Monasteries, Cambodia

Wat Preah Keo Morakot (Silver Pagoda) is located in the southern portion of the Royal Palace complex. The pagoda was formerly known as Wat Uborsoth Rotannaram because it is where the King worshiped, prayed and practiced every Buddhist Silas Day. In the additional, the royal family and officials also held Buddhist ceremonies there.This pagoda has no monks. However, this Majestic King Norodom Sihanouk lived there for one year when he entered the monkhood on July 31, 1947. Because the pagoda has no monks, visitors usually refer to it as Preah Vihear Preah Keo Morakot. When the King celebrates Buddhist ceremonies, monks from other pagoda such as Wat Unaloam and Wat Botumvattey are invited to attend the ceremonies. Preah Vihear Preah Keo Morakot was built between 1892 and 1902, during the reign of King Norodom, but at that time it was constructed of wood and brick. Its design is base on Cambodian architectural style. Then Banhchos Khan Seima ceremony was held on Feb 5, 1903. There are 1,650 art objects housed in this temple. Most of them are Buddha figures. They are made of gold, silver, bronze and other valuable materials. Some are decorated with diamonds. They are gifts from the King, the royal family, dignitaries and other people who worship at Preah Vihear Preah Keo Morakot, where they pray for peace and prosperity, for happiness and for the preservation of Cambodian cultural heritage for the next generation. In front of the throne, site a Buddha statue made of gold, weighing 90 kilograms (about 200 pounds) and decorated with 2,086 diamonds. The biggest diamond is on the crown. It is 25 millimeters. This statue was commissioned in 1904 by King Sisowath, following the suggestion of King Norodom. King Norodom said, after his body was cremated the gold casket should be melted to make Buddha statue representing Preah Srei Araymetrey. This Buddha statue is named Preah Chin Raingsei Rachik Norodom. https://www.tourismcambodia.com/travelguides/provinces/phnom-penh/what-to-see/370_silver-pagoda.htm

Cambodia’s Royal Palace complex was begun by King Norodom I (ruled 1860-1904) in 1886, when the capital was moved to Phnom Penh. Most buildings were completed before World War I, with involvement by French administrators and Thai designers and architects. French influence can be seen in the formal gardens which enhance the palace, and there are some European-style buildings on the grounds. Now Royal Palace is a home to His Majesty Preah Bat Samdech Preah Sihamoni, King of Cambodia. Royal palace has four gates. The eastern Victory Gate leads directly to the entrance of the throne hall and is used only by royalty and VIPs. The northern or funeral gate is only opened after the death of a monarch. After being embalmed, the monarch’s body is kept in state at the palace for three months, with the face hidden by a one-kilogram solid gold mask, before being taken out via this gate. The west or executing gate was used by condemned prisoners exiting the palace to be killed. The southern gate is reserved for use by commoners and it is through this gate the public reaches the Silver Pagoda. At the top of palace’s throne hall, note the four pale, almost clown-like faces, which represent the all-seeing king. The hall itself is painted vivid yellow, a symbol of Buddhism, and white, for Hinduism, the two main faiths of Cambodia until they were combined into one by Jayavarman VII in the 12th century. The central door of the five at the front of the throne hall are reserved for royalty and VIPs. Inside, note the 1913 ceiling mural telling the story of the Ramayana. The thick carpet supplied by China in 1993 matches the lotus-bud floor tiles. http://www.yourphnompenh.com/royal-palace-and-silver-pagoda/

The National Museum of Cambodia houses one of the world's greatest collections of Khmer cultural material including sculpture, ceramics and ethnographic objects from the prehistoric, pre-Angkorian, Angkorian and post-Angkorian periods. The main activities of the National Museum of Cambodia include exhibiting, safeguarding and promoting understanding of Cambodia’s cultural and artistic treasures. Keeping objects safe and working to ensure the repatriation of pieces stolen from Cambodia are important aspects of the museum’s work, particularly as looting and illicit export of cultural material are a continuing concern. In addition, the Museum strives to engage its visitors through its exhibitions and to fulfil its role as an integral part of the community. The Museum believes that Cambodia’s cultural heritage is of great value and can provide a source of pride and identity to the Cambodian people who have lost so much in recent decades. The availability of multilingual Museum tour guides and Publications, as well as the Museum’s public library, all serve to increase the accessibility of the collection both for local and international visitors. http://www.cambodiamuseum.info/museum_history.html

There are few places anywhere on earth to match the splendour of Angkor Wat. The temple is one of the largest monuments to religion ever built and is truly one the wonders of the world. Believed to have been constructed as a temple and mausoleum for King Suryavarman II at the peak of the Khmer empire in the first half of the 12th century, Angkor Wat is probably the best-preserved of the Angkorean temples. As with other Angkorean temples and walled cities such as Angkor Thom, the central theme of Khmer architecture revolved around the idea of the temple-mountain. https://www.tourismcambodia.com/travelguides/provinces/siem-reap/what-to-see/294_angkor-wat.htm

Angkor Thom is undeniably an expression of the highest genius. It is, in three dimensions and on a scale worthy of an entire nation, the materialization of Buddhist cosmology, representing ideas that only great painters would dare to portray. Angkor Thom, the last capital of the Khmer Empire, was a fortified cit enclosing residences of priest, officials of the palace and military, as well as buildings for administering the kingdom. These structures were built of wood and have perished but the remaining stone monuments testify that Angkor Thom was indeed a "Great City" as its name implies. Temples inside the walls of the city described are Bayon, Phimeanakas, Baphuon, Terrace of the Elephants, Terrace of the Leper King, Prah Palilay, Tep Pranam and Prasat Suor Prat. Symbolically, Angkor Thom is a microcosm of the universe, divided into four parts by the main axes. The temple of the Bayon is situated at the exact center of the axes and stands as the symbolical link between heaven and earth. The wall enclosing the city of Angkor Thom represents the stonewall around the universe and the mountain ranges around Meru. The surrounding moat (now dry) symbolizes the cosmic ocean. https://www.tourismcambodia.com/attractions/angkor/angkor-thom.htm

Shrouded in dense jungle the temple of Ta Prohm is ethereal in aspect and conjures up a romantic aura. Fig, banyan and kapok trees spread their gigantic roots over stones, probing walls and terraces apart, as their branches and leaves intertwine to form a roof over the structures. Trunks of trees twist amongst stone pillars. The strange, haunted charm of the place entwines itself about you as you go, as inescapably as the roots have wound themselves about the walls and towers', wrote a visitor 40 years ago. Ta Prohm is among the largest of the monuments in the Angkor complex, the inscription gives an idea of the size of the temple. The complex included 260 statues of gods, 39 towers with pinnacles and 566 groups of residences. Ta Prohm comprises a series of long low buildings standing on one level, which are enclosed by rectangular laterite wall (600 by 1,000 meters, 1,959 by 3,281 feet). Only traces of the wall are still visible. The center of the monument is reached by a series of towers connected with passages. This arrangement forms a ' sort of sacred way into the heart of the monument’; three-square galleries enclose the area. https://www.tourismcambodia.com/attractions/angkor/ta-prohm.htm

The tenth century temple of Banteay Srei is renowned for its intricate decoration carved in pinkish sandstone that covers the walls like tapestry. Banteay Srei is an exquisite miniature; a fairy palace in the heart of an immense and mysterious forest; the very thing that Grimm delighted to imagine, and that every child's heart has yearned after, but which mature years has sadly proved too lovely to be true. And here it is, in the Cambodian forest at Banteay Srei, carved not out of the stuff that dreams are made of, but of solid sandstone. https://www.tourismcambodia.com/attractions/angkor/banteay-srei.htm

The First Night Market In Cambodia. It is located just off of Sivatha Road, in the heart of the town. It is an outdoors market, but is covered by a roof to protect it from the elements. With around 240 shops, it is the biggest and most interesting night market to see. http://angkornightmarket.com/

It is a testimony to the love of symmetry and balance which evolved its style....in pure simplicity of rectangles its beauty is achieved. It is a pyramid mounting in terraces, five of them ...Below Bak-Keng lays all the world of mystery, the world of the Khmer, more mysterious ever under its cover of impenetrable verdure. Phnom Bakheng is located 1,30 meters (4,265 feet) north of Angkor Wat and 400 meters (1,312 feet) south of Angkor Thom. Enter and leave Phnom Bakheng by climbing a long steep path with some steps on the east side of the monument (height 67 meters, 220 feet) In the 1960 this summit was approached by elephant and, according to a French visitor, the ascent was "a promenade classic and very agreeable. Arrive at the summit just before sunset for a panoramic view of Angkor and its environs. The golden hues of the setting sun on this vista are a memorable sight. https://www.tourismcambodia.com/attractions/angkor/bakheng-mountain.htm