Treves de Bonfili Park

As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed. http://www.turismopadova.it/en/node/18002

The magnificent bigger-than-life Basilica Palladiana is not a church at all and was only partially designed by Palladio. Beneath it stood a Gothic-style Palazzo della Ragione (Law Courts and Assembly Hall) that Palladio was commissioned to convert to a High Renaissance style befitting a flourishing late- 16th-century city under Venice’s benevolent patronage. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The splendid Teatro Olimpico was Palladio’s greatest urban work, and one of his last. He began the project in 1580, the year of his death at the age of 72; it would be completed 5 years later by his student Vicenzo Scamozzi. It was the first covered theater in Europe, inspired by the theaters of antiquity. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

The construction of the apse in the Cathedral of Vicenza had begun in 1482 to the design of Lorenzo da Bologna, but in 1531 it was still unfinished. Early, temporary, roofing was erected in 1540, as a result of the possibility that Vicenza might host the Church Council which in the end was held at Trent. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

So called the “Canalazzo“, is the most important water way of Venice, about 3800 meters long, it splits the city in two sides..Venice from above looks like a big fish, not bad for a city on the sea! The Grand Canal it's like a thick dark line that creates a kind of "big S" inside the fish. http://venice-tourism.com/en/places/san-marco-district/grand-canal

The Accademia Museum (Gallerie dell'Accademia) is part of a complex including the church of Santa Maria della Carità, the homonymous Scuola Grande (the original entrance is now the main access to the museum) and the Monastery of the Canonici Lateranensi (the complex was in use until the beginning of the XIX century). The gallery take its name from the Accademia delle Belle Arti (Art Accademy) who opened the building and shared the sites until few years ago (2004). The operas preserved inside the Gallery are many and of inestimable value. Most of the painting comes from a period between the XIV and the XVIII century, the most important authors are Carpaccio, Bellini, Tintoretto, Tiziano. Also many sculptures and drawing can be admired, amongst them the vitruvian man by Leonardo da Vinci, exposed only few periods. Initially the museum was operating as didactic and restoration of art operas centre. http://venice-tourism.com/en/places/dorsoduro-district/accademia-gallery-museum

The Fenice Theatre is one of the best known not just in Venice but worldwide. It was designed in 1790 by Giannantonio Selva commissioned by a rich and famous drama company. The building was subject of criticism mainly for the positions (in saint Mark’s area, campo San Fantin) and for its Neoclassic style. During the centuries it has been stage for many world premiere of operas become part oh the history, Gioacchini, Rossini, Verdi and more Donizetti, Bellini, Stawinsky… All of them gave their best creation on the stage of this great theatre. The theatre itself has been spectator of the city life, he known the Serenissima Republic, Napoleon, the Austrian empire, the reign of Italy and the Italian Republic. Actually the theatre hosts an important Operas Season, an International Festival of Contemporary Music and the new year eve concert. http://venice-tourism.com/en/places/san-marco-district/la-fenice-theatre

The Rialto Bridge is the first one built across the Grand Canal. In the beginning it was a wooden drawbridge to permit sailing ships to sail from St. Marks Basin to Piazzale Roma area. Only in 1588 the bridge was rebuilt in a sort of white marble called istrian stone, a trademark for most of Venetian artworks (an opera by Arch. Antonio da Ponte) until 1854 the only one spanning across the Grand Canal. It’ s 22 meters wide and 48 meters long a unique arcade 7,5 meters high, crowned by several smaller arcades it’ s crossed with three parallel staircases, The one in the centre has double arcades on both sides, shops and stores are host below the archway, on the niches. The Rialto area is well known for its famous market, open every day (Sunday closed), from San Polo area to the bridge. The market Is frequented mostly by venetian citizens, a continuous passage of people, boats and carriage of fruits, vegetables and fish make of it the most alive part of the city, many tipical trattoria and osterie, serving local wines and food can be founded around, simple but delicious dishes. Venetian called it “Erbaria” and sice ever it has been the main marketplace of the city, in the past ( now the wholesale market has been moved to another part of the city) dozen and dozen of boats loaded with all kind of goodies from the islands and mainland cultivations. http://venice-tourism.com/en/places/san-polo-district/rialto-and-its-market

The Correr Museum offers a real opportunity to know the Art and History of Venice. In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, "Procuratie Nuove", which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. In these spacious rooms, currently there are collections that document various aspects of the city's history, such as public institutions, daily life, naval achievements and local festivals. On the second floor is the exhibition of the Art Collection covering the period from the beginning of Venetian painting to the 16th century; also here we can find other incomparable masterpieces. https://www.venice-museum.com/correr-museum-piazza-san-marco.php

Saint Mark’s Square is surely a place that can’t be missed, an exhibition of rare and unique beauty appear on a 360° view in front of the visitors, the Saint Mark’s Church, the bell tower, the “procuratie” and the Napoleonic wing, the clock tower and the two blacks. The Church, a Romanic Byzantine style was born initially as a mausoleum of the Patron Saint, it has 5 domes, marbles and mosaics to embellish the façade, inside, decorations and wall of golden leaf mosaics represents tales of the Patron Saint. The bell tower is the highest point of the city, 98.6 meters tall, from the top there is a unique and breathtaking view of the isle, it was originally built as a watchtower and a lighthouse in the IX century. Finally the clock tower, also a renaissance style palace, its arcade allow to enter into the square from the “Mercerie” so called because during the Republic there where many shops selling precious merchandise coming from distant ports. Today the Mercerie are site for various commercial activities, mostly murano glass shops and most modern cloth and gift shops. http://venice-tourism.com/en/places/san-marco-district/saint-mark%E2%80%99-s-square-360%C2%B0-view

St. Mark’ s Bell Tower is certainly one of the symbols of Venice, nicknamed “El Paron de Casa” (The Master of the House) . It is the highest building of the city, from the top of its 98.50 meters is possible to enjoy a 360° view of the city, a must if you're visiting Venice!!! http://venice-tourism.com/en/places/san-marco-district/saints-mark-bell-tower

If you are in Venice you cannot miss the opportunity to visit St Mark’s Church, the famous San Marco Basilica. It is one of the most valuable treasures of history, art and faith in the world, located in St Mark's Square, the so-called ‘drawing room of Europe’. When you visit St Mark’s Cathedral you cannot avoid gazing at the vast amount of decorations, mosaics, architectonic structures, precious objects and sacred and allegorical images that adorn the church inside and outside. To face all this in the best way before delving into the details, it is important to let oneself be swept away by this abundance, which changes time after time depending on the lighting, one’s stance and many other details that all together turn San Marco Basilica into a constantly new and deep experience to live in Italy. A visit of St Mark’s Basilica means entering into an intricate world imbued with religion, art and sacred images that narrate in detail the history of Venice: the beauty of this place is nonetheless blindingly evident and one does not need to decipher it in order to appreciate it. https://www.venetoinside.com/attraction-tickets-in-veneto/tickets/skip-the-line-saint-marks-basilica/

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

It's probably the most famous island of the venetian Lagoon, it's composed by seven minor islands. It is well known worldwide for the art of blowing glass. All glass factories were moved to the island of Murano in 1295 to preserve the city from fires that often were caused by factories themselves. Murano was at first inhabited by refugees coming from Altino right after the barbarian invasion. Today it is completely urbanized and counts on 5500 inhabitant. Until 1171, when it was annexed to the Santa Croce district, the island was autonomous. In the year 1275 part of the autonomy was returned to the island's government, so they could promulgate laws and even coin their own money (the Osella). The autonomy of Murano was maintained also during the Austrian domination, that made of it a municipality. During the Austrian occupancy many churches and monasteries were sacked and destroyed so that only three now are left. The Murano municipality (that includes San’t Erasmo and Vignole islands) was suppressed in 1923 and the territory unified with the Municipality of Venice. http://venice-tourism.com/en/luoghi/island-lagoon/murano-island

Burano is amongst the main islands of the Venetian lagoon. At the moment about 3000 people live there and it is part of the municipality of Venice. It is linked to the smaller island of Mazzorbo by a small bridge. Just like Venice, it is divided into “Sestieri” (districts): San Martino Sinistro, San Martino Destro, San Mauro, Terranova and Giudecca (not to be confused with the homonymous island). The isle of Burano is famous for the lace working art, (a tradition since the XVI century), its bright multicoloured houses and for the culinary traditions. http://venice-tourism.com/en/places/island-lagoon/burano-island

Situated in Piazza Bra, the amphitheatre of Verona was built in the first half of the 1st century A.D. (between the end of Augustus‘ reign and the beginning of Claudius). http://www.tourism.verona.it/en/enjoy-verona/art-and-culture/monuments-and-sights/arena-roman-amphitheatre

A Romanesque basilica rebuilt after the earthquake in 1117 round a nucleus dating from the 4th or 5th century.Note on the outside the façade with the large rose window called the “Wheel of Fortune”, the marble bas-reliefs on either side of the porch, the famous bronze doors, the bell-tower and the Abbey Tower http://www.tourism.verona.it/en/enjoy/history-heritage/churches-holy-places/basilica-of-san-zeno

The oldest part of the villa dates back to 1353, the year in which Pietro, son of the poet Dante Alighieri, established himself in Gargagnago. http://www.tourism.verona.it/en/enjoy/history-heritage/villas-and-mansions/villa-serego-alighieri

The new MUSE is located south of the historic Palazzo delle Albere in the new city district Le Albere, which was also planned by Renzo Piano. In this museum science and technology show the interaction of humans and the environment. The MUSE especially invites young, children and families to a wonderful journey into science and nature. The metaphor of the mountain is used in the exhibition to relate life on earth, the first Alpine dwellers, the history of the Dolomites and nature of the Alps. The MUSE also organises numerous events and temporary exhibitions. A special experience is “Maxi Ooh!”, a room for children from 0 to 6 years. A place of sensory experiences with touching, smelling, looking, seeing, and hearing. Fun is guaranteed! https://www.trentino.com/en/highlights/museums-and-exhibitions/muse-science-museum-of-trento/

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

The Buonconsiglio Castle is the largest and most important monumental complex of the Trentino Alto Adige region. It was the residence of the prince-bishops of Trento from the 13th century to the end of the 18th century, and is composed of a series of buildings of different eras, enclosed by walls and positioned slightly higher than the city. Castelvecchio is the oldest nucleus, dominated by an imposing cylindrical tower; the Magno Palazzo is the 16th century expansion in the Italian Renaissance-style as commissioned by the Prince-Bishop and Cardinal Bernardo Cles (1485-1539); the Baroque-style Giunta Albertiana dates from the end of the 17th century. At the extreme south of the complex is the Torre Aquila, within which is conserved the famous Cycle of the Months, one of the most fascinating secular pictorial cycles of the late Middle Ages. Also of exceptional interest are the extensive cycle of frescoes commissioned by the bishops to decorate the interior walls of the Castle, mainly in the late Middle Ages to the Renaissance period. https://www.buonconsiglio.it/index.php/en/Buonconsiglio-Castle/castle/Visit/Introduction

The Botanical Garden of the University of Bologna is one of the oldest in Italy. It was founded in 1568 on the initiative of Ulisse Aldrovandi (1522-1605). After several transfers found its permanent home in Via Irnerio, in the heart of the University area. http://www.bolognawelcome.com/en/home/discover/places/nature-and-landscape/parks-and-gardens/orto-botanico

The Pinacoteca is located not far from The Due Torri (the Two Towers, symbols of Bologna), inside the former St. Ignatius Jesuit Novitiate, built in the second half of the 15th century house young men who were to join the Society of Jesus (Jesuit Order). Besides the Pinacoteca, the building is also the headquarters of the Accademia delle Belle Arti (Figurative Arts Academy) as well as the Historical Artistic and Ethno-anthropological Heritage Authority http://www.bolognawelcome.com/en/home/discover/places/culture-and-history/museums-and-art-galleries/pinacoteca-nazionale-di-bologna-national-gallery

The town of Lonato boasts an exceptional monumental complex. Even the most demanding tourists will find it worth visiting. http://www.bresciatourism.it/en/what-to-do/rocca-and-ugo-da-como-house-museum/

Cattedrale Matropolitana di San Pietro is the cathedral of Bologna, entitled “Metropolitana” in 1582 by Pope Gregorio XIII, who also turned the diocese of Bologna into an archdiocese. In the past, there was a baptistery in front of the façade and the origins of the building may be traced back to the beginning of the Christian era (even though it is said that the church already existed during the 10th century). http://www.bolognawelcome.com/en/home/discover/places/architecture-and-monuments/religious-places/cattedrale-metropolitana-di-san-pietro

The current auditorium of Teatro Grande was designed by architect Luigi Canonica and built in 1810. Girolamo Magnani decorated it in 1862. http://www.bresciatourism.it/en/what-to-do/teatro-grande-brescia/

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

A small church of St. George used to be situated where the Church of St. Euphemia is located today. When St. Euphemia's sarcophagus was brought to Rovinj, the Church of St. George became too small for all the pilgrims. In the 10th century, the people of Rovinj started building a new, bigger church. It was a three-nave church with three projected apses and wooden statues of St. George and St. Euphemia. At the beginning of the 17th century, a new gold-plated stone statue was erected which until this day remains on the altar of the Saint. The church itself required with time more and more reparations, and the town population grew so that the people of Rovinj decided to build an even bigger church. The building process started in 1725 and lasted until 1736. Three main altars were built in 1741, and the organ was installed in 1754. The façade was designed and built in the second half of the 19th century. Many altars and paintings enrich and embellish the church from within. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-eufemija.asp

The Old Town is where life started on what used to be an island secured by medieval walls. The city had seven gates, three of which have been preserved to this day: The Gate of St. Benedict, The Portica and The Gate of the Holy Cross. The first archeological traces of life date back to the Bronze Age, and the old city started developing in the 3rd century. The limited space conditioned the construction of narrow houses, narrow streets and small squares. It's an unique place to visit. The town clock and a small fountain are located on the main town square. The town clock once represented the tower on the south corner of the former town walls. Built in the 12th century, the tower was extended several times. The town clock with its Venetian lion, the symbol of Serenissima dating back to mid-19th century, was situated on the town gate fort near the Califfi Palace. http://www.rovinj.co/en/meet-rovinj/culture-and-history/

Red Island (Crveni otok), one of the most renowned tourist locations in Rovinj. Actually, it consists of two artificially connected islands: St. Andrew’s Island (Otok Sv. Andrije) and Maškin Island (Otok Maškin). Red Island is a fifteen-minute sail away from the town center. Taxi boats arrive from and depart for Red Island every hour, from a small pier on the main town square, and from Delfin pier. The sail to the island is very pleasant, passing by Katarina Island, Lona and Zlatni rt bays that will surely enchant you with their beauty. Dense Mediterranean underbrush and old coniferous forest are predominant on the island, and there are cultivated flower parks with paths near the hotels and annexes. In 2002, Red Island was hit by a heavy storm, almost entirely destroying the 100-year-old pine forest, which has been providing shade and shelter from summer heats for numerous tourists. The biggest damage was caused on Maškin Island. A lot has been done towards cleaning and renovating the island since last year so that you could enjoy its beauty and intimacy again. You can find a really large number of beaches on the island. They are mainly stony beaches with typical coves covered with pebbles. The most frequented beaches are the ones situated on the south side of St. Andrews Island, near the hotel and the annexe. Numerous services are offered nearby, namely: a restaurant, a pool, miniature golf courses, a diver centre and others. A small part of the shore near the little port has been covered with gravel, making it suitable for children and seniors. https://www.inforovinj.com/eng/rovinj/plaze/crveni-otok.asp

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

The forest park Punta Corrente (Golden Cape) is one of the most important natural attractions of Rovinj. At the end of the nineteenth century, Georg Hütterott bought four Rovinj islands (St. Andrew, Maskin, Sturag and San Giovanni) and began cleaning up an area of about 90 hectares on the Golden Cape to build a spa. His premature death interrupted the realization of this ambitious project, but his vision remained and contributed to the development of tourism in this area. The uniqueness of Punta Corrente has been recognized in 1961 and declared a nature park. Golden Cape is ideal for various sporting activities such as running, cycling, gymnastics. The old quarry has been transformed into a paradise for lovers of free climbing. The park is perfect for a leisurely stroll. The whole area is closed to traffic from motor vehicles. The beaches of Punta Corrente are worth a visit. As in the rest of the coast, there are rocky capes and pebble bays suitable for children. In several places along the coast there are beach bars where you can refresh. https://www.inforovinj.com/eng/rovinj/znamenje/punta-corrente.asp