired as closely as possible to its original design, and the synagogue reopened in 1997. The small museum contains many artifacts from throughout the Jewish community’s history in the city. https://www.godubrovnik.guide/dubrovnikthingstodo/jewish-synagogue/

The Maritime Museum was founded in 1949 at the initiative of the Yugoslav (today the Croatian) Academy of Sciences and Arts; since 1987 it was been a part of the Dubrovnik Museums. The main part of the holdings arose from numerous donations of Dubrovnik citizens to the Patriotic Museum in the first half of the 20th century and objects from the exhibition Dubrovnik Seafaring through the Ages, which was put on in 1941. Since 1952, the museum has been located on the first and second floors of Fort St John (sv. Ivan). In the past the fort guarded the entrance into the city port, and was one of the most important points of the city's defences. The construction works started in 1346, today's appearance being completed at the end of the 16th century. In the 19th century it was rebuilt into two floors, and at the places where there had been artillery embrasures, windows were installed. The museum systematically collects, studies, exhibits and publishes the museum material from the maritime past of the Dubrovnik region, all the way since Antiquity. Today it has holdings of over five thousand objects classified into fifteen collections. http://www.tzdubrovnik.hr/lang/en/get/muzeji/5591/maritime_museum.html

The origins of the Museum go back to 1872, when the Patriotic Museum was founded, for in its holdings it had a smallish collection of artworks of a cultural history character. More systematic collection of material began after World War II, thanks to the urging of the curator and first manager of the cultural history department, Dr Božo Glavić, to whom goes the credit for moving the collection into the Rector’s Palace and setting up the first in situ display, opened to the public in 1950. During the course of time, the collection turned into first a distinct department of the Dubrovnik Museum, and then into the Cultural History Museum, a component of Dubrovnik Museums. The holdings of the museum consist of material of distinctly cultural, historical and artistic value, with about ten thousand objects created over a time span from the end of the 15th to the beginning of the 20th century. It has been systematised into fifteen collections featuring painting, printmaking, furniture, textiles, ceramics, metals, icons, glass, photographs and photographic materials, miscellanea, documents, postcards, the writer Ivo Vojnović, old weaponry and numismatics. https://www.godubrovnik.guide/dubrovnikthingstodo/cultural-history-museum/

The Rector’s Palace (Croatian: Knežev dvor) is a palace in the city of Dubrovnik that used to serve as the seat of the Rector of the Republic of Ragusa between the 14th century and 1808. It was also the seat of the Minor Council and the state administration. Furthermore, it housed an armoury, the powder magazine, the watch house and a prison. The rector’s palace was built in the Gothic style, but it also has Renaissance and Baroque elements, harmoniously combining these elements. Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master-builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans went too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat (by Pietro Giacometti of Recanati), a rich shipowner from Lopud, who had bequeathed his wealth to Dubrovnik. https://www.godubrovnik.guide/dubrovnikthingstodo/rectors-palace/

The Ethnographic Museum has its origins in the collection of traditional culture that began to be formed in the first decades of the twentieth century. Its holdings were very much enlarged with specimens of traditional attire and lace donated several times by that great benefactor of the museum, Jelka Miš (1875 -1956). In the course of time, the collection grew into the ethnological department of Dubrovnik Museum, and in 1950 opened its first display of original ethnographic folk handicrafts from the local area on the second floor of Fort St John. At the end of the eighties, the ethnographic department was relocated to the building of the Dubrovnik Republic’s granary, popularly known as Rupe/The Holes, which derives from the name for the underground grain storage areas carved out of bedrock or tufa. https://www.godubrovnik.guide/dubrovnikthingstodo/ethnographic-museum/

The ASTRA Museum of Folkloric Traditional Civilization is situated in the Dumbrava Forest, at a distance of 4 kilometers from the city. The museum functions since 1963 under the name of the Museum of Folkloric Technique and stretches over 96 hectares and an exhibition circuit of 10 kilometers in length http://www.turism.sibiu.ro/index.php/en/muzeu/147

Proudly bearing its title of UNESCO World Heritage Site, Hortobágy National Park is the perfect archetype of pristine natural landscapes. This is the place where everyone longs to find refuge from the monotony of modern human existence. The feeling of unfettered freedom, encapsulated in the spectacle of the endless horizon, mirages, grazing herds of cattle and horses, and sweep-pole wells, will capture your imagination and soul during a horse-and-carriage ride or “puszta” safari. A picturesque trip to the fishponds on the small narrow-gauge train, combined with some birdwatching, will serve unique experiences to both young and older adventurers. Here the breeze wafts the scent of fragrant chamomile, mint, and artemisia from wild fields, gently touching your nose just like the waves of the ocean rhythmically splashing on the shore. It is a place where you will reinterpret the meaning of silence. It is a place where you might even reach celestial bodies during the special night treks in Starry Sky Park. In Hungary’s oldest and largest national park, awarded the European Destinations of Excellence (EDEN) prize, hundred-year-old herdsman’s traditions are still part of people’s means of subsistence and not mere promotional gimmicks. https://visitdebrecen.com/see-do/hortobagy/

The Déri Museum is most famous for being the home of the greatest works of one of Hungary’s most famous and celebrated artists, Mihály Munkácsy, as well as the huge collection of other items, brought together by Frigyes Déri. Munkácsy’s awe-inspiring Christ Trilogy is housed here, the first of the trilogy, entitled front of Pilate was painted in 1882, followed by Golgotha in 1884. The trilogy was completed with Ecce Homo in 1896. In addition to its exhibits of local cultural interest, the Déri Museum has become renowned for Frigyes Déri’s collection of weapons. The weapons collection is particularly fine, comprising of three parts. Weapons from Christian Europe, from the 15-18th. The second part is comprised of classic Muslim weapons from the territory of the Ottoman Empire and Persia. The third part, although the smallest is the finest part, is the weapons collection from the Far East. The Japanese collection is of commonly used items made in the Edo era and is undoubtedly the best in Hungary. https://visitdebrecen.com/see-do/deri-museum/

Having functioned continuously as an educational institution since its establishment in 1538, the college is the cradle of Hungarian civilization. Designated as a national monument in 2013, it also features a museum that has permanent exhibits displaying the school’s history, student life, and the religious art of the Reformed Church in the Trans-Tisza Region. Your visit here will help you understand why Debrecen became the most important bastion of the Reformed faith in Hungary. Bedecked with majestic murals, the building’s stairwell leads to the entrance of the gigantic library storing more than 600,000 volumes, the Csokonai Room and the Oratory that housed Hungary’s National Assembly in 1849. https://www.debrecen.hu/en/tourist/places/debrecen-reformed-college

The main façade of the Fisherman’s Bastion, running parallel to the Danube, is approximately 140 metres long. The seven stone towers with their pointed tops symbolise the leaders of the Hungarian tribes who conquered the country in 896. It was built in place of the old fortification walls in neo-Romanesque style between 1895 and 1902 on the plans of Frigyes Schulek, who was also in charge of the reconstruction of the Mathias Church. The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. https://www.budapest.com/city_guide/sights/monuments_of_art/fishermens_bastion.en.html

The Parliament building, a magnificent example of Neo-Gothic architecture (although displaying Renaissance and Baroque characters too), is just over 100 years old. In the 1880's an open tender was held for the design of the Parliament building. Guided tours of the Parliament are available when the National Assembly is not in session. The tour takes about 45 minutes, and is well worth the price, as it covers the main entrance stairs and hall, one of the lobbies, the old House of Lords and the Hungarian Crown Jewels. http://visitbudapest.travel/guide/budapest-attractions/budapest-parliament/

The desire to pay respect to one the most famous person and Nobel Prize winner from Macedonia was accomplished on the 30-th of January 2009 with the opening of the Memorial house dedicated to Mother Teresa. The Memorial house of Mother Teresa is a non-profit organization financed by the Government of the Republic of Macedonia. The Location of the museum is not randomly chosen. That is to say, on this exact place the old Catholic Church “Sacred heart of Jesus” used to stand. It is where Mother Teresa, then Gonxha Bojaxhiu was baptized just one day after her birth, on the 27th of August 1910, place where she received her first communion and where she finds her inner peace after her father’s death. This place had great importance and influence on developing the character of young Gonxha and to her desire to help the poor people. Since she was a child she sang in the Catholic Church choir and participated in charity organizations. Somehow the location itself represents a symbolic bridge that connects little Gonxha to one of the greatest humanitarian of the world, Mother Teresa. http://exploringmacedonia.com/memorial-house-of-mother-teresa.nspx

The National Ethnographic Vuia, established in 1929, bears the name of its founder and first museum manager, Professor Romulus Vuia. The exhibited pieces are in fact old traditional buildings, grouped according to their regional establishments, folk architecture monuments, folk installations, craftsman workshops, wells, gateways, big wooden crosses and indoor textiles. Interesting facts: •The Ethnographic Museum is the oldest from Romania; •The oldest exhibit pieces date back from 1678; •The church from Cizer-Salaj, at the construction of which contributed Nicola Ursu (Horea), just before the 1784 uprising, is one of the most beautiful wooden churches in Transylvania; weddings are still being officiated in this architectural monument; •It hosts annual fairs and traditional cultural manifestations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-romulus-vuia-national-ethnographic-park.html

Founded in 1922 by professor Romulus Voia, the Ethnographic Museum of Transylvania entered the elite of the Romanian ethnographic museums, due to the exceptional quality of its patrimony. It is currently composed of over 41.000 traditional peasant objects from 17th-20th centuries and a documentary fund of over 80.000 items. The museum has two sections: the Pavilion Section and „Romulus Vuia” ethnographic Park (the open-air section). The Pavilion Section functions in „Reduta” Palace – a historical monument that dates since the 16th century. The current pavilion exhibition, vernished on 16th of December and called „Traditional folk culture from Transylvania in the 18th-20th centuries”, rebuilds, with talent, the way in which the Transylvanian peasantry lived two centuries ago. As testimonies remained simple tools or ingenious equipment used in domestic activities, culminating with rich folk suits, which showed not only the stage of the life but also the social position of the one who wore them. There are also presented traditional costumes of the life cycle, the calendar ones and the peasant costumes, with an essential role in highlighting the regional and ethnic identity. Curiosities: With a history of more than 80 years, the museum is the greatest of this kind in Romania and among the most prestigious in Europe (the sixth). The museum functions in „Reduta” building, which housed during 1848-1865 the Transylvanian Diet. The famous trial of the authors of the Transylvanian Memorandum took place in this building in 1894-1895. It has 50.000 photos, 5.000 diapositives, 12.000 specialised magazines. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-ethnographic-museum-of-transylvania.html

The Matthias Corvinus House (or Mehffy House) is a stylish building in gothic style from the 15th century (today, Art and Design University of Cluj Napoca). In this house, which was the city’s inn in past, was born on 23rd of February 1443 Matia Corvin, the son of the vaivode of Transylvania, John Hunyadi (Ioan de Hunedoara). Matia Corvin was the greatest king of Hungary (1458-1490), he was learned, patron of arts, wise and just, being mentioned in songs and legends even today. In 1467, he acquited the owners of the house in which he was born from paying taxes and fees to the city. This privilege was enforced by the next kings and princes. The house served as different institutions. It was a college but was also home for the ethnographic collections of the Transylvanian Carpathian Society. Over time, the building has suffered various changes, adapted to the new architectural styles. The basement and some platband of windows and doors that have lintels in the oblique section are characteristic of the gothic style. During the first half of the 16th century appeared the first elements of the Renaissance: some platbands from Renaissance on the facade, with denticles, together with gothic elements, as well as the portal in a broken arch. The original arches were chiefly replaced. During the 18th century, the building was made a hospital and the yard had suffered a few baroque changes. At the end of the 19th century, the building was in an advanced state of degradation and it was restored. Many elements of Art Nouveau, Secession were introduced, being in fashion at that time. In the ’50s of the last century, the modifications of Art Nouveau were removed, being incompatible with the architecture of the building, which gained the present appearance. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-matthias-corvinus-house.html

The “Emil Racoviţă” Speleology Museum was established in 1998, and it is the only museum in Romania dedicated to the scientist Emil Racoviţă and to the cave science. Emil Racoviţă is the founder of biospeleology and of the first Speleology institute in the world, which was opened in Cluj-Napoca in 1920. The results of the biospeleology program initiated by E. Racoviţă were exceptional: 1,200 explored caves throughout Europe and Africa, a collection of 50,000 copies of cave fauna, 66 scientific studies adding up to approximately 6,000 pages. Racoviţă reached the peak of his scientific career when he elaborated an original theory regarding evolution. The museum also includes The Emil Racoviţă Collection with numerous varied exhibition pieces like a notebook from the period when Racoviţă was a student at the Paris-Sorbonne University (1886-1891), the Zeiss microscope and the Linhof photo device which he used in his “Belgica” Antarctic expedition (1897-1899), the projector and slides he used when teaching his General Biology course at the Science University in Cluj, original drawings illustrated in his scientific works, personal desk objects. The building in which the museum operates is an old medieval prison (from the 14th century up to the 19th century) and it is considered a national historical monument dating back to 1376. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-emil-racovita-speleology-museum.html

The Art Museum of Cluj-Napoca is a public institution of a culture whose mission is to preserve, research and put forward the real and virtual patrimony of Romanian and universal art. With a collection of over 12,000 paintings, sculptures, graphic arts and decorative pieces, it is considered one of the most important museums in Romania. Founded as an institution in 1951, the museum has been operating since 1956 in the Banffy Palace – a baroque building which was built based on the plans of the architect J.E. Blaumann during the years 1774-1785, its destination being that of residence for the governor of Transylvania. It is the most important baroque edifice in Cluj-Napoca and one of reference for the 18th-century Romanian architecture. A series of sculptures with remarkable artistic value made by Anton Schuchbauer were added to the building in order to complete its stone architectural decorations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-art-museum-of-clujnapoca.html

The Tailors' Tower (Baba Novac Street / Stefan cel Mare Square) is part of the second fortified precinct of the walls system and of the fortifications of the city, built in the first half of 15th century and continued until the 17th century. It was built on the South-Eastern corner of the city defence wall, after 1405, following the privileges keyed by King Sigismund of Luxemburg. The first confirmed documents date 1457, from the time of King Matia Corvin. The administration of the Tower was entrusted to the most powerful guilds of the town – the tailors' guild. Over time, the Tower was devastated several times (1551-1553, 1601, 1627, and 1707). The actual shape is given by the last big reconstruction from 1709-1711, made by the Austrians, out of over 150 stone wagons. The Tower has renewed again in 1956-1957 when they attempted the opening of a history museum of the city of Cluj, a project forbidden by the communist authorities in 1959. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/page/4/the-tailors-tower.html

The National Art Gallery is the largest and the most representative museum of the Bulgarian fine arts in the country. It is housed in the building of the former royal palace (declared a cultural monument in 1978), together with the National Ethnographic Museum. The beginning of the collection was set in 1892 when the art department of the National Archaeological Museum was established. In 1948 by resolution of the Council of Ministers, the National Art Gallery was established as an independent institution. The exposition of orthodox arts is presented in the crypt of the monumental temple “St. Alexander Nevski” in Sofia. The collection of works of art covers a large period of time – from the adoption of Christianity as an official religion in the Roman Empire in the 4th century to the Age of Bulgarian Revival (18th – 19th century), and it mainly consists of icons. The collections of contemporary and modern Bulgarian art of the museum – from the Liberation of Bulgaria from the Ottoman Dominion (1878) to the 1990s, contain more than 30,000 works of art, and they are divided into three basic expositions – high quality paintings, graphics and sculptures. https://www.bulgariatravel.org/en/Article/Details/262/National%20Art%20Gallery#map=6/42.750/25.380

Bishop’s Treasury Museum is located in Bishops Palace in an elegant two-storey palace on Sveti Marko Square in Korcula Old Town. The museum is also called Abbey Treasury of St Mark (Opatska Riznica Svetog Marka). The ground floor covers parish office, library, archives and Kitchen exhibition hall. On the first floor, there are exhibits of Treasury hall, while the top floor covers residence of the parish priest. The museum exhibits numerous works of art including some paintings by Blaz Jurjev and Tiepolo. There are also old manuscripts with illuminated codex from the 12th century, alabaster sculptures from the 15th century as well as a statue of Mary Stuart from the 17th century. This is an interesting museum collection worth to visit if you are in Korcula. https://www.korculainfo.com/bishops-treasury/

Korcula Town Museum (Gradski muzej Korcula) is located at St Mark’s Square facing Cathedral Sveti Marko. The Museum is housed in Gabrielis palace that was built in 15th and 16th century. It is 3 storey building with basement and attic. Museum has various collections covering Korcula’s history and culture from Ancient history to nowadays. https://www.korculainfo.com/museums/korcula-museum/

Prehistoric town walls, numerous archaeological finds, several sarcophagi, reliefs and medieval graves are an evidence of the long history of the place and the lives of its people. Where there once stood Illyrian town walls from 1400 BC, later was a Roman mausoleum, then a Radojković Tower built for defensive purposes and today it is a museum of the island of Brač. The museum displays interesting exhibits from Kopačina cave, Roman tomb-stones, sea charts and diverse folk handicrafts from the entire island. This jewel of historical and cultural heritage has always been a very popular tourist destination. The long history and culture of the island of Brač is best seen in Škrip – the oldest settlement on the island. https://www.visitbrac.com/tours/the-museum-of-the-island-of-brac/BR-TR-146

The museum of oil presents the traditional process of olive oil production on the island Brac. The museum of oil exhibit olive mill, olive press, spindle for tightening press screw, bags, fireplace for heating the water and all traditional tools for transport, production and storage of olive oil. The museum of olive oil also shows paintings by academic painter Hana-Marta Jurčević Bulić and sculptures made by mag. sculptor Đani Martinić, presenting workers in the oilery in an interesting way. In 1864 Josip Krstulovć family founded the oilery in a small town of Skrip on the island Brac. By the early 20th century Kruno and Mandica Krstulović have upgraded the oilery by buying the new ''Thomas Holt'' olive press from Trieste. The family continued to process the olive oil until 1963 when the oilery stopped working due to the introduction of new technologies (hydraulic press). In 2013 Kruno Cukrov (grandson of Kruno Krstulović) and his family took the challenge of restoring the old oilery and by July 2013 the oilery become Museum of olive oil in Skrip and it is open for public as a historical and cultural monument of the history of making olive oil on the island Brac. https://www.visitbrac.com/tours/olive-oil-museum-in-skrip/BR-TR-147

Gallery featuring contemporary sculpture, paintings & other works of the namesake artist. Vasko Lipovac was a Croatian painter, sculptor, printmaker, designer, illustrator and scenographer and one of the most prominent artists of the region. He is best known for his minimalist figuration and use of intense, unmodulated and often dissonant palette. With the exception of his juvenile period of geometric abstraction, he remained loyal to figuration throughout his whole career. Exceptionally prolific, he worked in various techniques and was equally skilful in using high-polished metal, polychromous wood, enamel, terracotta or polyester to create his sculptures, reliefs and mobiles. http://www.vaskolipovac.com/

Enter the fascinating world of illusions that will trick your reliance on your senses, but also amaze you at the same time; the world that will confuse you completely, but also educate you… Visit us and you will be thrilled because nothing is what it seems, especially not in HERE! Are you ready for even a bigger, better, and more fascinating adventure? Visit the Museum of Illusions in Split; we offer you an intriguing visual, sensory and educational experience with a handful of new, unexplored illusions. The Museum of Illusions in Split provides you with a space suitable both for social and entertaining tours through the world of illusions, prone to delight all generations. It’s a perfect place to gain new experiences and have fun with friends and family. Not only is it a place for children who love paying it a visit, but it is also a place for parents, grandparents and couples. https://split.muzejiluzija.com/en/

As the oldest museum institution in Croatia, the Split Archaeological Museum was founded in 1820 by the decree of the Dalmatian government in Zadar. The incentive for the establishment of the Museum was provided by the visit of Emperor Francis I to Dalmatia in 1818, which also included visits to Split and Solin. The original museum building was erected in 1821 next to the eastern walls of Diocletian's Palace but soon became too small to house the growing number of monuments. A new era in the development of archaeology in Croatia is associated with the work and activity of Father Frano Bulic, director of the Split Museum since 1884. Father Frano Bulic (Vranjic, 1846 - Zagreb, 1934), a catholic priest, archaeologist, historian, and conservator, had for more than 50 years been working as a field researcher, conservator and writer. He is known as the founder of the Croatian archaeological society "Bihac" that was established in Split in 1894. https://www.mdc.hr/split-arheoloski/eng/index.html