ArtandCulture, Venice

The Praglia Abbey is a fascinating gem nestled in Italy's picturesque landscape, with a history as rich as its architecture. Originally founded in the eleventh century, this abbey has witnessed a tapestry of events over the centuries. In the thirteenth century, it was constructed as a fief under the rule of Emperor Frederick II. Over time, it evolved through various stages of independence and affiliation with the Abbey of Santa Giustina. This partnership lasted until 1810 when Napoleon's forces suppressed the abbey. Walking through its historic halls, you can almost hear the whispers of monks from centuries past. The abbey's surroundings are serene, offering a perfect backdrop for reflection and exploration. It's not just a place of spiritual significance; it's also a testament to the resilience and transformation of architectural styles through the ages. If you find yourself in the region, a visit to Praglia Abbey promises a blend of history, culture, and breathtaking views that you won't soon forget.

The magnificent Teatro Olimpico stands as the crowning achievement of Andrea Palladio's urban architectural endeavors and, poignantly, it was among his final masterpieces. Palladio embarked on this ambitious project in 1580, the very year he passed away at the age of 72. The theater was brought to completion five years later under the skilled guidance of his student, Vicenzo Scamozzi. Teatro Olimpico holds the distinction of being the first covered theater in Europe, drawing its inspiration from the grand theaters of ancient times. As you step inside, you can't help but be awestruck by its classical beauty. The intricate wood and stucco work, combined with the illusionistic scenery, transport you to another era. It's like stepping back in time to witness the grandeur of theatrical performances as they were meant to be experienced. Fun fact: the theater's stage set, designed by Scamozzi, creates an optical illusion of a long street receding into the horizon. This clever trickery makes the stage appear much deeper than it actually is, adding to the theater's allure.

The awe-inspiring Basilica Palladiana is a grand architectural marvel, and here's a fun fact: it’s not a church! Surprisingly, it was only partly crafted by the renowned architect Palladio. Beneath its majestic exterior lies the Gothic-style Palazzo della Ragione, originally serving as Law Courts and an Assembly Hall. Palladio was given the task of transforming it into a High Renaissance masterpiece, perfectly reflecting the prosperity of the late 16th-century city of Vicenza under the gracious patronage of Venice. Standing in the heart of Vicenza, the Basilica Palladiana is a must-see for anyone visiting the Veneto region. Its striking loggia and elegant arches make it a photographer’s dream, especially when the sun sets and casts a golden glow over the building. If you're lucky, you might catch one of the many art exhibitions or events held inside, offering a glimpse into both the past and present of Italian culture. Don't miss the view from the terrace, where the city's skyline unfolds in breathtaking beauty.

Nestled in the heart of Piazza Bra, the majestic amphitheater of Verona stands as a monumental testament to ancient Roman engineering. Constructed in the first half of the 1st century A.D., this architectural marvel dates back to the transition between the reign of Augustus and the onset of Claudius' rule. Visiting the arena is like stepping back in time, with its impressive stone arches and expansive arena floor. Originally designed to host grand spectacles, it remains a stunning venue for performances today. Picture yourself in the midst of an open-air opera, the acoustics so perfect you’d think the ancient Romans had planned for it. On a warm summer evening, there's nothing quite like the atmosphere here; the air is filled with the echoes of history mingling with the excitement of the crowd. Did you know that the Verona Arena is the third-largest Roman amphitheater in Italy? Its well-preserved structure allows visitors to truly appreciate the grandeur of Roman entertainment venues. Whether you're a history buff or just looking for a unique experience, this iconic site offers a captivating glimpse into the past and a vibrant cultural scene in the present.

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

Nestled close to the iconic Due Torri, the Two Towers that stand as proud symbols of Bologna, you'll find the Pinacoteca. This art haven is housed within the former St. Ignatius Jesuit Novitiate, a structure dating back to the latter half of the 15th century. Originally, it was a place for young men who aspired to join the Jesuit Order. Today, the building is also home to the Accademia delle Belle Arti, the esteemed Figurative Arts Academy, and the Historical Artistic and Ethno-anthropological Heritage Authority. The Pinacoteca is not just a museum; it's a journey through art history. As you wander its halls, you're treated to masterpieces that span centuries, each with its own story to tell. From Renaissance paintings to contemporary works, there's a piece that will capture the imagination of every art lover. The building itself is a masterpiece, with its grand architecture echoing the rich history of Bologna. Don't forget to take a moment to admire the intricate frescoes that adorn the ceilings. They're like hidden gems waiting to be discovered. Whether you're an art aficionado or just looking to soak up some culture, the Pinacoteca offers a captivating glimpse into the artistic soul of Bologna.

It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time. https://www.pulainfo.hr/where/chapel-st-maria-formosa

The museum collects works of art created in the second half of last century until the latest work of recent artists. MCAI represents an open meeting place of multiculturalism and, above all, to be a leading cultural and art institution of Istrian artists. http://www.pulainfo.hr/where/museum-contemporary-art-istria

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

The most famous and important monument, the starting and ending point of every sightseeing tour is the Amphitheater, popularly called the Arena of Pula, which was once the site of gladiator fights. It was built in the 1st century AD during the reign of Emperor Vespasian, at the same time as the magnificent Colosseum in Rome. The ground plan is elliptical, the longer axis measuring about 130 m and the shorter one about 100 m. Gladiator fights took place in the central flat area called the arena, while the spectators could sit on the stone tiers or stand in the gallery. It is believed that the Amphitheater could seat about 20,000 spectators. Local limestone was used for its construction. In the Middle Ages, it was the site of knights tournaments and fairs. Today, it is the venue for many different events – Pula Film Festival, various concerts, opera, ballet, sports competitions… since its capacity is about 5000 spectators. http://www.pulainfo.hr/where/arena-amphitheater-2

The Croatian Walk of Fame project in Opatija was launched in 2005 by the Apriori Communications agency as a symbolic tribute to all the people whose sporting, scientific, cultural or artistic endeavours have contributed significantly to the worldwide promotion of Croatia. Potential candidates for inclusion are nominated by the project's independent Nomination Board consisting of several noted public individuals. From the board's nominations, readers of the media sponsors then cast their vote to decide which two candidates (one living, one awarded posthumously) should have their stars included in the Croatian Walk of Fame. https://www.visitopatija.com/en/croatian-walk-of-fame-p484

Visit the Villa Angiolina, a former summer residence and today the seat of the Croatian Museum of Tourism. The museum hosts various exhibitions, workshops and projects that will explain to you why Opatija was a favourite destination for many historical figures. This is the building that certainly marked the beginning of the tourist epoch in the history of Opatija. Pending its building in 1844. (actually a reconstruction of an older building owned by baron Haller von Hallerxtein); Opatija was a relatively large settlement with about 120 houses, clustered mainly around plots further away from the sea coast and chiefly oriented towards fishing and seafaring. With the arrival of Iginio Scarpa, a patrician from Rijeka, and building of his summer house Angiolina (named after Scarpa’s then already deceased wife, originating from the Sartori family), Opatija opened her doors to a whole line of guests and passengers, among whom it is noteworthy to mention the Austrian empress Mary Ann, the botanist Heinrich Noë, the croatian ban Josip Jelačić and others who in their enthusiasm for the local vegetation and climate spread the fame about Opatija and thus prepared the ground for the future health resort. https://www.visitopatija.com/en/villa-angiolina-learn-about-the-role-of-tourism-in-the-history-of-opatija-p471

Opatija, this jewel of the Adriatic Sea, with its tradition in tourism of more than 160 years is one of the best known destinations in Croatia. Situated on the eastern rim of the Mediterranean basin, on the coast of the Kvarner Bay, at the foot of the Učka Mountain slopes https://www.visitopatija.com/en/open-air-theatre-p483

The Teatro Grande's magnificent auditorium, crafted by the talented architect Luigi Canonica, stands as a testament to early 19th-century design, having been completed in 1810. The opulent interiors received a stunning makeover in 1862, thanks to the artistic vision of Girolamo Magnani. This theater isn't just a historical site; it's a living, breathing part of Brescia's cultural heartbeat. Picture yourself sitting among the plush seats, the golden glow of the ornate chandeliers casting a warm light, as the rich history of Italian opera unfolds before you. Whether you're an architecture aficionado or a lover of the arts, the Teatro Grande offers an enchanting glimpse into a bygone era, where every performance feels like a grand occasion.

The museum has its roots in the Fine Arts Gallery built in 1948. Six years later, in 1954, the 1954 Salon was founded - the Exhibition of Contemporary Sculpture and Painting in the Socialist Federal Republic of Yugoslavia (SFRY). This was the first group exhibition of the modern fine arts production of the former state. In 1960 it started the Biennale of Young Artists and in 1968 it presented the International Exhibition of Original Drawings. Since 1990 it has been presenting Croatian artists at the European and Mediterranean Biennale of Young Artists. In 1962 the institution changed its name to the Rijeka Modern Gallery and in 2003 to the Museum of Modern and Contemporary Art. The Museum is working on a number of collections. These are collections of works by national artists Božidar Rašica, Romolo Venucci and Slavko Grčko, as well as collections of drawings, graphics, sculptures, posters, paintings, photographs and media art. The exhibition activities take place in Krešimirova Street. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/Museum_of_Modern_and_Contemporary_Art

Rijeka is reflected in Korzo, at Korzo you can read Rijeka. Anyone who, at least once, had a coffee at one of the terraces of numerous and picturesque café bars lined along this unusual promenade, would agree. http://www.visitrijeka.eu/What_To_See/Korzo

The museum is headquartered in the former Governor's Palace, a historicist edifice and protected cultural monument. The Governor's Palace was constructed in 1896 and designed by Alajos Hauszmann, one of the foremost Hungarian architects during the time when Rijeka was under Hungarian rule. Today, the palace houses the Maritime and History Museum of the Croatian Littoral, which was established in 1961 and comprises maritime, historical and cultural, ethnographic and archaeological departments. Some of the original items from the Governor's Palace, such as furniture and artisan craft-work, have been preserved and exhibited in salons on the first floor. The permanent exhibition of the museum provides an interactive and modern platform for showcasing the long, rich and tumultuous history and culture of living in the area of what is today Primorje-Gorski Kotar County from prehistoric times to the present day. The Lipa Pamti Memorial Centre (Lipa Remembers), which is dedicated to the victims of the Lipa massacre that took place on 30 April 1944, is also a part of the museum. In addition to its memorial heritage, the Memorial Centre interprets the entire cultural, historical and ethnographical heritage of the Liburnian Karst region (Rupa, Pasjak, Šapjane and Brce) from prehistoric times to the present day. http://www.visitrijeka.eu/What_To_See/Museums_and_Collections/The_Maritime_and_History_Museum_of_the_Croatian_Littoral_Rijeka

The Chamber of Saint Paul used to be an integral part of the abbess' quarters in the Benedictine Convent of Saint Paul. This charming space was decorated in 1514, commissioned by the visionary Abbess Giovanna da Piacenza. Her leadership was renowned for fostering a rich cultural atmosphere. Today, the chamber remains a testament to that era's artistic flair and intellectual curiosity. When you step inside, you're greeted by a mesmerizing blend of history and art. The room's intricate frescoes and ornate details offer a peek into the past, making it a must-see for art lovers and history buffs alike. And while you're there, don't miss the chance to explore the rest of the convent. It's like taking a stroll through history, with every corner revealing a new story. If you're planning a trip to Parma, this is one stop you won't want to miss. The city itself is a delightful mix of old-world charm and modern vibrancy, famous for its culinary delights, including the world-renowned Parma ham and Parmesan cheese. So, make sure to treat your taste buds while soaking in the culture.

Commissioned by the illustrious Maria Luigia and brought to life by the visionary architect Nicola Bettoli, the Regio Theatre stands as a testament to timeless elegance. Constructed between 1821 and 1829, it occupies the historical grounds of the former Benedictine convent of St. Alessandro. This theater isn't just a building; it's an experience, a portal to the grandeur of the past and the artistic pulse of the present. Its majestic façade and opulent interiors have witnessed countless performances, each echoing with the whispers of history and culture. The Regio Theatre is a must-visit for those who appreciate the harmonious blend of architecture and performance art. Nestled in the heart of Parma, this iconic venue hosts a variety of events, from opera to ballet, attracting audiences from all over the world. Its acoustics are renowned, offering an auditory feast that complements the visual splendor. As you step inside, you can't help but feel the anticipation and excitement that have filled this space for nearly two centuries. Whether you're a seasoned opera enthusiast or a curious traveler, the Regio Theatre promises an unforgettable evening steeped in artistry and tradition.

Whisk yourself away on a whirlwind journey around the globe at breakneck speed! At Minimundus, nestled beside the scenic Lake Wörthersee, you can marvel at 156 stunning models of the world's most iconic buildings from over 40 countries. It's a fantastic spot for exploring, having a blast, soaking up knowledge, and simply enjoying the moment. This miniature world brings every continent to your fingertips, sprawling over a lush 26,000 square meters of parkland. Each structure is meticulously crafted on a 1:25 scale, using original materials like marble, sandstone, and even lava basalt. It's like a world tour in a single day. You won't find an experience quite like this anywhere else. Get ready to step into the next generation of Minimundus, where adventure, games, and fun take center stage in an expansive 1,500 square meters of exhibition space. The attention to detail is astounding, making it a perfect blend of education and entertainment. Imagine standing beside a tiny Eiffel Tower or gazing at a miniature Taj Mahal, all without leaving Austria. The experience is more than just visual; it's a sensory delight. The park often hosts events and workshops, where you can learn about architecture and culture in a hands-on way. Whether you're a history buff, an aspiring architect, or just someone who loves a good adventure, Minimundus has something for everyone. It's a little world with big wonders.

The dragon depicted on the fountain is the symbol of the city. There is a lovely square around it where you can sit and relax. In the 13th century a dragon was wreaking havoc in Klagenfurt, causing floods that destroyed crossings and threatened travelers along the River Glen. A duke offered a reward for anyone who could capture it, and a brave young man tied a bull to a chain and caught the dragon like a fish. In 1335 the dragon’s skull was found in a nearby quarry aptly known as Dragon’s Grave. The capital city of Carinthia proudly displayed it in the city’s town hall, and in 1590 Ulrich Vogelsang used it to make what is often cited as the earliest known reconstruction of an extinct animal—it’s attributed to Vogelsang, but it’s more likely an anonymous artist made the sculpture, carved from a single block of chlorite slate. Legend claims 300 men, dressed in all white, carried the six-ton beast to the center of town. https://www.atlasobscura.com/places/lindwurmbrunnen

Visiting the Galleria dell’Accademia, you're most likely target are the magnificent giant marble sculptures created by Michelangelo, and above all, the glorious David. If you explore the museum with a bit more time, the Accademia will offer you much more in the less crowded halls, satisfying any curiosity for botany, music, art symbols and painting techniques. The Accademia welcomes the visitor in the Hall of the Colossus, name taken from the huge models of the Dioscuri of Montecavallo which were displayed in this large hall in the 19th century. It now hosts in the center the plaster model for the stunning marble sculpture of Giambologna’s Rape of the Sabine Women. Giambologna prepared the model as an exercise in creating a tightly-knit group of three figures from just one large block of marble. He did not actually name the sculpture, it was meant to be as a “simple” exercise of skill and it became the first example of such magnificent talent. https://www.visitflorence.com/florence-museums/accademia-gallery.html

Florence's cathedral stands tall over the city with its magnificent Renaissance dome designed by Filippo Brunelleschi, with the baptistery right across. The cathedral named in honor of Santa Maria del Fiore is a vast Gothic structure built on the site of the 7th century church of Santa Reparata, the remains of which can be seen in the crypt. The exterior is covered in a decorative mix of pink, white and green marble. The interior, by contrast, is pretty stark and plain but quite enjoyable on warm summer days since the temperature inside tends to be cooler. Please note the clock above the entrance on the inside of the church. It was designed in 1443 by Paolo Uccello in accordance with the ora italica, where the 24th hour of the day ended at sunset... and it still works! https://www.visitflorence.com/florence-churches/duomo.html

The Piazza della Signoria has been the center of political life in Florence since the 14th century with the prominent Palazzo Vecchio overlooking the square. It was the scene of great triumphs, such as the return of the Medici in 1530 as well as the Bonfire of the Vanities instigated by Savonarola, who was then himself burned at the stake here in 1498 after he was denounced by the Inquisition as a heretic. A marble circle inscription on the piazza shows the location where he was burned. The sculptures in Piazza della Signoria bristle with political connotations, many of which are fiercely contradictory. The David (the original is in the Galleria dell'Accademia) by Michelangelo was placed outside the Palazzo Vecchio as a symbol of the Republic's defiance of the tyrannical Medici. https://www.visitflorence.com/florence-monuments/piazza-della-signoria.html

Palazzo Vecchio offers Roman ruins, a Medieval fortress and amazing Renaissance chambers and paintings. A microcosm where art and history have been indissolubly bound for centuries. Palazzo Vecchio is the main symbol of civil power for the city of Florence, whose original project is attributed to Arnolfo di Cambio. Construction on the solid fortress began in 1299 above the ruins of the destroyed Uberti Ghibelline towers, testimony of the final victory of the Guelph faction. The entire construction also rests on top of the ancient theater of the Roman colony of Florentia (dating back to the first century A.D.), whose ruins can be admired in the underground level. This area can be visited with a separate ticket or a combination ticket which includes the Palazzo Vecchio Museum and the Archaeological site. The area is suggestive organized with information and an interesting film to help you understand exactly what you are looking at underground. https://www.visitflorence.com/florence-monuments/palazzo-vecchio.html

Imagine the Uffizi Gallery as a precious treasure chest, slowly revealing its wonders to those who venture through its doors. At first, there's a bit of a puzzle: figuring out where to snag those golden tickets, weaving through the lines of eager art enthusiasts, and passing through the metal detector. Then, it's up two flights of Renaissance-era stairs before you finally reach the grand entrance of the museum. Once inside, the gallery is a feast for the senses, with masterpieces by Botticelli, Michelangelo, and Leonardo da Vinci adorning its walls. Each room offers a new surprise, a fresh perspective on art that has influenced countless generations. The Uffizi isn't just a place to view art; it's a journey through time, where every brushstroke tells a story of human creativity and passion. Florence itself is a living museum, with its cobblestone streets and historic architecture. Just outside the Uffizi, the Piazza della Signoria buzzes with life, offering a perfect spot to soak in the city's unique blend of old and new. A visit here is more than just sightseeing; it's an unforgettable experience that lingers long after you've left.

This enormous palace is one of Florence's largest architectural monuments. The original palazzo was built for the Pitti family in 1457, designed by Filippo Brunelleschi and built by his pupil Luca Fancelli. The original construction consisted of only the middle cube of the present building. In 1549, the property was sold to the Medicis and became the primary residence of the grand ducal family. The palace was then enlarged and altered; from 1560, Bartolomeo Ammannati designed and added the grandiose courtyard and two lateral wings. Today, the Pitti Palace houses some of the most important museums in Florence: on the first floor is the Palatine Gallery, containing a broad collection 16th and 17th century paintings (including works by Raphael), and the Royal Apartments, containing furnishings from a remodeling done in the 19th century. On the ground floor and mezzanine is the Treasury of the Grand Dukes (formerly known as the the Silver Museum or Museo degli Argenti) displaying a vast collection of Medici household treasures, from table silverware to precious stone vases, rock crystals and precious jewelry. The Gallery of Modern Art is on the top floor, holding a collection of mostly Tuscan 19th and 20th century paintings. https://www.visitflorence.com/florence-museums/pitti-palace.html

The Teatro Donizetti is a true gem nestled in the heart of Bergamo, Italy. Spanning a grand total of 3,200 square meters, this historic theater holds onto the charm of its original 1786 design. The main hall is a cozy yet impressive 360 square meters, comfortably seating 532 theater enthusiasts. It's a place where history and culture intertwine, offering an intimate experience that feels both personal and grand. Imagine sitting in one of the 120 elegantly designed boxes, spread across three tiers, with a sweeping view of the stage. In total, the theater can accommodate 1,154 guests, making it a perfect spot for both locals and tourists alike to enjoy a night of captivating performances. Aside from its architectural beauty, the Teatro Donizetti is renowned for its rich cultural calendar. From classic operas to contemporary performances, the theater is a hub for artistic expression. Visitors might find themselves catching a world-class opera or a delightful local production, all while soaking in the ambiance of this historic venue. Whether you're a lover of the arts or simply a curious traveler, the Teatro Donizetti offers a unique peek into the cultural heartbeat of Bergamo. It's an experience not to be missed, where every seat feels like the best in the house.

Innsbruck's most famous landmark shines in the heart of the historic old town. The splendid alcove balcony gets its name from the 2,657 fire-gilded copper tiles that adorn the roof. The building has reigned over medieval houses and shady arcades for over 500 years. It was built by Emperor Maximilian who very much enjoyed the view: from there he would look down over the colourful hustle and bustle of his city, watch jousting tournaments and be revered from below. The shining golden roof can be seen on entering the historic old town but it is also well worth taking a look up close. The structure below the roof is richly adorned with a wide variety of figures and images, including many curiosities. An exposed backside sticks prominently out from the Golden Roof. Admittedly, it is only a few centimetres in size and it belongs to one of the many figures set below the roof. Why bare facts? This question remains unanswered and is one of the many mysteries that surround the landmark. Maybe the revenge of medieval craftsmen who weren't paid? We can only speculate. The front of the structure is decorated with a man and two wives: Emperor Maximilian is portrayed next to his wife of the time Bianca Maria Sforza. He didn't like her much, however, and that is why his first wife – Maria von Burgund – also looks out from the relief. Another eye-catcher: Small men with twisted limbs. They are morisco dancers, who were effectively the breakdancers of the Middle Ages. The Golden Roof is a must-see for anyone visiting Innsbruck. Come to the historic old town and see for yourself. You can't miss it. In the adjoining museum, you can immerse yourself in the time of Emperor Maximilian. https://www.innsbruck.info/en/sightseeing/sightseeing/historical-buildings/detail/infrastruktur/golden-roof-innsbruck.html

As you leave the bustling FI-PI-LI highway at Cascina and head toward the majestic Apuane Alps, you can almost feel the industrial hustle slip away. In its place, a serene calmness begins to envelop you. This peaceful atmosphere is what first attracted the Carthusian monks to this picturesque region. The Apuane Alps, with their stunning limestone peaks, are a hidden gem for hiking enthusiasts and nature lovers. The area offers numerous trails that weave through lush landscapes, providing breathtaking views at every turn. Whether you're an experienced hiker or just looking for a leisurely stroll, the Alps cater to all levels of adventure. As you continue your journey, take a moment to soak in the rich history and natural beauty that surrounds you. The charm of this area is sure to captivate anyone seeking a retreat from the chaos of everyday life.

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/