Architecture, Craiova

It is one of the most famous monuments of Sibiu. It bears this name because it used to defend the entrance gate into the second precinct, situated in the immediate vicinity of the building which once hosted the City Hall of Sibiu, mentioned in the documents for the first time in 1324 (no. 31, Small Square, recently rehabilitated). http://www.turism.sibiu.ro/index.php/en/fortificatie/164

The House of the Free Press (Casa Presei Libere), formerly called Casa Scânteii, is one of the landmarks of Bucharest reminiscent of the communist regime. The edifice was built during the regime (between 1952 and 1957) and served as headquarters of the party’s publication (Scânteia) being, thus, by design, an institution completely subject to the communist authorities. In reaction to this juncture, subsequently to the 1989 Revolution, the name of the building was changed into the House of the Free Press. The building combines elements promoted by the Russian Soviet architecture with details typical of the religious architecture cultivated in Wallachia and Moldavia. Just like most of the megastructures erected during the communist regime, the building strikes by its dimensions. The horizontal coordinate of the edifice exceeds its vertical line, and the difference is so considerable, that the aesthetic impact can hardly be overlooked. http://www.tourism-bucharest.com/bucharest-attractions/other-landmarks-in-bucharest/house-of-the-free-press.html

Bucharest National Opera House needed headquarters since the beginning of the 19th century. The nowadays building housing the National Opera in Bucharest was designed in 1946. The first Italian theater was opened in Bucharest in 1843 and it has to do with the National Opera, for it was opened with the opera Norma by Vincenzo Bellini, followed by the Barber of Seville by Rossini. In 1870, the composer and conductor George Stefanescu tried to persuade the authorities to build a headquarters for the Opera. Thus he launches the Opera Company in 1885 with the performance of Linda di Chamonix by Donizetti, sung in Romanian. Only in 1921, the Opera Company receives the necessary funds in order to organize itself in the new institutional order, becoming the Romanian Opera. The premiere of Lohengrin by Richard Wagner, with George Enescu conducting, was the opening performance that year. The theater was built in classical style. The main hall ha 2200 seats, surrounded by lodges and amazing acoustics. There are four caryatids, four statues, Drama and Poetry statues, a bas-relief called Music and another one called The Dance. George Enescu’s monument is in front of the building. https://bucharest-travel.com/opera-in-bucharest/

Village Museum in Bucharest is an open-air exhibit for tourists who want to learn more about rural life in Romania. It is so fine that you might want to move into it. That was a joke. You wouldn’t want to leave in underground houses or in the same house with your parents, like people in Romania used to do and still do, do you? The Village Museum in Bucharest is a great history lesson for all the people all around the world about the life in South-Eastern Europe, under the Russian influence, Turkish influence and also, ancient and medieval influences. The first try to create a museum dedicated to the country life in Romania was attempted in 1867 at the Paris Universal Exhibition. Romanian rural constructions were exhibited there. Then, a sociologist, Dimitrie Gusti sent students and volunteers to target and rebuild old houses from all Romanian provinces and villages. In 1936, King Carol II opened the new museum which housed 33 authentic houses from Maramures, Moldavia, Transylvania and Muntenia and also churches. The Village Museum became in 1940 after Bucovina was taken by the Soviet Union, house for refugees and many of the buildings were damaged. In 1948, the Museum opened its gates again. 233 constructions could be visited. Nowadays in Village Museum Bucharest, the tourists can visit 338 monuments brought from Transylvania, Banat, Muntenia, Oltenia, Dobrogea and Moldavia and also popular art artefacts. https://bucharest-travel.com/village-museum/

The Arch of Triumph in Bucharest was a modest monument, in the beginning, made of wood and built in 1878 after the Independence War to mark the victory parade on October 8 the same year. Two inscriptions were written in front of it: The defenders of Independence and Bucharest City. A statue representing The Victory was placed on the Arch. There were also written the names of the places were Romanians fought for freedom to remain on this symbol of triumph in the War of Independence against the Turkish Empire and of its domination which lasted for more than 300 years. Made of pink marble from Ruschita and stone brought from 5 important Romanian quarries, the Arch of Triumph is 27 meters high and 25 meters wide and is considered a modern new Romanian architectural masterpiece. It is also one of the symbols and highlights of Bucharest. Now, the Arch of Triumph is part of the tour the authorities thought might help foreign tourists and not only to discover the Romanian capital. https://bucharest-travel.com/bucharest-arch-of-triumph/

House of the People in Bucharest, also known as the Palace of the Romanian Parliament is the second-largest administrative building for civilian use in the world, after the US Pentagon. It is the heaviest building on Earth, made from 1.5 billion lb of steel and bronze for doors, capitals and windows, all of them monumental, 7,7 million lb of crystal glass for 480 chandeliers and more than 1,400 ceiling lights and mirrors and 35,3 million ft of marble. In the House of People in Bucharest, the parquet and wainscoting were made from 900,000 cubic meters of wood. There are also in the Romanian Parliament building, velvet and brocade curtains with embroideries in silver and gold. Only the floor area is 360,000 square meter and the underground parking is large enough for 20,000 cars. The House of the People was part of a gigantic project, called The Civic Center, a copy of Pyongyang city in North Korea. Nicolae Ceausescu decided to build this state within a state in 1978, after the 7.2 earthquakes that devastated Bucharest on March 4, 1977. The capital had to be rebuilt and the Civic Center was part of the plan. Ceausescu wanted The House of the People, or The House of the Republic, a new Minister of Defense, a new Museum of the Communist Party, a Guests House( now Marriott Hotel), a huge park near the House of the People( Izvor Park) and a boulevard called The Victory of Socialism Bd. ( actual The Unification Bd). A very young architect won the national contest with her plan for the Civic Center and House of People: Anca Petrescu, 28 years old. In 1982, soldiers and ordinary workers began to put down all the buildings in the area. https://bucharest-travel.com/house-of-the-people/

The Cathedral of Saint Joseph is the most important Roman Catholic Church in Bucharest serving, at the same time, as cathedral of the Roman Catholic Archbishopric in Bucharest and Metropolitan Cathedral of the Roman Catholic Church in Romania. The crucial role of this place of worship in the religious life of the community of Roman Catholic believers in Bucharest and nationwide alike is, thus, understandable. Built between 1873 and 1884 (the construction works took so long because of the War of Independence in 1877), the cathedral is an architectural monument erected by following the design of Friedrich Schmidt, combining elements typical of the Roman style with discreet Gothic touches. The inner highlights of the cathedral refer to the main white Carrara marble altar (built in Rome by following the designs of the same Friedrich Schmidt), to an impressive organ (the present organ was built in 1930 in order to replace the original 1892 Parisian organ) said to be one of the best in the country, to the Parisian chandelier, to the decorative pictorial works by Georg Roder and Fr. Elsner, as well as to the decorative plasterwork on the walls, columns and pillars. http://www.tourism-bucharest.com/bucharest-attractions/places-of-worship-in-bucharest/cathedral-of-saint-joseph.html

Romanian Athenaeum is one of the most beautiful buildings in Bucharest and cultural center and also host for GEORGE ENESCU FESTIVAL. In 1886, authorities bought the land where the future Athenaeum was to be built. This is how the history of the Romanian Athenaeum begins. The French architect Albert Galleron and the Romanian architects Grigore Cerchez, Alexandru Orascu, Ion Mincu and I.N. Socolescu started the project. Works began in 1886 and were finished in 1889. It was built in neoclassical style, it has Greek temple elements but also French decorations from the end of the 19th century. A circus was on the land of the nowadays Romanian Athenaeum in Bucharest. The entrance has 6 Greek columns, the dome is Baroque style, 41 meters high. The interior of the Romanian Athenaeum in Bucharest includes exhibits rooms, concert halls and conferences halls. 12 Greek columns sustain one of the main halls, the Rotonda. 4 monumental stairs start from here, imitating Carrara marble, made by the famous architect, Carol Stork. The honour stairs also start from here. The great circular hall is 16 meters high, 28,50 meters in diameter and 784 seat capacity. There is also an ensemble of 75 meters long and 3 meters high of paintings, made in alfresco style, representing 25 scenes from Romania’s history. In 1944, during the war, the Romanian Athenaeum in Bucharest was devastated by German and American bombs but it was rebuilt in 1945. https://bucharest-travel.com/romanian-athenaeum/

If you are an art lover you should not miss this place. They have a permanent collection exhibiting historical artefacts and they always have a temporary exhibition bringing new items. Housed in the neoclassical Sutu Palace(1834), the museum features some 300,000 artefacts, from coins, books, maps, engravings, paintings, arms and furniture to old traditional costumes. Among the most valuable exhibits are the document attesting for the first time the name of the city of Bucharest, issued by Vlad Tepes in 1459. https://www.likealocalguide.com/bucharest/bucharest-history-art-museum

The National Art Gallery is the largest and the most representative museum of the Bulgarian fine arts in the country. It is housed in the building of the former royal palace (declared a cultural monument in 1978), together with the National Ethnographic Museum. The beginning of the collection was set in 1892 when the art department of the National Archaeological Museum was established. In 1948 by resolution of the Council of Ministers, the National Art Gallery was established as an independent institution. The exposition of orthodox arts is presented in the crypt of the monumental temple “St. Alexander Nevski” in Sofia. The collection of works of art covers a large period of time – from the adoption of Christianity as an official religion in the Roman Empire in the 4th century to the Age of Bulgarian Revival (18th – 19th century), and it mainly consists of icons. The collections of contemporary and modern Bulgarian art of the museum – from the Liberation of Bulgaria from the Ottoman Dominion (1878) to the 1990s, contain more than 30,000 works of art, and they are divided into three basic expositions – high quality paintings, graphics and sculptures. https://www.bulgariatravel.org/en/Article/Details/262/National%20Art%20Gallery#map=6/42.750/25.380

The oldest and best preserved monument of architecture since Roman times in Sofia is the rotunda church St. George. It was built in the beginning of the 4th century AD and, was considered, during the reign of the roman emperor Constantine the Great (reigned 306 – 337) and the flourishing of the ancient town Serdika (the old name of Sofia). It is believed that the rotunda is the oldest building in Sofia. The temple is situated in the courtyard of the Government Office, just a couple of meters of the remains of the ancient fortress Serdika. It is a cylindrical domed structure, built on a square base. Its width is about 9.5 meters in diameter and its height is about 14 meters. The altar room has a square form and four symmetrically placed niches. The main entrance is at the western wall. Originally the building was used for public purposes. After the recognition of Christianity as a religion in the Roman Empire, the rotunda became a baptistery (a building for conversion to Christianity), due to the many conversions, following the authorization of this religion. http://bulgariatravel.org/en/object/234/sofia

The “Ivan Vazov” National Theatre is Bulgaria’s biggest theatre, as well as the oldest and most stand out and most imposing theatre in the country. This theatre is one of the major landmarks in Sofia due to its prime location and grandiose architecture. The National theatre is located in the centre of Sofia and its edifice faces the City Garden. The Ivan Vazov National Theatre has a well-equipped main stage with 750 seats, a smaller 120-seat stage and an additional 70-seat one on the fourth floor. The theatre employs some of the country’s best actors and stage directors, many of whom are widely popular. http://www.sofia-guide.com/attraction/ivan-vazov-national-theater-sofia-bulgaria/

The Archaeological museum which housed the exposition “Veliko Tarnovo – the capital of Bulgaria XII – XIV c.” is situated westward to the square of “Saedinenie”. The thousand year old history and culture of the region of Tarnovo is traced out there. The accent is on the period of the Second Bulgarian kingdom. The prehistory is presented in the first hall. You can see some archaeological findings from the tumulus of Samovodene (5700-5000 BC), the settlement in the area of “Kachitsa”, V.Tarnovo (5300-3800 BC), Djulyunitsa (4800-4000 BC), tumuli of the village of Hotnitsa, the waterfall near Hotnitsa (3600 BC), the Thracian village on the hill of Tsarevec. The point is on the golden treasure of Hotnitsa that dates back to about 4100 BC. It is worth to see the golden objects from the cave of the village of Emen and a piece with signs of proto-writing system. http://www.velikoturnovo.info/en/museums/i1/Archaeological-museum.html

The Holy Forty Martyrs church was built and decorated with murals by the will of the Bulgarian tzar Ivan Asen II, to commemorate his victory over the king of the Epirus kingdom Theodor Comnenus in 1230. In the middle of the XIII century, around the church was erected the royal monastery of the Great Laurel. The church became a centre of a series of important events and its nave comprises the most significant tokens of the Bulgarian history – the columns of khan Omurtag (815 – 831), of khan Krum (803-814) and of Ivan Asen II with inscriptions on them. During archeological researches were unearthed the tombs of significant medieval persons. The biggest interest drew the grave the Bulgarian king Kaloyan, who was assassinated during the siege of Thessaloniki in 1207. After his death his body was solemnly carried to capital, where he was buried with honours. In the church were also the graves of one of the greatest Bulgaria’s rulers – Ivan Asen II and his wife Anna – Maria. The church was the place where the relics of St. Sava of Serbia and St. Ilarion of Muglen were kept. Consequently the body of St. Sava was transferred to Serbia but his grave is still an attractive point for pilgrims. One of the most important events held in the church was the pronouncing of the Bulgarian independence on the 22nd of September, 1908. http://www.velikoturnovo.info/en/churches/i13/Holy-Forty-Martyr%E2%80%99s-church-and-the-Great-Laurel-Monastic-Complex.html

Steering just a little from the Main Street in Plovdiv and imperceptibly you find yourself in “Kapana” (literal translation: “The Trap”). Once you get there you would never want to go back. You will find galleries, workshops, ateliers, studios, cozy restaurants and shops, as well as other art spaces, and there is even a vinyl shop! And to back our words up, here is a list of places you should not miss in “Kapana”: Vinyl’s home place Soul Searchin’ – Point-Blank Gallery – Darvodelie Atelier – What A monster – Kotka and Mishka.... All these places fill “Kapana” with modern cultural content not only with their daily activities but also organizing events with social, economic and cultural effect for the city. What happens in the new/old art district of Plovdiv is so much – concerts, exhibitions, festivals, forums, brainstorming sessions and discussions, theatrical performances, art installations, screenings, workshops and many more. http://www.visitplovdiv.com/en/node/2984

Plovdiv Regional Ethnographic museum is the second largest specialized museum of this type in Bulgaria. It is an acknowledged scientific-educational institution and an attractive center for cultural tourism. The museum was established in 1917 and since 1938 it has been located in Kuyumdzhieva house, a cultural monument of national significance. Plovdiv Regional Ethnographic museum provides coordinative, qualification and expert-consulting activities for all museums and collections of artifacts with ethnographic character on the territory of Plovdiv and the region. In addition, the museum lends its methodical support to the municipal and private museums.The museum is a co-organizer and a host of popular traditional festivals such as Festival the Annual Festival of Chamber Music, The Festival of Classic Guitar, etc., as well as concerts, biennials, fashion shows, theatrical plays, book presenting and performances. The demonstration of traditional crafts is another type of tourist attraction. http://www.visitplovdiv.com/en/node/844

The Stadium of Philippopolis was built in the beginning of 2nd century AD during the reign Emperor Hadrian. It is situated in the Northern part of the fortified city surrounded by defence walls, in the natural terrain between Taksim Tepe and Sahat Tepe. The facility, approximately 240 meters long and 50 meters wide, could seat up to 30 000 spectators. According to the epigraphic and numismatic monuments games similar to the Pythian Games in Greece were held in the town. To honour the visit of the Roman emperor Caracalla in 214 the games were called Alexandrian while the games for the visit of emperor Elagabalus in 218 were called Kedrisian Games. There you can dive underground at the original level of the Ancient town. The space open for visitors includes a part of the track, the semi-circular part of the spectator seats (sfendona) and a panoramic wall with hypothetical reconstruction of the missing space of the facility. Some of the discovered elements of the Stadium are identified along the main street of Plovdiv. http://www.visitplovdiv.com/en/node/523

Ancient Plovdiv Architectural and Historical Reserve (The Old Town) is located in the Central part of the city of Plovdiv on the Three Hills (Nebet Tepe, Taksim Tepe and Dzhambaz Tepe) and covers an area of about 35 ha. It was formed due to the continuous life over the centuries – from Prehistoric, Thracian, Hellenic, Roman, Late-ancient, Medieval, National Revival, and Post-Liberation periods to present days. The combination of the prevailing Antiquity, Middle Ages and Revival in an independent core within the modern city is one of a kind for our country. From the Roman and the Late-ancient period in the Old Town have been best preserved the Ancient Theatre, the Ancient Forum, the Roman Stadium, Early Christian basilicas, public and private buildings, pipelines, street network and parts of the fortress walls, constructed in the Antiquity and the Middle Ages. From the National Revival period the authentic architecture of houses as well as several churches and school buildings have been preserved. The residential buildings are divided into two main groups. The first group of houses corresponds to the mountain asymmetrical type, but it has been expanded and enriched for the needs of the urban life. The second group is the so-called “Plovdiv symmetrical urban house”. This group of buildings is characterized by a unique national interpretation of the European baroque. http://www.visitplovdiv.com/en/node/676

The Ancient theatre of Philipoppol is one of the best-preserved ancient theatres in the World. It is located on the Southern slope of the Three Hills, in the saddle between Taksim and Dzhambaz tepe. Discovered by archaeologists from Plovdiv and reconstructed in the beginning of the 80s of XX century, the Ancient theatre of Philipoppol is among the most significant findings from the Roman period. Recently found and deciphered inscription on a monumental pedestal reveals that the theatre has been constructed in the 90s of I century A.D., when Philippolol was under the rulership of Titus Flavius Cotis – an heir of a Thracian Royal Dynasty, the high priest of the Tracian province, representative of the Metropolitan Court of Justice and a person in charge of the construction sites. Nowadays, the Ancient theatre is symbolical for Plovdiv and adjusted to the city’s modern cultural life. It is operating as a stage of opera, music and drama. Some of the best annual events are the International Folklore Festival, the Opera Festival "Opera Open", the Rock Festival "Sounds of Ages" and many others. http://www.visitplovdiv.com/en/node/522

The Roman-Catholic Episcopacy Palace is one of the most representative Baroque buildings in Timişoara. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/240-palatul-episcopiei-romano-catolice.html

Libertăţii Square is undoubtedly the oldest of the Timişoara squares. Libertăţii Square’s location is also the site of the original nucleus from which Timişoara’s evolution started, the first place where people settled and lived continuously in the hearth of today’s city. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/250-piata-libertatii.html

The monument has two names – both used: “St. Mary monument” and “St. Nepomuk monument". Both are (and were) correct, but could cause confusion: there was another “Mary”, quite famous, and it is in the namesake square from Iosefin, and there is also another Nepomuk near the Millennium Church in Fabric. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/230-monumentul-sfintei-maria.html

In 1642 Pater Andrija Stipancic, an observant franciscan monk from the “Bosna Argentina” province and priest at Radna, succeeds, after a long pilgrimage on foot made to Istambul and back, to obtain an Embre from the sultan for the renovation of his chapel. http://www.uvisitromania.com/tourist-attractions/arad/basilica-maria-radna-id532

Kalemegdan Park is Belgrade’s birthplace. Filling much of the promontory where the Danube and Sava Rivers converge, the green sprawl was settled millenniums ago by the Celts and bears traces of many successive peoples and empires. F http://www.serbia.com/36-hours-belgrade/

Belgrade Fortress stands on top of a cliff overlooking the confluence of the Sava and the Danube. This is the last raised ground in the Balkan Peninsula before the vast stretch of flatland of the Pannonian Basin, extending all the way to Central Europe. The Fortress controls the access to the Pannonian Basin and the navigation on the Sava and the Danube, a position of outstanding strategic importance, accounting for its role as a border fortress throughout much of its history. It served to guard the border between the Roman Empire and barbarian lands across the Danube and the border between the Ottoman and Austro-Hungarian Empires, to name a few, which explains why it was so often destroyed, rebuilt and redesigned. The Romans were the first to build a fort at this site in the late 1st century as the HQ for the IV Roman Legion - Flavia Felix. Its remnants are barely visible today. Belgrade Fortress consists of the Upper Town, Lower (or Water) Town and Kalemegdan Park. The present layout of the Fortress took shape in the late 18th century, but there used to be many more buildings within its walls that had perished in different battles. http://www.beligrad.com/fortress.htm

Ivan Meštrović’s masterpiece “Belgrade’s statue of the Victor” is just one part of the fountain that was planned to be the crowning jewel of Serbia’s capital. Fountain remained unfinished, and the Victor being too liberal for the eyes of war-ravaged Belgrade, was sent from a shed in Senjak, not to Terazije, but to the edges of Kalemegdan’s fortress instead, where the spirits that brought a new age upon us made it a symbol of Belgrade. Three years before the World War I the Terazije’s Plateau was reconstructed so that between the two lanes was left enough space for a splendid fountain. City officials entrusted the construction of the fountain to the most famous Yugoslav sculptor – Ivan Mešrović. His idea was to make the commemorative drinking fountain with its central masterpiece, the Victor, which was supposed to symbolize the freedom of a five century long slavery under the Turks, and the final victory. http://www.serbia.com/belgrades-statue-of-the-victor-from-terazije-to-the-kalemegdan/

The Tailors' Tower (Baba Novac Street / Stefan cel Mare Square) is part of the second fortified precinct of the walls system and of the fortifications of the city, built in the first half of 15th century and continued until the 17th century. It was built on the South-Eastern corner of the city defence wall, after 1405, following the privileges keyed by King Sigismund of Luxemburg. The first confirmed documents date 1457, from the time of King Matia Corvin. The administration of the Tower was entrusted to the most powerful guilds of the town – the tailors' guild. Over time, the Tower was devastated several times (1551-1553, 1601, 1627, and 1707). The actual shape is given by the last big reconstruction from 1709-1711, made by the Austrians, out of over 150 stone wagons. The Tower has renewed again in 1956-1957 when they attempted the opening of a history museum of the city of Cluj, a project forbidden by the communist authorities in 1959. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/page/4/the-tailors-tower.html

The building was constructed at the end of 19th century, according to the plans of the architect Alpár Ignác, having a baroque facade of Viennese style and a corner tower with a clock that impresses by strength and sobriety. On the tower was applied the Prefecture's coat of arms (Cluj County) because the initial destination of the building was that of a County headquarter. The building was included in the systematization plan of the city in 1798 which stated that any new construction had to have the city council’s approval. The initial destination of the building as the headquarter of the County was multiple – political, administrative, fiscal headquarter etc., where the County officials were deciding the wellbeing of the area; in the big chambers, besides the usual meetings, exhibitions of famous and of young artists as well as the city balls from the beginning of the 20th century took place. Nowadays it is the headquarter of the Cluj-Napoca City Hall, an institution that follows the principles of local administrative and financial autonomy, decentralization of public services, lawfulness and eligibility of the local public administration authorities, the consultation of the citizens on community issues. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/clujnapoca-city-hall.html

Founded in 1922 by professor Romulus Voia, the Ethnographic Museum of Transylvania entered the elite of the Romanian ethnographic museums, due to the exceptional quality of its patrimony. It is currently composed of over 41.000 traditional peasant objects from 17th-20th centuries and a documentary fund of over 80.000 items. The museum has two sections: the Pavilion Section and „Romulus Vuia” ethnographic Park (the open-air section). The Pavilion Section functions in „Reduta” Palace – a historical monument that dates since the 16th century. The current pavilion exhibition, vernished on 16th of December and called „Traditional folk culture from Transylvania in the 18th-20th centuries”, rebuilds, with talent, the way in which the Transylvanian peasantry lived two centuries ago. As testimonies remained simple tools or ingenious equipment used in domestic activities, culminating with rich folk suits, which showed not only the stage of the life but also the social position of the one who wore them. There are also presented traditional costumes of the life cycle, the calendar ones and the peasant costumes, with an essential role in highlighting the regional and ethnic identity. Curiosities: With a history of more than 80 years, the museum is the greatest of this kind in Romania and among the most prestigious in Europe (the sixth). The museum functions in „Reduta” building, which housed during 1848-1865 the Transylvanian Diet. The famous trial of the authors of the Transylvanian Memorandum took place in this building in 1894-1895. It has 50.000 photos, 5.000 diapositives, 12.000 specialised magazines. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-ethnographic-museum-of-transylvania.html

The two cultural institutions were founded in 18th September 1919, as an expression of spiritual rebirth after the Great Union in 1918. The building which houses the „Lucian Blaga” National Theatre and the Romanian Opera was built between 1904 and 1906, as a seat for the Hungarian National Theatre, by the famous Viennese firm „ Fellner und Helmer”, combining stylistic elements of new-baroque and Secession. The hall has 928 setas and it is built in New-Baroque style. For decorating the lobby were used stylistic modulations inspired by Secession. The National Theatre and the Romanian Opera have been functioning there since 1919. The opening show of the National Theatre of Cluj took place on 1st and 2nd December 1919, with the plays „Se face ziua” by Zaharia Barsan and „Ovidiu” by Vasile Alecsandri. The „Eupharion” Studio of the National Theatre is specially designed for the young artists and their creative experiments. The Romanian National Opera from Cluj Napoca is the first lyrical dramatic state institution from Romania. The inaugural show took place on 25 May 1820, with the play “Aida” by G.Verdi. More than 200 titles of operas, operettas and ballets from the world repertoire have been put on scene at the Romanian Opera so far. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/the-lucian-blaga-national-theatre-and-romanian-opera.html

The Roman Catholic "Saint Michael" Church (Unirii Square), a great historical and religious architecture monument are one of the most imposing gothic edifices from our country. It was built approximately between 1350 and 1480, being the first hall church from Transylvania. The main portal, carved in 1444 in gothic style, ends with a high accolade, showing in the central part the carved image of archangel Michael. The tower from the north facade was built between 1834 and 1863 in neo-gothic style and it is 80 meter high, including the cross. The inside and outside decorations and the baroque carved pulpit are also remarkable. An extraordinary execution is the portal of the sacristy, from the Renaissance (1528) with Italian motifs and a strong south-German influence. The body of the pulpit, in baroque style, was carved by Johannes Nachtigall and Anton Schuhbauer. The mural picture, fragmentary kept, shows stylistic influences from northern Italy and reveals the first signs of the Renaissance in the painting from Cluj-Napoca. http://www.visitclujnapoca.ro/en/atractii-turistice/best-of-cluj-napoca/page/2/the-roman-catholic-saint-michael-church.html

The Art Museum of Cluj-Napoca is a public institution of a culture whose mission is to preserve, research and put forward the real and virtual patrimony of Romanian and universal art. With a collection of over 12,000 paintings, sculptures, graphic arts and decorative pieces, it is considered one of the most important museums in Romania. Founded as an institution in 1951, the museum has been operating since 1956 in the Banffy Palace – a baroque building which was built based on the plans of the architect J.E. Blaumann during the years 1774-1785, its destination being that of residence for the governor of Transylvania. It is the most important baroque edifice in Cluj-Napoca and one of reference for the 18th-century Romanian architecture. A series of sculptures with remarkable artistic value made by Anton Schuchbauer were added to the building in order to complete its stone architectural decorations. http://www.visitclujnapoca.ro/en/atractii-turistice/muzee/the-art-museum-of-clujnapoca.html

On the western part of the old city walls, guarded by three bastions and gates, this square was initially a marketplace, which was going to be moved to the central square. Eventually, the marketplace was moved closer to the railroad, in the current location of Mihai Viteazul square. Thus, at the end of the 19th century and the beginning of the 20th century the walls and gates of the city were demolished, and a small park was arranged in this square. Later, new buildings were erected here, such as the National Theater, the Orthodox Cathedral, the building of the Chamber of Commerce and Industry, in the Art Nouveau style (today, the office of the Cluj Prefecture); the building of the old “Unió” Masonic Lodge (no. 7 Avram Iancu Sq.); the building of the old military garrison (today, the building of the County School Inspectorate, also known in the oral tradition of the city as the “red building”, a name earned by the red brick walls of the building); the Palace of Justice, where the Court of Appeal and the Tribunal are housed; the EMKE Palace (Hungarian Cultural Association of Transylvania), later purchased by MÁV (Magyar Államvasútak, Hungarian State Railroads), currently the headquarters of the CFR Regional Office; the building of the Archbishopric of Vad, Feleac and Cluj, which houses the Faculty of Orthodox Theology and the building of the Protestant Theology, on the old site of the Reformed Church’s Prayer House. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/avram-iancu-square.html