Architecture, Ibiza

The castle is located on the crest of a hill and is in the Gothic style. Bellver Castle has had various different uses over the course of its history. King Jaime II ordered its construction as a royal residence. In the 19th century it was converted into a mint. http://www.spain.info/en_IN/que-quieres/arte/monumentos/mallorca/castillo_de_bellver.html

La Almudaina Palace was the seat of the independent kingdom of Majorca during the reigns of Jaime I, Sancho I and Jaime II, until it became part of the kingdom of Aragon under Pedro IV. The castle visible today is the result of modifications to the Muslim fortress constructed from 1281. http://www.spain.info/en_IN/que-quieres/arte/monumentos/mallorca/palacio_real_de_la_almudaina.html

The Cathedral is Majorca's most emblematic monument, as it perfectly synthesises the last eight centuries of its history. The image of a great ship on the sea dominating the bay of Palma with its beauty and presence first surprises visitors before arousing their curiosity and becoming a symbol of the island's historical and spiritual heritage. Built next to the Mediterranean, the Cathedral leads a monumental ensemble, evoking the cultures that came before the conquest of Madina Mayurqa, on 31 December 1229, by James I, the King of Aragon and Count of Barcelona. James the Conqueror, following the habit of the time, consecrated the old mosque to the Virgin Mary and prepared to build a new church in the style of the era. There is documentary evidence from 1230 relating to the work on the Cathedral. http://www.visitpalma.com/en/contenido/lugares-de-interes/lugarinteres/La-Seu-Majorca-Cathedral/

This thousand-year-old city neighbourhood grew between two walls, the Muslim and the Christian. A walk through its labyrinthine cobbled streets flanked by imposing medieval buildings takes us to back to other times in history. http://www.visitvalencia.com/en/what-to-visit-valencia/must-sees

The most important temple in the Region is a magnificent merge of styles, a catalogue of stone which summarizes more than six centuries of art and history. Its construction began in 1394 over the remains of an old Arabic mosque and in 1462 its vaults were finished. The oldest entrance is La Puerta de Los Apóstoles (the door of the Apostles). Its only storefront is flanked by pointed archivolts with statues of the apostles on it. La Puerta de las Cadenas( the door of the Chains) dates from 1513 and has original pilasters and archivolts. From the 15th century dates the Capilla de Los Vélez covered by a ten-pointed star vault and profusely decorated. Another famous chapel is that of Junterón, whose oval ground plan is covered by an extremely original vault. Its baroque main façade (Imafronte), Jaime Bort¿s work, is an exaltation of Levantine art (the 18th century eastern Spain art). It is divided as an altarpiece into two parts and three vertical sections. The tower, divided into five parts, is 92 meters high. Its construction started in 1511 and the fifth body hosts twenty-five church bells https://www.murciaturistica.es/en/monument/catedral-de-murcia-327/

With more than 150 years of history, the eclectic building of the Romea Theater is one of the most important cultural references of the city. Built after an earlier one that suffered two fires, the current theater was inaugurated in 1900 thanks to the architect Justo Millán. https://www.murciaturistica.es/en/monument/teatro-romea-955/

This one was demolished to give a much cleaner view to the facade of the Cathedral. Currently the Episcopal Palace occupies a place close to what used to be the Palacio del Alcázar. https://www.murciaturistica.es/en/monument?ficha=329

The museum presents exhibits dating from prehistoric times through to the modern age. http://www.reus.cat/museu-de-reus-salvador-vilaseca

ARQUA Museo Nacional de Arqueología Subacuática is the institution in charge of studying, valuing, investigating, preserving, disseminating and protecting the Spanish underwater cultural heritage. It is also home to the Permanent Observatory for the National Plan for the Protection of Underwater Cultural Heritage. These tasks are carried out in collaboration with the different regional governments and its research centres and in cooperation with the States who partner with the UNESCO Convention. Furthermore, the ARQUA has recently taken charge of the Odyssey’s treasure. The Nuestra Señora de las Mercedes frigate collection, which consists of more than 570,000 gold and silver coins from the late 18th century and the beginning of the 19th century. https://www.murciaturistica.es/en/museum/arqua-museo-nacional-de-arqueologia-subacuatica-132/

The Gothic Quarter is one of the most famous landmarks in Barcelona. Located in the heart of the old city, this neighborhood features a fusion of buildings dating from Roman times to the 20th century. The main attribute of the Gothic Quarter is the antique aspect of its buildings, narrow streets and the near absence of traffic. In fact, many areas are for pedestrians only and built like a labyrinth of winding streets and hidden squares. https://barcelonando.com/barri-gotic-gothic-quarter

Собор недалеко от квартиры, где мы жили в Барселоне. Официально он называется длинно - Собор Святого Креста и Святой Евлалии На крышу собора можно подняться, и оттуда открывается неплохой вид на город

El Palau de la Musica Catalana is the most famous concert halls in Barcelona. Squeezed between the narrow streets of La Ribera neighborhood, is one of the most fantastic buildings of the Modernista movement. https://barcelonando.com/palau-de-la-musica-catalana

This amazing building, the Casa Amatller by Puig i Cadafalch, a contemporary of Gaudí, which combines the neo-Gothic style with a ridged façade inspired by houses in the Netherlands, is part of the block known as the "mansana de la discòrdia" of Barcelona. http://www.barcelonaturisme.com/wv3/en/page/1197/casa-amatller.html

Casa Batllo is one of Barcelona’s biggest landmarks. If buildings could be celebrities, there would be a perpetual red carpet in front of it. The remarkable facade it’s the most prominent feature and it has been subject to many interpretations. Originally, Gaudí didn’t build Casa Batlló. He was hired to redesign the late 1800’s building in 1904, and the result was one of his most emblematic works in Barcelona along the Sagrada Familia. The building was transformed into one that hardly resembles the original. Animal and nature forms inspired the facade of Casa Batlló. For example, the skull shape of the balconies. As beautiful as is the outside, you must schedule a visit to the interior to witness the most original and jaw-dropping architecture. To begin with, a good part of the outside is covered with bits and pieces of broken and multicolored ceramic tiles, a technique called Trencadís, which was used massively by Gaudi in most of his works, visible for example in the Park Güell benches. An interesting effect is created when direct sunlight hits the building, as the tiles shift through different shades of colors along with the stained glass windows. https://barcelonando.com/casa-batllo

The Sagrada Familia is definitely the most famous building in Barcelona. Considered one of Gaudi’s masterpieces, it’s a key attraction in Barcelona and one of the most striking monuments ever built in the world. In fact, there is absolutely no other building in the world featuring such a genius mixture between Gothic and Art Nouveau styles. Antoni Gaudí took over the project in 1883, a year after construction had begun, and completely reshaped the project to fit his unique style. Unfortunately, Gaudí died in 1926 when only a quarter of the project had been constructed. Sadly, most of the blueprints left were burned in a fire, therefore, all that’s been built ever since has been a wide interpretation of Gaudi’s architecture. Stopping over the Sagrada Familia should be top priority if you’re in Barcelona for the first time. Visiting the basilica it’s an enjoyable experience and a great way to be introduced into Gaudí’s architecture. Besides, it offers the best possible views of the surrounding Eixample District, Barcelona’s own Big Apple. https://barcelonando.com/sagrada-familia

Park Guell is one of the most fantastic designs ever built by Gaudi. A landmark on its own, it features amazing views of Barcelona and plenty of modernist works. Needless to say, as soon you pass the entrance, you’ll notice right away that this isn’t an ordinary park. Curiously, Park Güell wasn’t originally intended to be a park, but rather a project for luxurious homes. In 1900, the site was just a rocky hill with nothing but vegetation around, in the vicinity of some isolated upper class country houses. The result was one of the most fascinating works by Gaudí. The intention of the project was to take advantage of the breathtaking views of Barcelona and the clean fresh air, away from the factories, in order to build a top of the line housing complex. In Park Guell, there are plenty of paths and vegetation to enjoy, but the architectural structures are the glue that holds the whole place together. https://barcelonando.com/parc-guell

The park covers a surface area of 17 hectares and gives Nou Barris a pleasant, modern appearance in keeping with the residential area where it is located. It blends in perfectly with the site and its undulating landform has a lot of surprises in store. http://www.barcelonaturisme.com/wv3/en/page/524/parc-central-de-nou-barris.html

This Baroque bell tower has an eight-sided floor plan and consists of four different sections, the first three made of stone and the upper one made of fired brick. There are three bells, two of which are liturgical and the third one tells the time; the decoration, executed by the artist, Joan Vila Cinca is particularly beautiful. At the very top of the bell tower, there is an angel that acts as a weathercock and two-time bells. Inside, you can visit a small exhibition featuring the building, the bells, and the last clock that made them work, built in 1903. And from the top of the bell tower, visitors can have a splendid view of the city and its surroundings. http://www.sabadell.net/Eng/Tourism/p/patrimoniurba_eng.asp

With the conquest of the city of Lleida in 1149, the Templars received various properties in compensation for their assistance during the siege, including Gardeny Hill. The earliest reference to the Gardeny Command dates from 1156, the first commander being listed as Brother Pere de Cartellà, a figure who had been actively involved in the city siege. http://www.turismedelleida.cat/viure-a-lleida-en/el-castell-de-gardeny

La Llotja is a monolithic construction, subdivided into three functional levels allowing it to serve different purposes. The central level is the interconnecting core, linking up the various programmes by means of the central stairway/ramp, which also provides illumination. http://www.turismedelleida.cat/viure-a-lleida-en/la-llotja-de-lleida

This is an old Gothic building which dates back to the 13th and 14th century. Its altarpiece is a superb example of Spanish Renaissance sculpture carved in alabaster by Damián Forment between 1520 and 1533, representing the Passion of Christ. http://www.huescaturismo.com/en/monumental-detalle/7/the-diocesan-cathedral-museum/

This splendid old Aragonese Renaissance palace with imposing towers on either side, a wooden roof and imposing staircase forming a beautiful gallery, dates back to the 16th century. Inside the Court the old wooden roof and ceiling can be observed which continues into the old Hall of Justice housing the painting by Jose Casado del Alisal, dating back to 1880 and depicting the infamous legend of the Bell of Huesca. To the right of the City Hall is the old Imperial College Santiago, founded in 1534, which was once part of the most prestigious University of Huesca for over three hundred years. http://www.huescaturismo.com/en/monumental-detalle/10/city-hall/

The museum, recently reconstructed modern building, located on the Carretera de Ronda, houses inter esantesfondos with valuable works from prehistory to the Muslim period. In addition, the museum was awarded the European Museum of the Year Award in 2008, and inside, in addition to continuous exposure other activities such as conferences, exhibitions and festivals are held. https://www.turismodealmeria.org/en/motivo-tematico/museo-de-almeria-arqueologico/

There is no record of the date of the project or the name of the architect author. The only data found in the municipal archives and collected by the historian Emilio Villanueva (“Urbanism and Architecture in Modern Almería”) are proof that the new Apollo Theatre was built in 1881 on the site that had previously occupied the Teatro Calderón. At a time abounding recreational societies was one of them, the Society of Twenty, who promoted its construction becoming the first owner of the theatre. In January 1984, the Directorate General of Architecture and Housing, Ministry of Public Works, Transport and Environment, commissioned the architect Angel Jaramillo Esteban, performing some previous studies for the rehabilitation of the building, and then in 1985 the corresponding project.The works managed by the Hon. Almería City Council, beginning in 1987 under the direction of the same architect and then for various reasons remain stalled between 1989 and 1992, were completed in 1993, having taken part in financing the ministries of Public Works, Transport and Environment and Culture and the Departments of Public Works and Transport and Culture and the Environment of the Junta de Andalucía https://www.turismodealmeria.org/en/motivo-tematico/apollo-theater-2/

The mineral loading, called “English Cable”, is located in the Playa de las Almadrabillas, dockside lift and the terminal of a branch of the railway. It was originally owned by British mining company “The Alquife Mines Railway Limited” (hence its name), which won the concession in 1901, immediately undertaking the construction in 1902. It is an example and a masterpiece of iron architecture of the early twentieth century. Its construction is possible due to the construction of the port and railway, moving its construction in the current eclectic but introducing a new architectural language characterized by the use of new materials, such as iron. Its surroundings form the beach and a bridge link with the railway station. It consists of two parts: access linking the railway station with the landing, and the pier itself through which the trains could unload directly into the hold of the ships. Your access begins at the terminal of the railway, whose middle section rests in large arches on pillars of stone, separated by metal sections based on large iron beams. In 1998 he was declared of cultural interest for its historical, symbolic and aesthetic values. https://www.turismodealmeria.org/en/motivo-tematico/the-english-cable-structure/

The Alcazaba, with its 1430 m. walled perimeter is Spain’s second-largest Muslim construction, after the Alhambra Palace in Granada. It was built at the behest of Abderrahman III in the tenth century after the founding of the city. It is a stronghold which housed three campuses; the first two Muslims and one Christian, last built after the conquest of the city by the Catholic Monarchs, which occurred in 1489. The fortress is situated on a hill, overlooking the old centre of the city, the medina. In it, we find a first enclosure where there is a large garden and ponds constructed during the Muslim period. The second area, the vast palatial residence of King Almotacín, stood during the eleventh century. This consisted of a public area, where today are the caliphate wells of the tenth century, a Christian arch of the 16th century. Finally, is the last enclosure of the fortress, Christian, and ordered to be built by the Catholic Monarchs, after the taking of the city. It is a Christian castle within the Muslim fortification. https://www.turismodealmeria.org/en/motivo-tematico/the-alcazaba-fortress/

This is the original centre of the city. Abderramán III, Almería founded in 955 (10th century), by constructing a wall around the heart of the town, building a fortress to defend the city, and provide a mosque for prayer. It extended from the Avenue of the Sea to Queen Street. The route crossed diagonally from the main gateway (at the beginning of Queen Street ) to Sortida or Socorro (at Socorro Street), passing through Pechina or Real de la Almedina street, which were within the preserved route of Caliphate medina. This area can be best described as streets and alleys, where there were no free spaces for squares nor little squares. The squares are found around the Great Mosque, whereas the shopping district was formed for alhóndigas, souks and bazaars. Within here the Alcaicería (luxury shopping district) stood. The shipyard, located in the area of the current Atarazanas street, occupied an important space at the south-eastern tip of the medina. There were many neighbourhoods around this area, each with its small mosque, as in the case of existing in the current Hermitage of San Antón. https://www.turismodealmeria.org/en/motivo-tematico/the-medina-walled-town/

One of the legends attributed to Sant Jordi, which rapidly became the most famous, tells of a dragon who scared the inhabitants of a city. To calm it down, a lamb and a young girl chosen at random had to be offered every day. http://www.perpignantourisme.com/gb/decouvrir/perpignan-catalane/sant-jordi-et-sant-joan#sthash.x611XTzR.dpbs

his gate is all that remains of the Royal Citadel of Ciudad Real.It dates from the 14th century. It has 6 arches (the 2 exterior ones are ogival and the 4 interior ones horseshoe shaped). http://www.spain.info/en_IN/que-quieres/arte/monumentos/ciudad_real/puerta_de_toledo.html

It is a transitional Gothic building, although its origins go back to a Romanesque shrine. It has been restored several times, the most recent one giving it its current appearance. http://www.spain.info/en_IN/que-quieres/arte/monumentos/ciudad_real/catedral_de_santa_maria_del_prado.html

This is one of the most well-known monuments in Madrid. Built between 1769 and 1778 under the orders of King Carlos III, it was designed by Francisco Sabatini and erected as a triumphal arch to celebrate the arrival of the monarch at the capital. The granite gate is 19.5 metres tall and is elegant and well-proportioned. The façade features a number of decorative elements with groups of sculptures, capitals, reliefs and masks, among others. http://www.spain.info/en/que-quieres/arte/monumentos/madrid/puerta_de_alcala.html

This gallery in Madrid has the most complete collection of Spanish painting from 11th-18th centuries, and numerous masterpieces by great universal artists such as El Greco, Velázquez, Goya, Bosch, Titian, Van Dyck and Rembrandt. The quality and variety of its collection makes the Prado one of the world's best-endowed museums. It combines a first-class collection of Spanish painting, the most important works of the Flemish and Italian schools, and various fine examples of the German, French and English schools. It is home to numerous masterpieces of universal art such as Las Meninas by Velázquez, the two Majas by Goya, Nobleman with his hand on his chest by El Greco, the Garden of Delights by Bosch, and The Three Graces by Rubens, among other priceless pieces. Although the museum was created to house primarily works of painting and sculpture, it also contains major collections of drawings, engravings, coins and medals, as well as items of clothing and decorative art. http://www.spain.info/en/que-quieres/arte/museos/madrid/museo_nacional_del_prado.html

Built in 1782, the Cibeles Fountain has been standing in this emblematic square since 1895. One of the city’s most famous landmarks, it depicts Cybele, the Great Mother and Roman goddess of fertility, atop a chariot drawn by two lions. It stands in the centre of the Plaza de Cibeles, the square to which it has lent its name and which marks the start of Madrid’s avenue of art, the Paseo del Arte. The fountain is flanked by four magnificent buildings: Buenavista Palace (the Army’s General Headquarters), Linares Palace (which accommodates the Casa de América cultural institution), Cibeles Palace (previously the main Post Office, it now houses Madrid City Hall and CentroCentro cultural centre), and the Bank of Spain. Commissioned by King Charles III it was designed by renowned Spanish architect Ventura Rodriguez. All three figures were made with purple marble from the town of Montesclaros, in Toledo, and the rest of the monument was carved from stone from Redueña, an area 53km to the north of Madrid, close to the La Cabrera mountain range. https://www.esmadrid.com/en/tourist-information/fuente-de-la-cibeles