The Imperial Palace, completed in 1500 under the reign of Emperor Maximilian I, still stands as a testament to its era's grandeur. Albrecht Dürer captured its majestic presence in a watercolor painting, highlighting features like the late Gothic courtyard, a covered staircase, the Crest Tower, and the women's quarters. The reception area, known today as the "Gothic Cellar," was originally built as a grand hall with impressive columns and vaults. Within its walls, you'll find echoes of the past: the "Kürnstube," showcasing Maximilian's hunting trophies, the "Silver Chamber" treasury, and the Festival Hall adorned with depictions of Hercules. In front of the palace, the "Rennplatz" square was once an arena for competitions, reflecting the sports-loving nature of the Emperor. Fast forward almost 250 years, and you find Maria Theresa visiting the Innsbruck palace, finding it a bit outdated for her taste. Since Tyrolean princes hadn't ruled since 1665, the governor resided in its quarters on behalf of the Emperor, leaving the grand rooms on the second floor, reserved for the Imperial family, untouched. Maria Theresa commissioned a transformation of the palace into the Viennese late Baroque style, dispatching top artists like Konstantin von Walter and Nicolaus Parcassi, along with Martin van Meytens and Franz Anton Maulbertsch for the interiors. Though the renovations faced delays due to the Seven Years' War, they were finally completed in the 1770s. Today, the palace not only stands as a historical monument but also as a beacon of cultural fusion, where Gothic and Baroque styles coexist in a harmonious blend. It's a must-visit for history buffs and architecture enthusiasts alike, offering a glimpse into the opulent lives of past European nobility.