Architecture, Limoges

The Donjon de Gouzon houses a space of Industrial Archeology on 4 levels. This dungeon of the twelfth century. and thirteenth century, restored houses a museum space on four levels. The vertical movement is ensured by an elevator (public commission of the Delegation to the Visual Arts), work of the architect designer Sylvain Dubuisson. http://uk.poitiers-tourism.com/espace-d-archeologie-industrielle-du-donjon-de-gouzon-a-chauvigny/chauvigny/tabid/29114/offreid/da3eed0d-9a89-476f-b401-069943cf12e5/detail.aspx

Founded around 1130 by William VIII, Count of Poitou-duke of Aquitaine, the Abbey of Fontaine the Count first hosted a community of canons of St. Augustine. http://uk.poitiers-tourism.com/ancienne-abbaye-de-fontaine-le-comte/fontaine-le-comte/tabid/29111/offreid/fd222a4d-b360-4cc8-9308-539c70d38efd/detail.aspx

Place de Jaude in its 21st century incarnation offers passing strollers a subtle blend made of rising jet fountains, magnolias, tulip trees and selected minerals. http://www.clermontferrandtourism.com/discovery/main-sites/place-jaude/

Listed on UNESCO’s World Heritage, the Notre-Dame-du-Port Basilica takes visitors into the spellbinding world of Romanesque art. The basilica was built of beige arkose during the first third of the 12th century. It was fully restored ending December 2008. http://www.clermontferrandtourism.com/discovery/main-sites/notre-dame-du-port/

Commonly known as the House of the Pilori, the only wooden house in Vienna built in the 15th century supports one of the oldest Viennese façades. http://www.monweekendavienne.com/culture/sites-et-monuments/maison-du-pilori#.WkoOn1T1XLY

This imposing medieval fortress dating from Gallo-Roman times was the royal House of Valois's capital for five hundred years. http://www.donjondevez.com/en/le-donjon/

The castle Coudray-Salbart is one of the most famous fortresses of medieval France and its high towers still dominate the Sèvre Niortaise. http://www.chateau-fort-manoir-chateau.eu/chateaux-deux-sevres-chateau-echire-chateau-fort-coudray.html

Born in Bourges some time around the year 1400, Jacques Coeur rapidly rose to the top of the social ladder. After his appointment as Finance Minister to the King and being made a nobleman, he began the construction of his Palace, which was finished around 1450. This monument was unique in France for its time but illustrates well the original personality of its builder. It is a precursor of the mansions of the Renaissance period: the large main building is constructed against the Gallo-Roman wall. The galleries running around the courtyard link it to the chapel over the main doorway. The façade on the street side and that of the main building are beautifully decorated with Jacques Coeur's royal emblem, together with a multitude of sculptures portraying religious themes, Jacques Coeur's travels or scenes of everyday life. http://www.ville-bourges.fr/_en/site/heritage_jacques-coeur-palace

A Royal City since the year 1100, Bourges is growing in size and prosperity. In the upper part of the town, the Great Tower, which is the twin of the keep at the Louvre, is the symbol of Royal Power. http://www.ville-bourges.fr/_en/site/cathedral

Since June 1, 2016, Bordeaux has a contemporary monument, which illustrates the city's dedication to the fruit of the vine: La Cité du Vin.The purpose of this museum is to create a space where sensory experiences are centered wholly around wine. This site is fully dedicated to this "nectar," as a living piece of French history and culture http://au.france.fr/en/discover/visit-cite-vin-bordeaux-0

The Museum of Fine Arts Tours is housed in a historic building of exceptional quality. The site is of paramount importance for the history of ancient Caesarodunum; the museum houses in its underground the most beautiful lapidary inscription to the glory of the Turons. The first bishops had chosen to settle near the cathedral, in a palace along the wall of the IV the century. After 1789, the Palace of the Archbishops became a theatre, Central School, library and then by departmental decree of October 6, 1792, and with the passionate energy of the founder of the city's drawing school, Charles-Antoine Rougeot and his son-in-law, Jean -Jacques Raverot, became the repository of works seized during the Revolution. The museum was officially created in 1801, 1802 and during the XIX the century, the buildings are again assigned to the archdiocese. It was not until 1910 that the collections returned to the old archepiscopal palace. http://www.mba.tours.fr/131-le-musee-des-beaux-arts-de-tours.htm

Cathédrale Saint-Gatien de Tours is dedicated to the first bishop of the city and is a 'must-see' when visiting the Loire Valley. The current cathedral sits on the site of a number of predecessors all of which were damaged by fires. One in 1166 during the conflict between Louis VII of France and Henry II of England (who also ruled over the neighbouring region of Anjou at the time). Construction proper on the existing cathedral began in 1270 but progress was slow and it was not completed until 1547, so what we have is a building made up of styles spanning a number of centuries, though the predominate 'style' is obviously 'Gothic'. The nave was completed around 1450, in the flamboyant style we see today. Then, from 1450 to 1484, the facade is built in the same style on the foundations of a Gallo-Roman wall. The north tower was completed around 1507 while the south tower, in the same style, would not be completed for another 40 years!. Both seem to have acquired renaissance caps. https://www.experienceloire.com/tours-cathedral.htm

Place de la Bourse has symbolised the city of Bordeaux around the world for centuries and played a major role in the city's development, trade, and reputation. Both the Bordelais and visitors alike adore this very elegant square. It took 20 years of hard work in the 18th century to build what has since become the city's very symbol! The square represents a break with medieval Bordeaux surrounded by walls for centuries. The city was finally free to grow! Intendant Boucher had tried to convince the town aldermen and the parliament to create the square and open up the city walls since 1720. He decided to entrust Jacques Gabriel, Louis XV's "First Architect" with designing this rectangular square with bevelled corners, as well as constructing the famous buildings decorated with mascarons and wrought iron. The buildings framing this place royale consist of the Hôtel des Fermes, built by Gabriel's father, followed by the Hôtel de la Bourse built by Gabriel himself, and the isolated central pavilion (1735-1755). Place de la Bourse was originally separated from the river by railings, but these disappeared during the French Revolution. The equestrian statue of the king was briefly replaced by one of Napoleon, followed by the Fountain of the Three Graces in 1869… https://www.bordeaux-tourism.co.uk/offre/fiche/place-de-la-bourse/PCUAQU033FS00043

Imbued with a long history, the Porte Cailhau offers a magnificent view of Bordeaux. Despite its age (just imagine – it dates from 1494!) this large, beautiful monument remains practically unchanged. It was built to commemorate Charles VIII's victory at Fornovo (Italy). This French king has left his mark on the tower since his likeness decorates a niche on the river side and a notice ask visitors to pay attention to the lintel and reminds them that Charles VIII died from walking quickly into just such a lintel... The Port Cailhau, thirty-five metres tall, was integrated into the city walls. In 1864, it was rented by a public letter writer and a person whose job was to weigh salt. They were both evicted in order to renovate the monument. There is a magnificent view of the oldest bridge in Bordeaux, the Pont de Pierre, from here. An exhibition displays the tools and materials used for construction purposes at the time the Porte Cailhau was built and an audio-visual presentation pieced together from old films immerses us in the world of stone masonry. https://www.bordeaux-tourism.co.uk/offre/fiche/porte-cailhau/PCUAQU033FS00044

Of all the public buildings in Bordeaux, the Grand-Théâtre is unquestionably the most well-known and appreciated. It stands on the site of a former temple (Les Piliers de Tutelle) that was once in the middle of a Gallo-Roman forum. The Grand Théâtre's construction was made necessary by the destruction of a performance hall in 1755. The latter was located in the outbuildings of the former town hall, near the Grosse Cloche. Architect François Lhote, assisted by Soufflot, initially proposed a project that was not accepted by the city aldermen. Eventually, Marshal de Richelieu, governor of the province of Guyenne, imposed the Parisian architect Victor Louis (1731-1800). In order to pay for the construction, the land located on the southern glacis of the Château Trompette was sold. It took more than five years to build the Grand Théâtre and, after many vicissitudes, it was inaugurated in 1780 with a performance of Athalie, a play by Jean Racine. The rectangular-shaped structure opens up onto Place de la Comédie to the west with a peristyle featuring 12 Corinthian columns supporting an entablature and a balustrade decorated with 12 statues (the nine muses and three goddesses). At the beginning, this peristyle was on the same level as Place de la Comédie. However, in the mid-19th century, it was decided to lower the level to make it easier for horse-drawn carriages to cross. The Grand Théâtre was nevertheless innovative, and Victor Louis imagined a clever oblique arrangement of stones maintained by a metal tie beam at the angles of the peristyle in order to support them. This ingenious combination became known as "Victor Louis's nail". https://www.bordeaux-tourism.co.uk/Discover-Bordeaux/Must-See/Opera-House

Situated to the south-east of the chevet of the Cathedral of Saint-André at Bordeaux, the tower of Pey-Berland serves as its bell tower, built in the 15th century in the Gothic style. http://au.france.fr/en/discover/tower-pey-berland-bordeaux-0

The fairy castle Mélusine Family go for 3h visit at the time of the knights! Upon your arrival, dress up for free and start exploring the castle through a new puzzle route for children and a quiz for the older ones. http://www.holidays-la-rochelle.co.uk/what-to-see-and-do/discover-la-rochelle/monuments-to-visit/1053557-chateau-fort-saint-jean-dangle

North of the town of Le Puy-en-Velay, Aiguilhe is famous for its rock (a dormant volcanic pipe) with an astonishing and magnificent chapel dedicated to St Michael built in the 10th century. This is one of the most important pre-Romanesque and Romanesque monuments in Auvergne. Prosper Mérimée included the building in the first list of Historic Monuments drawn up in 1840. More recently, it came fourth in the list of French people’s favourite monuments in 2014. Godescalc, the Bishop of Puy, and Truannus, the dean of the chapter of Puy Cathedral, commissioned work on a chapel devoted to St Michael in 961. Godescalc was also the first French pilgrim to follow the Way of St James in about 950, inaugurating the "Via Podiensis" trail to Santiago de Compostela. The original oratory in this imposing structure was limited to today’s choir area. It was enveloped in a larger monument in the 12th century, built to follow the outlines of the rock’s summit. The extended chapel was built without foundations, and contains a nave, an ambulatory and a tribune, along with a remarkable polychrome and trefoil-shaped facade. https://www.lepuyenvelay-tourisme.co.uk/monuments-puy-en-velay/rocher-et-chapelle-saint-michel-daiguilhe/

The Puy-en-Velay Cathedral, listed as a UNESCO World Heritage Site since 1998, ranks as the 2nd favorite monument of the French in the show presented on France 2 by Stéphane Bern in 2015. After a first church built in the fifth century, the cathedral was built on Mount Anis. In the twelfth century, the influx of pilgrims led to sit four spans above a vaulted porch, to compensate for the slope of Mount Anis. The entrance was made by a staircase which opened in the middle of the central nave. In the nineteenth century, the building was considerably transformed, but the six cupolas and beautiful painted decorations were preserved. From 1994 to 1999, an overall restoration allowed the restoration of the central staircase closed in the eighteenth century, the repair of interior facing and the winding of the organ with its double-sided buffet of the seventeenth century. A new altar was placed at the crossing of the transept, while the altar of the "pilgrims", against the wall, carries the "Black Virgin" who replaced the primitive statue, burned to the Revolution. https://www.lepuyenvelay-tourisme.fr/monuments-puy-en-velay/cathedrale-notre-dame/

Millau viaduct holds the world record for the tallest bridge, culminating at 343 metres (higher than the Eiffel tower), 2460 metres long and touching the bottom of the Tarn valley in only 9 places. Conceived by the French engineer Michel Virlogeux and designed by the English architect Lord Norman Foster, it fits perfectly into the naturally intact and grandiose landscape: a very thin slightly curved steel roadway supported by stays gives it the appearance of a huge yacht and the ensemble rests on 7 very slender pillars. This unique viewing area, created in the old cassonade farm of Brocuéjouls, is the ideal place for discovering Millau viaduct, the Aveyron, its cultural and natural heritage and the local gastronomy. Both a “viewing area” and “tourist information centre”, it also offers a “gastronomical area”. Take a few minutes to climb to the belvedere viewing point from where you can admire the sublime and panoramic view of the viaduct. You can then taste, amongst other things, the famous “capucins” made by the Michelin starred chef Michel Bras in the gastronomical area or learn all there is to know about the viaduct and its construction in the Eiffage company Expo/Boutique area. https://www.tourisme-aveyron.com/en/millau-viaduct/discover-millau-viaduct

Square tower from the end of the 12th century, erected for the king of Aragon Alphonse II, surmounted in the 17th century by an octagonal tower intended to receive the communal drone and the clock. 42 meters high, 210 steps to climb to reach the summit and admire the panorama of the city and the surrounding causses. Last climb, 1/2 hour before closing. Out of season open for groups by reservation. https://www.millau-viaduc-tourisme.fr/planifier/voir-et-visiter/toutes-les-visites/beffroi-de-millau-tour-des-rois-d-aragon-185431

In the centre of Millau, a town hotel from the 18th century houses the museum: 30 exposition rooms dedicated to palaeontology, prehistory and regional archaeology, as well as traditional activities of leather craft and glove-making. Palaeontology: diverse fossils including the famous skeleton of an elasmosaur. Pre-history: furniture from the palaeolithic to the monolithic. Archaeology: the most important collection of vases from the Roman Empire with the production of the Graufesenque workshops. Leather and gloves: a DVD film retraces the specific savoir-faire, rich of ancestral traditions and modern techniques enabling skins to be worked on. A recreated workshop shows how gloves were made. Free for the individuals the first Saturday of the month. https://www.tourisme-aveyron.com/en/diffusio/sites-visit/musee-de-millau-et-des-grands-causses-millau_TFO18801517986

The largest church (115 metres in length), a jewel of Roman art begun in 1075 and consecrated in 1096. Pilgrimage church, designed to receive the crowds of pilgrims walking towards Compostela, and to shelter a religious community. One of the symbols of Toulouse, this basilica of brick and stone is certainly imposing. Majestic and luminous, it was built between the XI and XIV Centuries in honour of St Saturnin (or Sernin), the first bishop of the city. An important stop along the pilgrimage route to Santiago de Compostela, it inspires reverence and its vast proportions are ideal for strolling past the numerous reliquaries. https://www.toulouse-visit.com/la-basilique-saint-sernin/toulouse/pcumid031fs000a1

A short hop from the Pont Neuf, a monumental stone doorway hides a masterpiece of the Classical Renaissance. You can even take tea here in the summer, if you are brave enough to face the lions and warriors… The sumptuous courtyard of honour is the backdrop for two façades punctuated by antique columns and linked by a stairway tower. Everything matches the level of ambition of the man that commissioned it, Pierre d’Assézat, merchant and Capitoul of Toulouse, who made his fortune from pastel in the XVI Century. Bequeathed to the city in 1895, it was then home to the academies and learned societies where the Floral Games were created in 1323. It was this exceptional venue that was selected by the Argentine Georges Bemberg in which to display his collection of art, which you can explore at the foundation that shares his name. Beneath the loggia, you can quench your thirst as you contemplate the courtyard and façades of the most beautiful Renaissance mansion house of Toulouse. https://www.toulouse-visit.com/hotel-d-assezat/toulouse/pcumid031v5015wt

In this building entirely made of bricks, the contrast between its massive or even austere aspect of the exterior and the extraordinary lightness of the interior architecture where the famous palm-tree ribs thrust upwards. http://www.toulouse-visit.com/offre/fiche/patrimoine-culturel/couvent-des-jacobins/PCUMID031FS0009F

In Toulouse there is no Mairie, but rather a majestic Capitole! An emblematic building, it is home to the town hall, a theatre and rooms of state where you can bump into celebrities from the city. The seat of municipal power since its construction, commissioned by the Capitouls in the XII Century, transformed and embellished in every era, La Capitole shows its majestic Neo-Classical façade to the unmistakable square that shares its name. Its walls could tell of the great moments in the history of Toulouse: from the Cathar episode to the creation of the Floral Games, from the Counts of Toulouse to the siege of the city. On the first floor, you cross magnificent reception rooms that are decorated with the Allegories of Love by Paul Gervais, 10 giant canvases by Henri Martin and, notably, the Salle des Illustres whose paintings retrace the history of Toulouse and whose busts bring back to life the personalities that have defined the city. https://www.toulouse-visit.com/le-capitole-hotel-de-ville/toulouse/pcumid031fs000a3

Place of exhibitions, concerts and cultural events in Le Mans. Backing onto the Roman ramparts, which were altered during the medieval period, is the Collégiale Saint-Pierre-la-Cour, once the chapel of the palace of the Comtes du Maine. https://www.lemans-tourisme.com/en/partenaire/view/id/2217/category/12

In the heart of the medieval quarter, the Château des ducs de Bretagne welcomes the Nantes Museum of History, whose scenography offers a walking tour punctuated with 1 150 objects as well as interactive multimedia displays that are aesthetic, fun, and educational. https://www.nantes-tourisme.com/en/heritage/chateau-des-ducs-de-bretagne-musee-d-histoire-de-nantes

Museum of fine arts in Nantes was founded in the early nineteenth century and has since been considered one of the largest and best museums in France, outside Paris. Since 1804, this Museum houses a unique collection of sculptures and paintings that were created from the XII century to the beginning of XX century. http://worldtourisminfo.com/france/2775-Fine-arts-Museum-of-Nantes-photo-description-Musee-des-BeauxArts-de-Nantes.html

The Museum of Gallo-Roman Civilisation astounds the visitor with its avant-garde architecture and carefully-chosen exhibits, nudging you to uncover more of what Lyon’s Roman, Gaul and Celtic forebears got up to. Facing the rising sun and the Alps, way up over the Confluence of Rhône and Saône, the Museum of Gallo-Roman Civilisation chronicles five centuries of the city’s history under Rome when Lyon was known as the dazzling capital Lugdunum. Dug deep inside Fourvière hill in the 5th district of Lyon, with its two huge windows overlooking its neighbouring Amphitheatre and Odeon, the Gallo-Roman Museum of Lyon is akin to a submarine, set to journey through the undergrowth and vestiges of this ancient civilisation. Step on-board and be subtly wowed by polychrome mosaics, the sarcophagus of the triumph of Bacchus, the unique Gallic Coligny calendar, a plan-relied of the ancient town, a rare circus mosaic, not to mention the Tabla Claudiana, reproducing a speech by the emperor Claudius, all set inside an avant-garde architectural experience whipped up by Bernard Zehrfuss. https://thisislyon.fr/things-to-do/museums/museum-gallo-roman-civilisation/

The Basilica of Notre-Dame de Fourvière is a vital part of the Lyon cityscape and you’d be a fool not to go up there. Mr Mayor, Gérard Collomb, even calls it a “treasure of humanity”. With one of the best views over the entire city, it understandably draws in busloads, who all load off to celebrate Mary and the paraphernalia of Christianity. Then you have those who hike up there for a brisk morning walk to lord it over the panoramic view and feel regal. The beautiful white Basilica of Notre-Dame de Fourviere, known by locals as the upside-down elephant, sits on the top of Fourvière hill, aka the ‘praying hill’, in Lyon’s 5th district, where the world of Catholics rubs shoulders with vestiges of Ancient Rome. From its dominant position, looming over the city below with vantage points aplenty, Fourvière has become a symbol of Lyon, attracting over 2 million visitors annually. Designed by Pierre Bossan, Fourvière basilica draws from both Romanesque and Byzantine architecture, two non-Gothic models that were unusual choices at the time. It’s actually one church on top of another. https://thisislyon.fr/things-to-do/historical-monuments/basilica-notre-dame-de-fourviere-treasure-lyon/

Place des Terreaux was once a huge bog, believe it or not. Today, the famous Lyonnais landmark deserves a visit, either as a starting point to explore the presqu’île and the City Hall area, or as a beautifully-constructed square to while away the hours. Place des Terreaux is a famous Lyonnais square, grand and grey. It’s a perfect rectangle in fact, located in the 1st district of Lyon inside the peninsular or ‘presqu’île’ between the Rhône and Saône rivers, at the foot of the Croix-Rousse hill. It’s a Lyon landmark and a UNESCO heritage site, the place to meet, inside which you can sip beer in the outdoor cafés, perch on the steps of the Fine Arts Museum and observe the Bartholdi fountain, or pop into the beautiful City Hall to pay new mayor Mr Képénikian a visit. https://thisislyon.fr/things-to-do/historical-monuments/place-des-terreaux-and-hotel-de-ville/

It’s the largest pedestrian square in Europe. So whether you want to get to the Tourist Information centre inside, join a march, jump on the big wheel, or just simply sit, this oversized square reinvigorates the lungs and stretches the horizons. As the central focus of shopping on the presqu’île and the chosen starting point for most city visits, Bellecour is the kilometre 0 of Lyon and all distances are calculated from it. Four major streets start from this famous square: rue de la République, which takes you up to Hôtel de Ville and the Opera; rue Victor Hugo and rue du Plat both leading to Perrache; and rue du Président Édouard Herriot, with a concentration of luxury shops all the way to the Place des Terreaux. Surrounded by linden trees, wild cherries and beautiful Napoleonic buildings, Place Bellecour is the third largest square in France after Place des Quinconces in Bordeaux and Place de la Concorde in Paris, measuring 312m by 200m, not to mention the biggest pedestrian square in the whole of Europe. Fact. https://thisislyon.fr/things-to-do/historical-monuments/place-bellecour/