Architecture, Belgrade

Libertăţii Square is undoubtedly the oldest of the Timişoara squares. Libertăţii Square’s location is also the site of the original nucleus from which Timişoara’s evolution started, the first place where people settled and lived continuously in the hearth of today’s city. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/250-piata-libertatii.html

The monument has two names – both used: “St. Mary monument” and “St. Nepomuk monument". Both are (and were) correct, but could cause confusion: there was another “Mary”, quite famous, and it is in the namesake square from Iosefin, and there is also another Nepomuk near the Millennium Church in Fabric. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/230-monumentul-sfintei-maria.html

The Roman-Catholic Episcopacy Palace is one of the most representative Baroque buildings in Timişoara. http://www.timisoara-info.ro/en/sightseeing/historical-quarters/cetate/tours/240-palatul-episcopiei-romano-catolice.html

The Bezdin Monastery is a monastery dedicated to the Assumption, located in Lunca Muresului Natural Park, near the village Munar, Arad County, on the right bank of the river Mures. The monastery was founded in 1539, the name comes from the Bezdin lake located in the eastern part of the monastery. During the Ottoman occupation, the monastery was burned by the ottomans, and in 1690 a brick church was built in Byzantine style as a form of clover with three abisade. Inside the church is a miraculous icon of Our Lady, brought from Mount Athos. http://www.uvisitromania.com/tourist-attractions/arad/bezdin-monastery-id549

The Water Tower is a building in the city of Arad, which resembles a medieval fortress donjon. The Water Tower has 35 m height and was opened in 1896. At the time of construction, it was the tallest building in the city. It is a massive stone and brick building, which is characterized by the decoration of balconies and windows. On the top floor, there is a water tank with a capacity of 400 tons, which you can get using the scale. http://www.uvisitromania.com/tourist-attractions/arad/water-tower-id546

The Cathedral "Birth of St. John the Baptist" is a monument of baroque architecture in the Arad city. The building was built between 1862-1865. The main funders of construction were family Mocioni and banker Gheorghe Sina. The two towers of the facade were raised in 1904. The two towers are provided with a clock on each side. The church served as the cathedral of the Diocese Arad until 2009, when Holy Trinity Cathedral in Arad, built since 1991, has acquired this feature. http://www.uvisitromania.com/tourist-attractions/arad/cathedral-birth-of-st-john-the-baptist-id540

The Ioan Slavici Classical Theatre (Teatrul Clasic Ioan Slavici) is a three-story, nineteenth century, neoclassical theatre located in the city of Arad. The building was named after one of Romania’s most renowned writers, journalist, and Arad native, Ioan Slavici. The theatre has put on thousands of shows throughout the decades that have delighted and dazzled guests from both near, and afar. The theatre’s inception took place in 1868 when Arad’s city mayor, Aztel Peter, and the baron, Béla Bánhidy, along with other city officials, decided that the city had to have a new theatre. After the decision was made they moved forward and replaced Arad’s old and outdated baroque style theatre, which had been functioning as the city’s primary theatre since 1817, with the new Ioan Slavici Classical Theatre. https://roamingromania.com/ioan-slavici-classical-theatre-arad/

The Cultural Palace (Palatul Cultural) is an early 20th century diverse (multi) architectural style palace located in the city of Arad, Romania. The architecture of the building contains the Classic Italian Renaissance, Romanian Baroque, and French Gothic, elements and designs. The inspiration for some of the palace’s design came from the 15th century Corvin Castle, of Hunedoara, Romania. The idea for the Cultural Palace came from the Kölcsey Cultural Association (Society) of Arad. The Kölcsey Cultural Association of Arad was a literary, historical association that operated in Arad from 1881-1948, and again in 1989. The association was formed by and consisted of a committee of Hungarian’s that were living in Arad. They are credited for preserving much of Arad’s culture and history. https://roamingromania.com/arad-culture-palace/

The Neumann Palace (Palatul Neumann) is a two-story, 19th century, eclectic architectural style palace that’s located in the city center of Arad, Romania. The palace was founded by and built to be, the living quarters for the Jewish, Neumann family, which emigrated to Arad from Vienna in the mid-19th century. The Neumann family went on to become one of the most influential, wealthy, and aristocratic families in all of Romania at the end of the nineteenth century and the first half of the twentieth century. The Neumann’s amassed great fortunes by owning many factories, stadiums, schools, and by controlling the majority of industry in Arad at the time. Some of the family’s most profitable businesses were their spirit and yeast factories, their textile factories, and their steam-powered flour mills. The Neumann family played a significant role in the early development of Arad. Their factories employed and provided salaries to thousands of Arad citizens. The family built schools and stadiums for the community. They also helped fund projects that modernized much of the city’s infrastructure. https://roamingromania.com/neumann-palace-arad/

The Fortress of Arad is a solid fortification system which was built in the 18th century at the orders of, and with the funding from, the Habsburg Empress, Maria Theresa. The cost to complete and erect the fortress reached 3 million Gulden (the currency used by the Habsburg Monarchy at the time). The fortress was built as an inner fortification system to protect the outer region of the Habsburg empire from conflicts in the area. The main conflicts at the time were the ongoing wars between the Habsburgs and the Turkish Ottomans. The location for the fortress was chosen strategically to be at the crossroads of two very important trade routes of the day. It lies in the middle of the trade routes that led from the West to the Transylvania Region, and from the North, Oradea, and Satu Mare, to Timisoara, and down to the Danube waterway. http://roamingromania.com/fortress-of-arad/

The Administrative Palace of Arad is a building built between 1872-1875, which today houses the Arad City Hall. Architectural gem, shaped in "U", with 90 rooms, a true "Palazzo del Municipio", the building reflects the possibilities and also the willingness of citizens to keep up with European modernization. http://www.uvisitromania.com/tourist-attractions/arad/the-administrative-palace-id533

The Cenad Palace (Palatul Cenad) is a three-story, 19th century, eclectic, neo-classical, architectural style palace located in the city of Arad, Romania. The palace was constructed with the sole purpose of functioning as the headquarters for Arad’s Railway Company. Funding for the palace was provided by the very wealthy and aristocratic Count Želenski Robert. The Cenad Palace has an imposing presence in the Arad center. It is surrounded by many other eclectic and neo-classical style buildings which were Arad’s predominant architectural styles in the era of the late 19th century. The palace is considered and listed as one of Romania’s Historical Monuments. The palace is shaped like an L and contains two spectacular towers on the front left and front right corners. There are four separate entrance gates which lead inside the building. The palace’s courtyard contains two dazzling 19th-century gas chandeliers which have been well preserved for many decades. https://roamingromania.com/cenad-palace-arad/

The Red Church is a historical and architectural monument of the Arad city. The building serves as a place of worship of the Evangelical-Lutheran Church in Romania. The name comes from the external finish of polished brick. The church is built in 1906 in Gothic style, with the main tower of 46 meters and a Gothic-style stained glass. At the inauguration, the church had three bells in weight 1590 kg. During World War I, from the disposal of the authorities have been melted two bells, from their bronze were made projectiles. The bells were cast in the foundry workshop Hönig from Arad, famous for bronze casting work. http://www.uvisitromania.com/tourist-attractions/arad/the-red-church-id537

In 1642 Pater Andrija Stipancic, an observant franciscan monk from the “Bosna Argentina” province and priest at Radna, succeeds, after a long pilgrimage on foot made to Istambul and back, to obtain an Embre from the sultan for the renovation of his chapel. http://www.uvisitromania.com/tourist-attractions/arad/basilica-maria-radna-id532

The Purgly Castle is a historic monument located in Şofronea, Arad county. Based on documents is believed the castle construction date would be around 1789. However, the first documentary mention is in 1889, the building appears in a document that mentions an exchange of land. Baron Janos Purgly is one that has transformed the old castle giving her current appearance. http://www.uvisitromania.com/tourist-attractions/arad/purgly-castle-id547

Gazi Husrev Bey’s Mosque, or Bey’s Mosque, as it is known locally, was built in the center of Baščaršija in 1530. Bey’s Mosque was designed by Adžem Esir Ali, a Persian from Tabriz, who was the chief architect in the Ottoman Empire at that time. Today, this mosque is rightly seen as the most important architectural monument from the time of Ottoman rule in Bosnia and Herzegovina. There are many Bosnian leaders buried in the mosque’s courtyard, including Reis-ul-Ulema, Mehmed Džemaludin Čaušević; the politician, Dr. Mehmed Spaho; the reformer, Ali Bey Firdus; the poet, Safvet Bey Bašagić. https://sarajevo.travel/en/things-to-do/gazi-husrev-beys-mosque/176

Sarajevo’s clock tower is 30 meters high and it is believed that it was built in the 16th century. The tower's clock is the only public clock in the world that keeps lunar time (“à la Turk”), to indicate the times for the daily prayers. According to this system, the new day begins at sunset, when the time is shown as 12:00! Since the length of the days change throughout the year, it was the duty of a muvekit (timekeeper) to maintain the clock’s accuracy. In the courtyard of Bey’s Mosque there is one kind of observatory, a muvekithana, which is where the exact time would be calculated with the help of careful techniques and sensitive instruments. The tower's current clock mechanism was brought from London in 1875 by Sarajevan merchants, Hašimaga Glođo and Mehaga Kapetanović. A famous watchmaker and former muvekit from Sarajevo, Abdulah Kasumagić, gilded the hands and numbers on all four of the clock faces. https://sarajevo.travel/en/things-to-do/sarajevos-old-clock-tower/181

The Cathedral of Jesus’ Sacred Heart was built in 1889 in the Neo-Gothic style and is the seat of the Archdiocese of Vrhbosna. The interior of the church is richly decorated and it was the famous Italian-German painter, Alexander Maximilian Seitz, who did the frescos. The Cathedral of Jesus’ Sacred Heart also houses the tomb of Josip Stadler, who served as Archbishop of the Archdiocese of Vrhbosna at the beginning of the 20th century and initiated the cathedral’s construction. There is also a statue in front in honor of Pope John Paul II, who visited Sarajevo in 1997, soon after the war had ended, to send a message of peace and tolerance from BiH’s capital city. https://sarajevo.travel/en/things-to-do/the-cathedral-of-jesus-sacred-heart/78

The neighbouring building is the Town Hall built by the plans of Ödön Lechner and Gyula Pártos. The 150-year-old building of the City Hall was demolished in 1892. József Katona, the writer of our national drama worked there for 10 years. He collapsed and died at the entrance. The cracked stone monument set up at the scene of his heart attack in front of the building reminds us of this tragic event. The notice on this monument says: „The heart of the son of Kecskemét broke here.” In 1895 the offices moved into the building of which area is 5534 m2 and has 174 rooms. On the 8th July, 1911 there was a huge earthquake in the city which did not spare the City Hall either. Its collapsed chimneys and cracked walls were soon reconstructed under the direction of Ödön Lechner. The style of the building with its nearly rectangle-shaped ground-plan mixes the forms of the French Renaissance architecture and the elements of our popular art. The Ceremonial Hall is the venue of the General Assembly meetings of the city, national and international conferences, wedding ceremonies and ceremonial receptions. The period furniture of the Ceremonial Hall is handicraft work. The wooden furniture and the printed leather backed chairs were made in Szeged according to the design of Lechner and Pártos. The beautiful and richly coloured glass windows were made in the workshop of the famous Miksa Róth. The decorative wall-painting was made by Adolf Götz, the wall-candlesticks and the chandelier were made by Sándor Árkay, Imperial and Royal locksmith upon the basis of the designs of Szilárd Várady. The paintings were made by the famous Hungarian painter Bertalan Székely. These paintings show some periods of the Hungarian history embracing one thousand years. https://www.budapest.com/hungary/kecskemet/sights/town_hall.en.html

Let's start our walk in the main square of the "Famous Town" that used to be the market-place for centuries. Here you can find the Big Catholic Church which is the largest cathedral in the Great Hungarian Plain built in the style of the age of Louis XVI of France. Looking down from the 73 meter tall tower you can see the panorama of the town. https://www.budapest.com/hungary/kecskemet/sights/big_catholic_church.en.html

The Art Museum of Craiova is located in Jean Mihail palace – built in late XIX century https://romaniadacia.wordpress.com/2013/08/13/art-museum-in-craiova-jean-mihail-palace/

The Cosuna – Bucovatu Vechi Monastery is an orthodox monastery situated in Craiova, Dolj county. It is the oldest religious edifice from the city of Craiova, being built in 1483. The Monastery`s church was built between 1506 – 1512 and the actual church in 1572, by the Boyar Stephan and his son. http://www.informatii-romania.ro/en/listing/manastirea-cosuna/

This is one of many places of worship that were declared historical monuments and it can be visited on 5 Parcul Traian Street. Its troubled history had an influence on whom to choose as a patron saint and how its interior developed, since it was used consecutively by priests and believers of three denominations – Roman-Catholic, Ruthenian (Greek-Catholic) and, at present, Orthodox Christians. http://oradea.travel/en/?p=1957

THE BLACK EAGLE COMPLEX is probably the most monumental architectural accomplishment in Oradea and in Transylvania, as far as the Secession building style is concerned. The contest to build this architectural complex was won by architects Komor Marcell and Jakab Dezső. http://oradea.travel/en/?p=1913

THE STATE THEATRE dominates Ferdinand Square with its imposing features. Situated in the center of a true architectural museum, this building in eclectic style imposes with exceptional craftsmanship. The construction, so avidly desired by the municipality of the age, was entrusted to renowned Viennese construction firm Fellner and Helmer. http://oradea.travel/en/?p=1873&nggpage=2

The Museum of Modern Art Dubrovnik was founded in 1945. The building now occupied by the Museum of Modern Art Dubrovnik was originally conceived and built (1935 – ­1939) as the showcase residential mansion of Dubrovnik ship owner Božo Banac, and in 1948 it was converted into exhibition premises and museum. It was designed by the well­known Croatian architects Lavoslav Horvat and Harold Bilinić in the neo­Renaissance­cum­Gothic style, along the lines of masterpieces of Dubrovnik urban and villa Renaissance architecture (the Rector’s Palace, the Divona/Sponza, the Sorkočević Villa and so on). Through the conversion works, nine exhibition rooms were created, along with two storerooms and some smaller working areas. Together with the large terraces looking on to the sea and its garden, the Museum has 900 square metres of indoor and over 1100 square metres of outdoor exhibition space. https://www.godubrovnik.guide/dubrovnikthingstodo/museum-modern-art/

The Sponza Palace (Croatian: Palača Sponza), also called Divona (from dogana, customs), is a 16th­century palace in Dubrovnik, Croatia. Its name is derived from the Latin word “spongia”, the spot where rainwater was collected. The rectangular building with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters. The palace has served a variety of public functions, including as a customs office and bonded warehouse, mint, armoury, treasury, bank and school. It became the cultural center of the Republic of Ragusa with the establishment of the Academia dei Concordi, a literary academy, in the 16th century. It survived the 1667 earthquake without damage. The palace’s atrium served as a trading center and business meeting place. An inscription on an arch testifies to this public function: https://www.godubrovnik.guide/dubrovnikthingstodo/sponza-palace/

The origins of the Museum go back to 1872, when the Patriotic Museum was founded, for in its holdings it had a smallish collection of artworks of a cultural history character. More systematic collection of material began after World War II, thanks to the urging of the curator and first manager of the cultural history department, Dr Božo Glavić, to whom goes the credit for moving the collection into the Rector’s Palace and setting up the first in situ display, opened to the public in 1950. During the course of time, the collection turned into first a distinct department of the Dubrovnik Museum, and then into the Cultural History Museum, a component of Dubrovnik Museums. The holdings of the museum consist of material of distinctly cultural, historical and artistic value, with about ten thousand objects created over a time span from the end of the 15th to the beginning of the 20th century. It has been systematised into fifteen collections featuring painting, printmaking, furniture, textiles, ceramics, metals, icons, glass, photographs and photographic materials, miscellanea, documents, postcards, the writer Ivo Vojnović, old weaponry and numismatics. https://www.godubrovnik.guide/dubrovnikthingstodo/cultural-history-museum/

The Rector’s Palace (Croatian: Knežev dvor) is a palace in the city of Dubrovnik that used to serve as the seat of the Rector of the Republic of Ragusa between the 14th century and 1808. It was also the seat of the Minor Council and the state administration. Furthermore, it housed an armoury, the powder magazine, the watch house and a prison. The rector’s palace was built in the Gothic style, but it also has Renaissance and Baroque elements, harmoniously combining these elements. Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master-builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans went too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat (by Pietro Giacometti of Recanati), a rich shipowner from Lopud, who had bequeathed his wealth to Dubrovnik. https://www.godubrovnik.guide/dubrovnikthingstodo/rectors-palace/

The Franciscan Church and Monastery is a large complex belonging to the Order of the Friars Minor. It consists of a monastery, a church, a library and a pharmacy. It is situated at the Placa, the main street of Dubrovnik, Croatia. Church and bell tower of the Franciscan church The earliest monastery was built in the 13th century outside the walls. A new monastery inside the walls and close to the Pile Gate, was built in 1317, but its construction took centuries. Parts of the complex were rebuilt several times. The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696. The decorations on the altar of St. Francis were painted in 1888 by the painter Celestin Medovic. The poet Ivan Gundulić is buried in this church. The monastery was built in 1360 in late Romanesque style by the master Mihoje Brajkov of Bar. https://www.godubrovnik.guide/dubrovnikthingstodo/franciscan-church-and-monastery/

The Ethnographic Museum has its origins in the collection of traditional culture that began to be formed in the first decades of the twentieth century. Its holdings were very much enlarged with specimens of traditional attire and lace donated several times by that great benefactor of the museum, Jelka Miš (1875 -1956). In the course of time, the collection grew into the ethnological department of Dubrovnik Museum, and in 1950 opened its first display of original ethnographic folk handicrafts from the local area on the second floor of Fort St John. At the end of the eighties, the ethnographic department was relocated to the building of the Dubrovnik Republic’s granary, popularly known as Rupe/The Holes, which derives from the name for the underground grain storage areas carved out of bedrock or tufa. https://www.godubrovnik.guide/dubrovnikthingstodo/ethnographic-museum/

Fort Lovrijenac or St. Lawrence Fortress, often called “Dubrovnik’s Gibraltar”, is a fortress and theater located outside the western wall of the city of Dubrovnik in Croatia, 37 m above sea level. Famous for its plays and importance in resisting Venetian rule, it overshadows the two entrances to the city, from the sea and by land. Early in the 11th century the Venetians attempted to build a fort on the same spot where Fort Lovrijenac currently stands. If they had succeeded, they would have kept Dubrovnik under their power, but the people of the city beat them to it. The “Chronicles of Ragusa” reveal how the fort was built within just three months time and from then on constantly reconstructed. When the Venetian ships arrived, full of materials for the construction of the fort, they were told to return to Venice. The Croatian leg of the Red Bull Cliff Diving World Series takes place in Lovrijenac. https://www.godubrovnik.guide/dubrovnikthingstodo/fort-lovrijenac/

It is one of the most famous monuments of Sibiu. It bears this name because it used to defend the entrance gate into the second precinct, situated in the immediate vicinity of the building which once hosted the City Hall of Sibiu, mentioned in the documents for the first time in 1324 (no. 31, Small Square, recently rehabilitated). http://www.turism.sibiu.ro/index.php/en/fortificatie/164